Medium: etching (printing process) / Height [cm]: 7 / Classification: Prints

Print made by William Blake, 1757–1827, British

For Children. The Gates of Paradise, Title Page; Plate 2

1793

Print made by William Blake, 1757–1827, British

I Want! I Want!; Plate 11

1793

Print made by William Blake, 1757–1827, British

Help! Help!; Plate 12

1793

Print made by William Blake, 1757–1827, British

I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18

1793

Print made by William Blake, 1757–1827, British

Aged Ignorance; Plate 13

1793

Print made by William Blake, 1757–1827, British

The Traveller Hasteth in the Evening; Plate 16

1793

Print made by William Blake, 1757–1827, British

Death's Door; Plate 17

1793

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by Miles Edmund Cotman, 1810–1858, British

Study of Trees on the Banks of the Yare

1846

Print made by unknown artist, ( J. N. B. )

Dogs Chasing a Hare

undated

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Print made by Thomas Creswick, 1811–1869, British

The Blacksmith's Shop

1838

Print made by B. R. Davies, active ca. 1833, British

Mount Blanc

1828

Print made by Robert Wallis, 1794–1878, British

A Farewell - Lake of Como, II

1830

Print made by Robert Wallis, 1794–1878, British

William Tell's Chapel

1829

Print made by Robert Wallis, 1794–1878, British

A Farewell - Lake of Como, II

1830

Print made by Edward Goodall, 1795–1870, British

Florence (vignette)

1830

Print made by W. R. Smith, active 1819–1851

Hannibal passing the Alps (vignette)

1830

Print made by W. R. Smith, active 1819–1851

Hannibal passing the Alps (vignette)

1830

Print made by Edward Goodall, 1795–1870, British

A Villa on the Night of a Festa di Ballo (vignette)

1830

Print made by Henry Le Keux, 1787–1868, British

Aosta (vignette)

1830

Print made by Robert Wallis, 1794–1878, British

William Tell's Chapel (vignette)

1830

Print made by Charles Golding Constable, 1821–1879, British

Coastal Scene

undated

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Portsmouth Children

1887

Print made by Edward Goodall, 1795–1870, British

St. Anne's Hill, No. II

1834

Print made by James T. Willmore, 1800–1863, British

Lillebonne, Château

1834

William Camden Edwards, 1777–1855, British

Nicholas Hilliard

1826

Print made by Robert Wallis, 1794–1878, British

William Tell's Chapel

1830

Print made by Frederick Atkinson, active 1800, British

Hugh Robinson

1800

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Dry Dock, Southampton

1887

Print made by Wilson, active 1793, British

Fable XVIII. The Painter Who Pleased No Body and Every Body

1793

Print made by Wilson, active 1793, British

Fable XLVI. The Cur, the Horse, and the Shepherd's Dog

1793

Print made by Philip Audinet, 1766–1837, British

Fable XXXI. The Universal Apparition

1793

Print made by Henry Le Keux, 1787–1868, British

Aosta

1830

Print made by William Bernard Cooke, 1778–1855, British

Martigny

1830

Sir Francis Seymour Haden, 1818–1910, British

Portrait of Arthur

1858

Print made by unknown artist, nineteenth century

Mount Blanc

1828

Print made by unknown artist, nineteenth century

Mount Blanc

1828

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German

'Henry IV, Part I,' Act II, Scene IV

undated

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German

'Henry IV, Part I,' Act II, Scene II

undated

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German

'Henry IV, Part I,' Act II, Scene II

undated

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German

'Henry IV, Part I,' Act II, Scene IV

undated

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German

'Henry IV, Part I,' Act IV, Scene II

undated

Print attributed to B. R. Davies, active ca. 1833, British

Mount Blanc

ca. 1828

W. R. Smith, active 1819–1851

Hannibal passing the Alps (vignettes)

1830

Print made by Henry Le Keux, 1787–1868, British

Aosta (vignette)

1830

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826-1832

Henry Swinburne, 1743–1803, British

Coat of Arms

1777

Print made by Thomas Creswick, 1811–1869, British

Moonlight

1839

Print made by Bradshaw & Blacklock, active ca.1850, British

Double Hairpin Set

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Oriental Scenes

after 1850

Print made by William John Cooke, 1797–1865, Irish

Worcester

undated

Print made by Callender, active mid–18th century

Voluntier

1745

Print made by Bradshaw & Blacklock, active ca.1850, British

Rural Scenes

after 1850

Charles Heath, 1785–1848, British

Pool of London

1825

Print made by Robert Wallis, 1794–1878, British

A Farewell - Lake of Como, II

1830

Print made by Edward Francis Finden, 1791–1857, British

The Castle of St. Angelo

1832

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Henryk Ludwik Lubomirski

1787

unknown artist, ( J. H. )

Head of a Lion

1756

Charles Heath, 1785–1848, British

The Penitentiary and Distant View of Westminster Bridge

1825

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salomon

1794

Bradshaw & Blacklock, active ca.1850, British

Greek set

after 1850

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Visiting Card of Sir Joshua Reynolds

1790

Print made by Bradshaw & Blacklock, active ca.1850, British

Turkish Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Country Scenes

after 1850

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Medium etching (printing process)

Height [cm] 7

Classification Prints

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Medium etching (printing process)

Height [cm] 7

Classification Prints

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