Medium: etching (printing process) / Width [cm]: 31 / Subject Terms: religious and mythological subject

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

Print made by Auguste Boulard, 1852–1927, French

A Difference of Opinion

1897

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Print made by Sir Frank William Brangwyn, 1867–1956, British

The Headless Christ

1910

Print made by George Cooke, 1781–1834, British

Florence, from Chiesa al Monte

1820

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by William Miller, 1796–1882, British

Durham Cathedral

1836

Print made by John Bell, 1811–1895, British

Charon's Boat

between 1838 and 1850

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Cupid Disarmed by Venus

1804

Prints made by Luigi Schiavonetti, 1765–1810, Italian

The Grave, A Poem, by Robert Blair

1808