Medium: etching (printing process) / Associated Places: United Kingdom / Width [cm]: 44

Print made by John Constable, 1776–1837, British

The Ruins of Netley Abbey

1826

Print made by John Crome, 1768–1821, British

Front of the New Mills

1813

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855, British

Margate

1822

Print made by William Bernard Cooke, 1778–1855, British

Margate

1823

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882, British

Portsmouth, Hampshire

1825

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1825

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1821

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1818-1823

Print made by John Pye, 1782–1874, British

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1821

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by Paul Angier, active 1749, French (active in London)

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by Henry Hulsberg, active 1700s–died 1729, Netherlandish, active in London

Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

1715 to 1725

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1812

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Dock, from Mount Edgecumbe

1816

Print made by George Cooke, 1781–1834, British

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834, British

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by William Bernard Cooke, 1778–1855, British

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855, British

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855, British

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855, British

Margate

1823

Print made by James C. Allen, active 1821–1831, British

St. Mawes, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by John Wykeham Archer, 1808–1864, British

Richmond Castle and Town

1820

Print made by James C. Allen, active 1821–1831, British

Addingham Mill on the Warfe

1821

Print made by Thomas Higham, 1796–1844, British

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1823

Print made by John Scott, 1774–1828, British

Aysgarth Force

1818-1823

Print made by John Wykeham Archer, 1808–1864, British

Crook of the Lune, Looking towards Hornby Castle

1821

Robert Havell, 1769–1832, British

Crofton Hall, Yorkshire

1813

Print made by William Bernard Cooke, 1778–1855, British

Lyme Regis

1814

Print made by William Bernard Cooke, 1778–1855, British

Plymouth, with Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855, British

Plymouth, from Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855, British

Fowey, Cornwall

1820

Robert Havell, 1769–1832, British

Crofton

1813

Robert Havell, 1769–1832, British

Crofton

1813

Robert Havell, 1769–1832, British

Crofton Hall, Yorkshire

1813

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by Thomas Higham, 1796–1844, British

Egglestone Abbey, near Barnard Castle

1818-1823

Sir Francis Seymour Haden, 1818–1910, British

On the Thames

1859

Sir Francis Seymour Haden, 1818–1910, British

Sawley Abbey

1873

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by John Scott, 1774–1828, British

Aysgarth Force

1820

Print made by Robert Brandard, 1805–1862, British

Crossing the Brook

1838

Print made by Lydia Bates, active 1784

Little Missenden Church from the Southeast

1784

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1811-1812

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

ca. 1830

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826-1832

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Lovelace in Prison

1788

Charles Grignion, 1717–1810, British

A Perspective View of the Foundling Hospital with Emblematic Figures

1749

Print made by Edward Bouverie-Hoyton, active 1930

Devon Coast

1920s

Print made by John Fullwood, op.1881–1915, British

Laleham Meadows near Littleton

undated

Sir William Russell Flint, 1880–1969, British

Her New Heir, Stokesay

1930

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Medium

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Medium etching (printing process)

Associated Places United Kingdom

Width [cm] 44

YCBA Collections Search

Refine your search

Search Constraints

Medium etching (printing process)

Associated Places United Kingdom

Width [cm] 44

Search Results