Medium: etching (printing process) / Genre: architectural subject / Width [cm]: 38

Attributed to Joseph Mallord William Turner, 1775–1851, British

Via Mala

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

The Castle above the Meadows

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Pembury Mill, Kent

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

The Bridge in Middle Distance

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Morpeth, Northumberland

1809

Print made by John Byrne, 1786–1847, British

Rome, Tomb of Cecilia Metella

1818-1820

Print made by Sir Muirhead Bone, 1876–1953, British

Ely Cathedral

1903

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Notre Dame

1908

Print made by William Byrne, 1743–1805, British

The Ruins of the College of Lincluden

1782

Edward Blore, 1787–1879, British

Design for a Park Gateway

undated

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1818-1820

Print made by George Cooke, 1781–1834, British

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by George Cooke, 1781–1834, British

Antiquities at Pola, Frontispiece

1818

Print made by George Cooke, 1781–1834, British

Antiquities at Pola, Frontispiece

1818

Print made by John Byrne, 1786–1847, British

Rome, from Monte Testaccio

1820

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

The Adam and Eve Tavern, Old Chelsea

1878

Print made by Thomas Jeavons, ca. 1800–1867, British

Arundel Castle and Town, Sussex

1834

Sir Francis Seymour Haden, 1818–1910, British

By Twickenham

1865

William Henry Toms, ca. 1700–ca. 1750, British

The South - West View of the Parish Church of Ecton in Northamptonshire

1749

Print made by G.F. Storm, active mid–19th century, British

Vol. 6, Plate XXIX

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Print made by George Cooke, 1781–1834, British

The Roman Forum from the Tower of the Capitol

1818

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1819

Print made by James Mitan, 1776–1822, British

The Forum Romanum

1820

Print made by John Byrne, 1786–1847, British

Tomb of Cecilia Metella

1819

Print made by Samuel Rawle, 1771–1860, British

Florence, from the Ponte Alla Carraia

1818

Sir Francis Seymour Haden, 1818–1910, British

Fulham on the Thames

after 1858

Sir Francis Seymour Haden, 1818–1910, British

Sawley Abbey

1873

Sir Francis Seymour Haden, 1818–1910, British

Harlech, no. 2

1880

Print made by Edward Julius Detmold, 1883–1957, British

The Mill

undated

Print made by George Hollis, 1792–1842, British

Rome, Bridge and Castle of St. Angelo on the Tyber

1818

Print made by John Le Keux, 1783–1846, British

Rome, from the Farnesean Gardens

1820

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1821

Print made by George Cooke, 1781–1834, British

Critchton Castle

1819

Print made by James Fittler, 1758–1835, British

Isola Bella, on the Lago Maggiore

1818

Print made by Robert Wallis, 1794–1878, British

Lancaster, from the Aqueduct Bridge

1827

Sir Francis Seymour Haden, 1818–1910, British

By Twickenham

1865

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Beaumaris, Isle of Anglesea

1836

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by Richard Samuel Chattock, 1825–1906, British

Birk's Bridge

undated

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by Thomas Jeavons, ca. 1800–1867, British

Arundel Castle and Town, Sussex

1834

Print made by Thomas Higham, 1796–1844, British

Ely Cathedral, Cambridgeshire

1833

Print made by William Miller, 1796–1882, British

Carew Castle, Pembroke

1834

Print made by Thomas Jeavons, ca. 1800–1867, British

Kidwelly Castle

1837

Print made by William Miller, 1796–1882, British

Durham Cathedral

1836

Print made by John Robert Cozens, 1752–1797, British

Bath: The Circus

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: Queen Square

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The New Bridge

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The Crescent

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The North Parade

1773

Print made by John Robert Cozens, 1752–1797, British

South View of Bath

1773

Attributed to Henry Dawe, 1790–1848, British

Raglan Castle

1816

Print made by unknown artist

St. Martin's Church

between 1731 and 1754

Charles Grignion, 1717–1810, British

A View of the Bridge at Walton-on-Thames in Surrey

1752

Print made by Henry Wallis, 1805–1890, British

The Bank of England and Royal Exchange, Cornhill

1840

Print made by James T. Willmore, 1800–1863, British

Alnwick Castle

1830

Print made by William Tombleson, ca.1795–1835, British

Holy Island

1830

Print made by John Horsburgh, 1791–1869, British

Malvern Abbey and Gate, Worcestershire

1832

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by Sir Frank William Brangwyn, 1867–1956, British

Maple Tree

1905

Print made by unknown artist

Theatrum Sive Coliseum Romanum

1547 to 1560

Print made by Benjamin Baker, 1766–1841, British

Plan of the West India Docks

1802

Print made by William Walcot, 1874–1943, British

Caesar in Egypt

1926

Print made by Thomas Girtin, 1775–1802, British

View of Pont St. Michael taken from Pont Neuf

1803

Print made by Robert Havell & Son, 1769–1832, British

View of the Old Corn Market and Tuns Inn, Guildford

1819

Print made by Sir David Young Cameron, 1865–1945, British

Killundine

1929

Hedley Fitton, 1859–1929, British

St. Andrew's Castle in the Kingdom of Fife

undated

Hedley Fitton, 1859–1929, British

Founders Tomb, Winchester

undated

Print made by Frederick Vango Burridge, 1869–1945, British

A Marsh Farm

undated

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Medium etching (printing process)

Genre architectural subject

Width [cm] 38

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Medium etching (printing process)

Genre architectural subject

Width [cm] 38

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