Medium: etching (printing process) / Genre: landscape / Width [cm]: 38

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Attributed to Joseph Mallord William Turner, 1775–1851, British

Via Mala

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

The Castle above the Meadows

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

Print made by Joseph Mallord William Turner, 1775–1851, British

Crowhurst

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

The Bridge in Middle Distance

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Juvenile Tricks

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

The Drawing of the Clyde

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Print made by Sir Frank Short, 1857–1945, British

A Pastoral

1893

Print made by William Bernard Cooke, 1778–1855, British

Crowhurst, Sussex

1816

Print made by William Bernard Cooke, 1778–1855, British

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by John Byrne, 1786–1847, British

Rome, Tomb of Cecilia Metella

1818-1820

Print made by Charles Heath, 1785–1848, British

Ingleborough, from Hornby Castle Terrace

1818-1823

Print made by William Radclyffe, 1780–1855, British

Hornby Castle from Tatham Church

1822

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1818-1823

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1818-1823

Print made by Sir Muirhead Bone, 1876–1953, British

Ely Cathedral

1903

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1811-1812

Print made by William Miller, 1796–1882, British

Bass Rock

1826

Print made by George Cooke, 1781–1834, British

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by James Fittler, 1758–1835, British

Isola Bella, on the Lago Maggiore

1818-1820

Print made by Jean B. C. Chatelain, 1710–1771, French

Classical Landscape with Travellers, a Dog and House on the left

1741

Print made by Thomas Jeavons, ca. 1800–1867, British

Arundel Castle and Town, Sussex

1834

Sir Francis Seymour Haden, 1818–1910, British

By Twickenham

1865

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Print made by Robert Brandard, 1805–1862, British

Crossing the Brook

1842

Print made by William Bernard Cooke, 1778–1855, British

Source of the Tamar and Torridge

1816

Print made by George Cooke, 1781–1834, British

The Roman Forum from the Tower of the Capitol

1818

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1819

Etched by Samuel Middiman, ca. 1750–1831, British

La Riccia

1819

Etched by Samuel Middiman, ca. 1750–1831, British

Lake of Nemi

1819

Print made by Samuel Middiman, ca. 1750–1831, British

Junction of the Greta and Tees at Rokeby

1819

Print made by W. R. Smith, active 1819–1851

Heysham and Cumberland Mountains

1822

Sir Francis Seymour Haden, 1818–1910, British

Fulham on the Thames

after 1858

Sir Francis Seymour Haden, 1818–1910, British

Sawley Abbey

1873

Sir Francis Seymour Haden, 1818–1910, British

Marshes opposite Erith

1865

Sir Francis Seymour Haden, 1818–1910, British

Harlech, no. 2

1880

Print made by Edward Julius Detmold, 1883–1957, British

The Mill

undated

Print made by John Byrne, 1786–1847, British

Rome from Monte Mario

1820

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1821

Print made by George Cooke, 1781–1834, British

Critchton Castle

1819

Print made by W. R. Smith, active 1819–1851

Florence from Fiesoli

1819

Print made by James Fittler, 1758–1835, British

Isola Bella, on the Lago Maggiore

1818

Print made by Robert Wallis, 1794–1878, British

Lancaster, from the Aqueduct Bridge

1827

Print made by Josiah Henshall, 1806–1869, British

Winchelsea, Sussex

1830

Sir Francis Seymour Haden, 1818–1910, British

A River in Ireland

1864

Sir Francis Seymour Haden, 1818–1910, British

By Twickenham

1865

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

Print made by Edward Goodall, 1795–1870, British

Fall of the Tees, Yorkshire

1827

Print made by S. Fisher, active 1831–1844

Coventry, Warwickshire

1833

Print made by James T. Willmore, 1800–1863, British

Llandberis Lake, Wales

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Beaumaris, Isle of Anglesea

1836

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by Richard Samuel Chattock, 1825–1906, British

Birk's Bridge

undated

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by Thomas Jeavons, ca. 1800–1867, British

Arundel Castle and Town, Sussex

1834

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

1819-1826

Print made by James T. Willmore, 1800–1863, British

Penmaen Mawr

1834

Print made by William Miller, 1796–1882, British

Carew Castle, Pembroke

1834

Print made by William Radclyffe, 1780–1855, British

Keswick Lake, Cumberland

1837

Print made by James T. Willmore, 1800–1863, British

Llangollen

1837

Print made by Robert Wallis, 1794–1878, British

Margate, Kent

1832

Print made by James T. Willmore, 1800–1863, British

Mercury and Argus

1841

Print made by John Cousen, 1804–1880, British

Mercury and Herse

1842

Print made by Robert Brandard, 1805–1862, British

Crossing the Brook

1842

Print made by Robert Brandard, 1805–1862, British

Crossing the Brook

1838

Print made by John Robert Cozens, 1752–1797, British

The City of Bath taken from the London Road

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The New Bridge

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The Crescent

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The North Parade

1773

Print made by John Robert Cozens, 1752–1797, British

South View of Bath

1773

Attributed to Henry Dawe, 1790–1848, British

Raglan Castle

1816

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Morning

1745

Charles Grignion, 1717–1810, British

A View of the Bridge at Walton-on-Thames in Surrey

1752

Print made by Robert Walker Macbeth, 1848–1910, British

The Ferry Inn

1881

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

Print made by Ernest Stephen Lumsden, 1883–1948, British

Jodhpur

1927

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Games at Vauxhall: Playing at Cricket

ca. 1743

Print made by Sir David Young Cameron, 1865–1945, British

Killundine

1929

Print made by Sir Frank William Brangwyn, 1867–1956, British

A Road in Picardy

1903

Joseph Gray, 1890–1962, British

Sunset off Arran

1926

Hedley Fitton, 1859–1929, British

St. Andrew's Castle in the Kingdom of Fife

undated

Print made by Frederick Vango Burridge, 1869–1945, British

A Marsh Farm

undated

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Medium

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Medium etching (printing process)

Genre landscape

Width [cm] 38

YCBA Collections Search

Refine your search

Search Constraints

Medium etching (printing process)

Genre landscape

Width [cm] 38

Search Results