Medium: etching (printing process) / Work Type: intaglio print / Subject Terms: ruins

Print made by John Constable, 1776–1837, British

The Ruins of Netley Abbey

1826

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Robert Wallis, 1794–1878, British

Taj Mahal, Agra

1831

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

1874

Etched by Joseph Mallord William Turner, 1775–1851, British

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Holy Island Cathedral

1808

Print made by William Blake, 1757–1827, British

My Son! My Son!; Plate 10

1793

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Paul Sandby, 1731–1809, British

Views in the Levant: The Sacred Cave of Archidamus

ca. 1785

Frederick Goulding, 1842–1909, British

Ruins of the Old Bridge, Vernon

1879

Print made by James T. Willmore, 1800–1863, British

Lillebonne, Château

1834

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by Thomas Jeavons, ca. 1800–1867, British

Lillebonne, Château and Tower

1834

Print made by Sir Muirhead Bone, 1876–1953, British

Demolition of St. James's Hall, Interior

1906

Print made by Thomas Medland, 1755–1823, British

Ruins of St. Paul Covent Garden

1795

Print made by William Byrne, 1743–1805, British

The Ruins of the College of Lincluden

1782

Heneage Finch fourth Earl of Aylesford, 1751–1812, British

Maxstoke Priory

undated

Print made by Morgan Dennis, 1892–1960, American

Muckross Abbey, Killarney

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by James H. Kernot, active early 19th century

Jumma Musjid, Mandoo

1834

Print made by John Thomas Smith, 1766–1833, British

Cotton Garden, Westminster

1804

Print made by James T. Willmore, 1800–1863, British

Lillebonne, Château

1834

Print made by John Sell Cotman, 1782–1842, British

Church of L'Ery, near Pont-de-l'Arche

1820

Print made by James T. Willmore, 1800–1863, British

Lillebonne, Château

1834

Print made by Thomas Jeavons, ca. 1800–1867, British

Lillebonne, Château and Tower

1834

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by unknown artist, nineteenth century

Flower-Garden Porch at Farnley (Vignette)

1814

Jean B. C. Chatelain, 1710–1771, French

View with Figures in a Classical Landscape with Ruins

undated

Print made by Robert Spence, 1871–1964, British

George Fox Comes to London After the Great Fire

between 1890 and 1911

Print made by Sir Frank William Brangwyn, 1867–1956, British

The Headless Christ

1910

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Mortmain

1918

Print made by Robert Sargent Austin, 1895–1973, British

L'Eglise Saint-Vaast, Armentieres

1928

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Meppershall Chapel

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Meppershall Chapel

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Meppershall Chapel

c.1915

Print made by Richard Earlom, 1743–1822, British

A Study, with Ancient Ruins

1810

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Stepping Stones

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Epiphany

1919

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Maur's Farm

1913

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Carnagh

1915

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by William Byrne, 1743–1805, British

View of Leiston Abbey

1781

Print made by Lydia Bates, active 1784

Landscape with Classical Ruins

1784

Print made by James McBey, 1883–1959, British

Albert

1917

William Byrne, 1743–1805, British

Untitled

1765

William Byrne, 1743–1805, British

A View in the Villa Madama, near Rome, called II Teatro

1765

Engraved by William Woollett, 1735–1785, British

Celadon and Amelia

1766

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Paul Sandby, 1731–1809, British

Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

ca. 1785

Print made by Bradshaw & Blacklock, active ca.1850, British

Double Hairpin Set

after 1850

Print made by Richard Earlom, 1743–1822, British

View of a Portico by the Side of a River, with Herdsmen and Cattle

1774

Print made by Richard Earlom, 1743–1822, British

Scene of a Storm, with a Vessel Wrecked

1774

Print made by Richard Earlom, 1743–1822, British

Landscape with Ruins

1817

Frederick James Havell, 1801–1840, British

Lincoln from the Castle

ca. 1836

Print made by M. Coote, ca. 1758/62–1801, British

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by M. Coote, ca. 1758/62–1801, British

Dudley Priory in Worcestershire, Plate 1

before 1786

Print made by John Greig, active 1803–1853, British

Keep of Dudley Castle

1810

M. Coote, ca. 1758/62–1801, British

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

Print made by James Barry, 1741–1806, Irish

Sacra Christi Familia

undated

Christian Friedrich Duttenhoffer, 1778–1846, German

Solitude

1802

William Woollett, 1735–1785, British

Solitude

1778

Print made by Jean B. C. Chatelain, 1710–1771, French

A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master

1737

John Greig, active 1803–1853, British

Dudley Castle from the Court

1810

Henry Griffiths, 1835–1849, British

Inverlochy Castle, Invernesshire

1836

William Ellis, 1747–1810, British

Baskerville House, the Residence of John Ryland, Esq

1792

William Ellis, 1747–1810, British

Bordesley Hall, the Seat of John Taylor, Esq

1792

William Ellis, 1747–1810, British

The New Meeting

1792

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Letitia Byrne, 1779–1849, British

Bolton Abbey, Yorkshire

1809

Print made by William Woollett, 1735–1785, British

Celadon and Amelia

1766

William Elliot, active 1774, died 1792, British

Kilgarren Castle, South Wales

1765

James Mason, 1710–1783, British

Pembroke Town and Castle

1775

Print made by Benjamin Comte, 1760–1851, Swiss

Tynemouth Castle and Priory, Northumberland

1802

William Ellis, 1747–1810, British

The House of William Russell, Esq., Showell Green

1792

Print made by George Bickham the Elder, 1683/4–1758, British

Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

Hedley Fitton, 1859–1929, British

St. Andrew's Castle in the Kingdom of Fife

undated

Print made by Susan Fletcher Crawford, active 1892–died 1919, British

Old Castle of Gloom (Castle Campbell)

undated

Print made by James T. Willmore, 1800–1863, British

The Golden Bough

1856

Print made by Thomas Abiel Prior, 1809–1886, British

The Bay of Baiae - Apollo and the Sibyl

1873

Print made by James T. Willmore, 1800–1863, British

The Golden Bough

1856

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Medium etching (printing process)

Work Type intaglio print

Subject Terms ruins

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