Medium: etching (printing process) / Genre: religious and mythological subject / Subject Terms: man

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Jason

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Procris and Cephalus

1812

Print made by William Hogarth, 1697–1764, British

Paul Before Felix

1752

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

Print made by Thomas Goff Lupton, 1791–1873, British

Procris and Cephalus

1864

Print made by Auguste Boulard, 1852–1927, French

A Difference of Opinion

1897

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by George Cooke, 1781–1834, British

Florence, from Chiesa al Monte

1820

Print made by George Cooke, 1781–1834, British

Florence, from Chiesa al Monte

1820

Charles Grignion, 1717–1810, British

Britannia Allegory

between 1743 and 1747

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by William Miller, 1796–1882, British

Durham Cathedral

1836

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

Christ Descending into the Grave

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808, published 1813

James Basire the younger, 1769–1822, British

Benjamin Hoadly, Bishop of Winchester

1771

George Vertue, 1684–1756, British

Johannes Potter, Archiepiscopus Cantuariensis

1741

Pieter S. van der Gunst, 1659–c. 1724

Thomas Wolsey

undated

Print made by James Barry, 1741–1806, Irish

Repose in Egypt

ca. 1776

Print made by James Barry, 1741–1806, Irish

Repose in Egypt

ca. 1776

Print made by John Martin, 1789–1854, British

The Deluge

1828

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by Sir Frank Short, 1857–1945, British

Procris and Cephalus

1885

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Atalanta and Hippomanes

1763

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Paris and Oenone

1780

Print made by unknown artist, seventeenth century

The Double Deliverance, 1588–1605

1621

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Westminster Abbey

before 1791

Print made by Luke Sullivan, 1705–1771, British

Paul Before Felix

1752

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808

Print made by James T. Willmore, 1800–1863, British

The Golden Bough

1856

Print made by Thomas Abiel Prior, 1809–1886, British

The Bay of Baiae - Apollo and the Sibyl

1873

Print made by James T. Willmore, 1800–1863, British

The Golden Bough

1856

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Medium etching (printing process)

Genre religious and mythological subject

Subject Terms man

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Medium etching (printing process)

Genre religious and mythological subject

Subject Terms man

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