Medium: etching (printing process) / Genre: marine art / Width [cm]: 38

Etched by Joseph Mallord William Turner, 1775–1851, British

Ships in a Breeze

1808

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1811-1812

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855, British

Ilfracombe, North Devon

1818

Print made by William Miller, 1796–1882, British

Bass Rock

1826

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1818-1820

Print made by James C. Allen, active 1821–1831, British

Dunbar

1824

Print made by Ernest Stephen Lumsden, 1883–1948, British

Stone Boats

1929

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Moonlight

1745

Sir Francis Seymour Haden, 1818–1910, British

Marshes opposite Erith

1865

Print made by Ernest Stephen Lumsden, 1883–1948, British

Ragged Sails, I

1925

Print made by George Hollis, 1792–1842, British

Rome, Bridge and Castle of St. Angelo on the Tyber

1818

Print made by Robert Wallis, 1794–1878, British

Lancaster, from the Aqueduct Bridge

1827

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

1827

Print made by W. R. Smith, active 1819–1851

Beaumaris, Isle of Anglesea

1836

Print made by William Miller, 1796–1882, British

Chatham, Kent

1832

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

1819-1826

Print made by James T. Willmore, 1800–1863, British

Penmaen Mawr

1834

Print made by Robert Wallis, 1794–1878, British

Margate, Kent

1832

Print made by James McBey, 1883–1959, British

Torpedoed Sussex

1916

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by Sir Frank Short, 1857–1945, British

The "Victory" Coming Up Channel

1891

Print made by John Robert Cozens, 1752–1797, British

Bath: The New Bridge

1773

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Morning

1745

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Night and a Ship on Fire

1745

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Noon

1745

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Moonlight

1745

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Sun Under a Cloud

1745

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

A Strong Gale or Squall

1745

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Shipwreck

1745

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

A Ship in Distress

1745

Print made by Robert Brandard, 1805–1862, British

Orford, Suffolk

1827

Print made by W. R. Smith, active 1819–1851

Tynemouth, Northumberland

1831

Print made by Robert Brandard, 1805–1862, British

Gosport, Entrance to Portsmouth Harbor

1831

Print made by Robert Brandard, 1805–1862, British

Orford, Suffolk

1827

Print made by Benjamin Baker, 1766–1841, British

Plan of the West India Docks

1802

Print made by Sir Frank Short, 1857–1945, British

The Victory coming up Channel with the body of Nelson on Board

1891

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943, British

Noon

1930

Joseph Gray, 1890–1962, British

Sunset off Arran

1926

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Medium etching (printing process)

Genre marine art

Width [cm] 38

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Medium etching (printing process)

Genre marine art

Width [cm] 38

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