Medium: etching (printing process) / Genre: religious and mythological subject / Subject Terms: women - YCBA Collections Search Search Results

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Medium etching (printing process)

Genre religious and mythological subject

Subject Terms women

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Robert Sargent Austin Romance

Print made by Robert Sargent Austin, 1895–1973, British

Romance

1922

Sir Muirhead Bone A Spanish Good Friday

Print made by Sir Muirhead Bone, 1876–1953, British

A Spanish Good Friday

1925

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

James Mitan Turin from the Portico of the Superga Church

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

John Alexander Lot and His Family

Print made by John Alexander, 1686–before 1768, British

Lot and His Family

ca. 1718

George Baxter The Healing of the Lame Man

after George Baxter, 1804–1867, British

The Healing of the Lame Man

after 1855

George Baxter The Healing of the Lame Man

after George Baxter, 1804–1867, British

The Healing of the Lame Man

after 1855

George Baxter The Death of Ananias

after George Baxter, 1804–1867, British

The Death of Ananias

after 1855

George Cruikshank Untitled

Print made by George Cruikshank, 1792–1878, British

Untitled

undated

Robert Spence Conversion of Elizabeth Trelawney

Print made by Robert Spence, 1871–1964, British

Conversion of Elizabeth Trelawney

between 1897 and 1909

Charles Grignion Britannia Allegory

Charles Grignion, 1717–1810, British

Britannia Allegory

between 1743 and 1747

Richard Earlom A Landscape, with the Story of Europa

Print made by Richard Earlom, 1743–1822, British

A Landscape, with the Story of Europa

1802

Frederik Christiaan Bierweiler De Kruisiging

Print made by Frederik Christiaan Bierweiler, active 1800–1831, Dutch

De Kruisiging

ca. 1820

Luigi Schiavonetti Death of the Strong Wicked Man

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808, published 1813

Luigi Schiavonetti The Descent of Man into the Vale of Death

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808, published 1813

Luigi Schiavonetti The Day of Judgment

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808, published 1813

Luigi Schiavonetti The Death of the Good Old Man

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808, published 1813

W. R. Smith Dido and Aeneas; The Morning of the Chase

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

John Cousen Mercury and Herse

Print made by John Cousen, 1804–1880, British

Mercury and Herse

1842

John Cousen Mercury and Herse

Print made by John Cousen, 1804–1880, British

Mercury and Herse

1842

Lydia Bates Deucalion and Pyrrha after the Flood

Print made by Lydia Bates, active 1784

Deucalion and Pyrrha after the Flood

1784

Frederik Christiaan Bierweiler De Begraving

Print made by Frederik Christiaan Bierweiler, active 1800–1831, Dutch

De Begraving

ca. 1820

Guillaume Sulpice Chevalier Intemperance

Print made by Guillaume Sulpice Chevalier, 1804–1866, French

Intemperance

undated

John Bell Charon's Boat

Print made by John Bell, 1811–1895, British

Charon's Boat

between 1838 and 1850

James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

James Gillray, 1756–1815, British

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

David Allan Pilgrims Paying Their Devotion in St. Peters at Rome

Print made by David Allan, 1744–1796, British, born in Scotland

Pilgrims Paying Their Devotion in St. Peters at Rome

between 1773 and 1775

Placido Columbani At the City of Albano

Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain

At the City of Albano

undated

William Sharp Niobe

Print made by William Sharp, 1749–1824, British

Niobe

1792

Francesco Bartolozzi Ticket to Westminster Abbey

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Westminster Abbey

before 1791

Francesco Bartolozzi The Virgin

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Virgin

1778

Francesco Bartolozzi Ticket: Mr. Cox's Museum

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: Mr. Cox's Museum

1772

Ralph Hudson Pilgrim's Progress Illustrated, Uncut Panorama

Print made by Ralph Hudson, active ca. 1820, British

Pilgrim's Progress Illustrated, Uncut Panorama

ca. 1820

Luigi Schiavonetti The Descent of Man into the Vale of Death

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

Francesco Bartolozzi Ticket to Concert of Ancient Vocal and Instrumental Music

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Concert of Ancient Vocal and Instrumental Music

1786