Etched by Joseph Mallord William Turner, 1775–1851, British
Glaucus and Scylla
between 1813 and 1823
2
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Calm
1812
3
Etched by Joseph Mallord William Turner, 1775–1851, British
Juvenile Tricks
1811
4
Print made by Sir Frank Short, 1857–1945, British
View of a Lake, Derwentwater
1896
5
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Citadel
1821
6
Print made by William Bernard Cooke, 1778–1855, British
Bodiham Castle, Sussex
1817
7
Print made by George Cooke, 1781–1834, British
Florence, from the Chiesa al Monte
1820
8
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
9
Print made by B. R. Davies, active ca. 1833, British
Mount Blanc
1828
10
Print made by George Cooke, 1781–1834, British
Florence from the Chiesa al Monte
1820
11
Print made by George Cooke, 1781–1834, British
Florence, from the Chiesa al Monte
1820
12
Print made by W. R. Smith, active 1819–1851
Rosslyn Castle
ca. 1822
13
Print made by John Horsburgh, 1791–1869, British
Bell Rock Lighthouse
1824
14
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Sound
1821
15
Print made by William Richardson, active 1842–1877, British
The Roman Forum from the Tower of the Capitol
1818-1820
16
George H. Every, 1837–1910, British
Sir Joshua Reynolds
1866
17
George H. Every, 1837–1910, British
Sir Joshua Reynolds
1866
18
Print made by John Sell Cotman, 1782–1842, British
Castle at Tancarville
1821
19
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Sound
1823
20
Print made by John Sell Cotman, 1782–1842, British
Church of L'Ery, near Pont-de-l'Arche
1820
21
Print made by Henry Heath, active 1824–1835, British
A Complete Turn-Out among the Cabinet-Makers
1827
22
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Citadel
1823
23
Sir Francis Seymour Haden, 1818–1910, British
Bark Refitting
1865
24
Sir Francis Seymour Haden, 1818–1910, British
The Two Sheep
1870
25
Sir Francis Seymour Haden, 1818–1910, British
An Essex Farm
1874
26
Sir Francis Seymour Haden, 1818–1910, British
Encombe Woods, no. 2
1881-1882
27
Print made by Richard Earlom, 1743–1822, British
A Landscape, with the Story of Europa
1802
28
Print made by John Byrne, 1786–1847, British
Rome from Monte Mario
1820
29
Sir Francis Seymour Haden, 1818–1910, British
The Lark at Heaven's Gate Sings
1859
30
Print made by Samuel Cousins, 1801–1887, British
The Pet Rabbit
1835
31
Print made by George Cruikshank, 1792–1878, British
Monstrosities of 1822 - Pt. 5
1835
32
Print made by Robert Graves, 1798–1873, British
William Esdaile
1826
33
Print made by Alphonse Legros, 1837–1911, French, active in Britain (1863–11)
Thomas Carlyle
between 1852 and 1877
34
Print made by Sir Frank Short, 1857–1945, British
Via Mala
1896
35
Print made by Sir Frank Short, 1857–1945, British
The Lost Sailor
1896
36
Print made by Robert Wallis, 1794–1878, British
Nemi
1838-1852
37
Print made by Guillaume Sulpice Chevalier, 1804–1866, French
Intemperance
undated
38
George C. Finden, 1811–1885, British
A Mythological Battle
1853
39
Print made by John Cousen, 1804–1880, British
Calais Pier
between 1859 and 1861
40
Print made by William Miller, 1796–1882, British
Wreck off Hastings
1875
41
John Harris, 1811–1865, British
The North Prospect of the Cathedral Church of St. Mary at Worcester
undated
42
Print made by Robert Brandard, 1805–1862, British
Bligh Sand
between 1859 and 1861
43
Print made by William Miller, 1796–1882, British
The Prince of Orange Landing at Torbay
between 1859 and 1861
44
Print made by Thomas Mann Baynes, 1794–1854, British
The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
after 1835
45
Print made by Thomas Abiel Prior, 1809–1886, British
The Golden Bough
1875
46
Print made by Robert Wallis, 1794–1878, British
On the Thames
1875
47
James Mitchell, 1791–1852, British
Rat Hunters
1830
48
William Heath, 1795–1840, British
Oh Yes Believe Me. Love Has Eyes
undated
49
Print made by John Phillips, active 1840–1852
Removing Rubbish. Cabinet In's and Out's
1827
50
Print made by John Phillips, active 1840–1852
The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage
1827
51
Print made by Charles Williams, active 1796–1830, British
A Scene from the Beggars Opera the Principal Characters by his Majesty's Servants
ca. 1805
52
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Exploring the Recesses of the Grave
1808
53
Print made by Luigi Schiavonetti, 1765–1810, Italian
William Blake, Frontispiece
1808
54
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Day of Judgment
1808
55
Print made by Sir David Young Cameron, 1865–1945, British
R. 34 Bothwell. No. 5 in the Clyde Set
1889
56
Print made by Luigi Schiavonetti, 1765–1810, Italian
Robert Blair, The Grave, Title Page
1808
57
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Meeting of a Family in Heaven
1808
58
Print made by Sir Frank Short, 1857–1945, British
Pan and Syrinx, No. 2
1896
59
Print made by Sir Frank Short, 1857–1945, British
The "Victory" Coming Up Channel
1891
60
Print made by Frederick Bacon, 1803–1887, British
The Penitent
between 1842 and 1887
61
James Gillray, 1756–1815, British
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
62
James Gillray, 1756–1815, British
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
63
James Gillray, 1756–1815, British
Pillars of the Constitution - Three O'Clock and A Cloudy Morning
1809
64
James Gillray, 1756–1815, British
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
65
James Gillray, 1756–1815, British
Blood on Thunder Fording the Red Sea
1788
66
Print made by Sir Frank Short, 1857–1945, British
Entrance of the Meuse
1889
67
James Gillray, 1756–1815, British
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
68
James Gillray, 1756–1815, British
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row