Medium: etching (printing process) / Height [cm]: 29 / Classification: Prints

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Etched by Joseph Mallord William Turner, 1775–1851, British

Rivaux Abbey, Yorkshire

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

The Source of the Arveron in the Valley of Chamouni, Savoy

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

The Alcove, Isleworth

1819

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Interior of a Church

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Inverary Castle and Town, Scotland

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Attributed to Joseph Mallord William Turner, 1775–1851, British

The Temple of Jupiter in the Island of Aegina

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Ploughing, Eton

1813 to 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Winchelsea, Sussex

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Ships in a Breeze

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Farm-yard with the Cock

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Coast of Yorkshire

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Hedging and Ditching

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumbarton Rock

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumbarton Rock

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumbarton Rock

between 1813 and 1823

Print made by Joseph Mallord William Turner, 1775–1851, British

Crowhurst

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

The Stork and Aqueduct

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Solitude

1814

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Bonneville, Savoy

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Basle

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Marine Dabblers

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Lauffenbourgh on the Rhine

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Martello Towers near Bexhill, Sussex

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Ploughing, Eton

1818

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumbarton Rock

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

East Gate, Winchelsea, Sussex

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Isis

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Rivaux Abbey, Yorkshire

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

The Fifth Plague of Egypt

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Jason

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Frontispiece

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Young Anglers

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Near Blair Athol, Scotland

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Coast of Yorkshire

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Holy Island Cathedral

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Flint Castle, Vessels Unloading

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

St. Catherine's Hill near Guildford

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

From Spenser's Fairy Queen

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Juvenile Tricks

1811

Print made by William Blake, 1757–1827, British

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827, British

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827, British

William Cowper, Author of "The Task"

1802

Print made by William Blake, 1757–1827, British

The Life, and Posthumous Writings, of William Cowper, (volume 1)

1803-1804

Print made by William Blake, 1757–1827, British

The Peasants' Nest: Cowper's tame Hares

1802

Print made by William Blake, 1757–1827, British

William Cowper

1803-1804

Print made by William Blake, 1757–1827, British

Mrs Cowper Mother of the Poet

1803-1804

Print made by John Copley, 1875–1950, British

Fig Trees in Winter

1927

Print made by John Boydell, 1720–1804, British

Greenland Fishery

1754

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

Print made by John Boydell, 1720–1804, British

Morning

1753

Print made by John Boydell, 1720–1804, British

Noon

1753

Print made by John Boydell, 1720–1804, British

Night

1756

Print made by John Boydell, 1720–1804, British

A Calm

1754

Print made by John Boydell, 1720–1804, British

The Taking of the Nuestra Senora de los Remedios

1753

Print made by John Boydell, 1720–1804, British

The Wreck of the Nuestra Senora de los Remedios

1753

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by Henry William Bunbury, 1750–1811, British

The Siege of Namur

between 1773 and 1817

Print made by Henry William Bunbury, 1750–1811, British

Overthrow of Dr. Slop

between 1773 and 1817

Print made by William Bernard Cooke, 1778–1855, British

Weymouth

1814-1826

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1825

Print made by John Horsburgh, 1791–1869, British

Whitstable, Kent

1814 to 1826

Print made by Samuel Rawle, 1771–1860, British

Raby Castle, County of Durham

1820

Print made by Samuel Rawle, 1771–1860, British

Hylton Castle, County of Durham

1820

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1818-1820

Print made by Samuel Rawle, 1771–1860, British

Gibside, County of Durham

1819

Print made by George Cooke, 1781–1834, British

The Roman Forum from the Tower of the Capitol

1818-1820

Engraved by George Hollis, 1792–1842, British

The Forum Romanum

1818-1820

Print made by John Byrne, 1786–1847, British

Rome from Monte Mario

1820

Print made by Samuel Rawle, 1771–1860, British

Florence, from the Ponte alla Carria

1818-1820

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1818-1823

Print made by John Scott, 1774–1828, British

Aske Hall

1821

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1821

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1821

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1818-1823

Print made by John Pye, 1782–1874, British

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by John Pye, 1782–1874, British

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by John Pye, 1782–1874, British

Junction of the Greta and Tees at Rokeby

1819

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1821

Print made by Samuel Middiman, ca. 1750–1831, British

Moss Dale Fall

1822

Print made by William Radclyffe, 1780–1855, British

Hornby Castle from Tatham Church

1822

Print made by Samuel Middiman, ca. 1750–1831, British

Hardraw Fall

1817

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1818-1823

Print made by Samuel Middiman, ca. 1750–1831, British

Weathercote Cave when Half Filled with Water

1821

Print made by Samuel Middiman, ca. 1750–1831, British

Weathercote Cave when Half Filled with Water

1821

Print made by George Cooke, 1781–1834, British

Edinburgh from the Calton Hill

1820

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Medium etching (printing process)

Height [cm] 29

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Medium etching (printing process)

Height [cm] 29

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