Etched by Joseph Mallord William Turner, 1775–1851, British
The Bridge in Middle Distance
1808
2
Etched by Joseph Mallord William Turner, 1775–1851, British
The Woman and Tambourine
1807
3
Print made by James Bretherton, ca. 1730–1806, British
The Damnation of Obadiah
1773
4
Print made by William Bernard Cooke, 1778–1855, British
Dartmoor; Source of the Tamar and the Torridge
1816
5
Print made by George Cooke, 1781–1834, British
Naples, from the Mole
1819
6
Print made by George Cooke, 1781–1834, British
The Roman Forum from the Tower of the Capitol
1818-1820
7
Print made by John Byrne, 1786–1847, British
Rome, from Monte Testaccio
1820
8
Print made by James C. Allen, active 1821–1831, British
Dunbar
1824
9
Print made by Thomas Jeavons, ca. 1800–1867, British
Arundel Castle and Town, Sussex
1834
10
Print made by William Heath, 1795–1840, British
A Change in the Head of Affairs
ca. 1828
11
Print made by William Heath, 1795–1840, British
Sailors on Shore at Navarino
ca. 1827
12
Print made by William Heath, 1795–1840, British
The Descent of the Great Bear or the Mussulmans in a Quandary
1828
13
Print made by George Cooke, 1781–1834, British
The Roman Forum from the Tower of the Capitol
1818
14
Print made by George Cooke, 1781–1834, British
Naples, from the Mole
1818-1820
15
Print made by John Byrne, 1786–1847, British
Rome from Monte Mario
1820
16
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
17
Print made by Thomas Jeavons, ca. 1800–1867, British
Arundel Castle and Town, Sussex
1834
18
Print made by James T. Willmore, 1800–1863, British
Penmaen Mawr
1834
19
Print made by Thomas Jeavons, ca. 1800–1867, British
Kidwelly Castle
1837
20
Print made by George Cruikshank, 1792–1878, British
Monstrosities of 1822 - Pt. 5
1835
21
Print made by William Heath, 1795–1840, British
Opera Reminiscences: Desdemona and Otello
1829
22
Charles Grignion, 1717–1810, British
A View of the Bridge at Walton-on-Thames in Surrey
1752
23
Print made by Robert Brandard, 1805–1862, British
Gosport, Entrance to Portsmouth Harbor
1831
24
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1828
25
James Gillray, 1756–1815, British
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
26
James Gillray, 1756–1815, British
The Valley of the Shadow of Death
1808
27
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Games at Vauxhall: Playing at Cricket
ca. 1743
28
William Heath, 1795–1840, British
Oh Yes Believe Me. Love Has Eyes
undated
29
James Gillray, 1756–1815, British
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
30
Print made by Frederick Vango Burridge, 1869–1945, British
A Marsh Farm
undated
31
James Gillray, 1756–1815, British
Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!
1808
32
James Gillray, 1756–1815, British
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
33
James Gillray, 1756–1815, British
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
34
James Gillray, 1756–1815, British
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row