Medium: etching (printing process) / Period: 19th century / Height [cm]: 36

Print made by James C. Allen, active 1821–1831, British

Ivy Bridge, Devonshire

1816

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1818-1823

Print made by Henry Le Keux, 1787–1868, British

Villa Madama (vignette)

1830

Sir David Young Cameron, 1865–1945, British

The Abbazia, Venice

1900

Sir David Young Cameron, 1865–1945, British

St. Mark's No. 2

1900

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Dock from Mount Edgecumbe

1816

Print made by William Bernard Cooke, 1778–1855, British

Parnassus

1821

Print made by William Chapman, 1817–1879, British

Dover from Shakespeare's Cliff

1860

Print made by John Sell Cotman, 1782–1842, British

Castle at Tancarville

1821

James Heath, 1757–1834, British

"This is fairy gold, boy, and will prove so"

1804

Print made by John Sell Cotman, 1782–1842, British

Church of L'Ery, near Pont-de-l'Arche

1820

Print made by Thomas Talbot Bury, 1811–1877, British

Elevation of the River Front

ca. 1835

Print made by John Sell Cotman, 1782–1842, British

Etchings by John Sell Cotman, Volume II

1811

Print made by Anker Smith, 1759–1819, British

Attempt to Assassinate Prince Edward in Palestine

1816

Print made by William Bromley, 1769–1842, British

The Duke of Gloucester Accusing Jane Shore of Witchcraft

1811

Print made by William Walker, 1729–1793, British

Mary Queen of Scots Arrested

1811

Print made by Anker Smith, 1759–1819, British

Edward V. and The Duke of York, Smothered in the Tower

1810

Print made by William Bromley, 1769–1842, British

Cardinal Wolsey Receiving a Letter Sent by Henry VIII

1811

Print made by Thomas Milton, 1742/1743–1827, British

The Death of Wat Tyler

1810

Print made by William Bromley, 1769–1842, British

Death of Henry IV

1816

Print made by Thomas Milton, 1742/1743–1827, British

Queen Margaret Resigning the Duke of York

1811

Print made by Anker Smith, 1759–1819, British

Magna Charta Presented to King John

1811

Print made by Anker Smith, 1759–1819, British

Becket Assassinated

1811

Print made by Anker Smith, 1759–1819, British

Lady Elizabeth Grey's Interview with Edward IV

1816

Print made by Anker Smith, 1759–1819, British

Queen Margaret Protected by a Robber

1810

Print made by John Corner, 1788–1825

The Death Warrant Read to Mary Queen of Scots

1810

Print made by Anker Smith, 1759–1819, British

The Prince of Wales Brought before Edward IV, after the Battle of Tewkesbury

1811

Print made by unknown artist, nineteenth century

Caractacus before Claudius

1816

Print made by Philip Audinet, 1766–1837, British

The Death of Cardinal Wolsey

1811

Print made by Thomas Milton, 1742/1743–1827, British

Canute Reproving the Flattery of his Courtiers

1810

Print made by Anker Smith, 1759–1819, British

Death of Lord Darnley

1810

Print made by Anker Smith, 1759–1819, British

Vortigern & Rowena

1816

Print made by Philip Audinet, 1766–1837, British

Lord Sinclair advising King James to Revenge the Execution of Mary Queen of Scots

1811

Print made by Anker Smith, 1759–1819, British

The Burning of Archbishop Cranmer

1811

Print made by William Bromley, 1769–1842, British

Death of Henry V

1811

Print made by James Neagle, 1760–1822, British

Elizabeth Barton, Commonly called The Holy Maid of Kent, Practicing her Impositions

1810

Print made by James Neagle, 1760–1822, British

Queen Mary of Scots Landing in England

1810

Print made by Anker Smith, 1759–1819, British

The Young Earl of Richmond before Henry VI

1810

Print made by Robert Walker Macbeth, 1848–1910, British

Marlow Ferry

1880

Print made by Anker Smith, 1759–1819, British

Alfred in the Danish Camp

1816

Print made by William Heath, 1795–1840, British

A Naughty Boy Turn'd Out of School

1828

Print made by Philip Gilbert Hamerton, 1834–1894, British

Val Sainte Veronique and Ancient Chestnuts

ca. 1874

Print made by Samuel Cousins, 1801–1887, British

The Pet Rabbit

1835

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1845

Print made by Leopold Flameng, 1831–1911, French

Grolier with the Printer Aldus Manutius

1882

Print made by William Sharp, 1749–1824, British

William Sharp

1817

James Heath, 1757–1834, British

"Mark your divorce young sir, whom son I dare not call"

1804

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by James Charles Armytage, 1802–1897, British

The Balcony

between 1835 and 1854

Print made by Thomas Malton the Younger, 1748–1804, British

Cambridge University: Queens College

1800

Print made by William Strang, 1859–1921, British

The Sieve Mender

1884

James Gillray, 1756–1815, British

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

Print made by Robert Walker Macbeth, 1848–1910, British

The Harvest Moon

1883

Print made by George Baxter, 1804–1867, British

George Pritchard, Her Britannic Majesty's Consul

1845

John Henry Robinson, 1796–1871, British

The Mantilla

1838

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

And Ah! Let Pity Turn Her Dewy Eyes..

1801

Print made by John Crome, 1768–1821, British

Composition: Sandy Road through Woodland

1813

Print made by Sir Frank Short, 1857–1945, British

Shipping By A Breakwater

1889

James Gillray, 1756–1815, British

Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico

1805

James Gillray, 1756–1815, British

Political Mathematician's Shaking the Broad Bottom'd Hemispheres

ca. 1811

Print made by Luigi Schiavonetti, 1765–1810, Italian

Christ Descending into the Grave

1808

Print made by unknown artist

The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery

1827

Print made by George Moutard Woodward, ca. 1760–1809, British

First Going Alone

1810

Prints made by Luigi Schiavonetti, 1765–1810, Italian

The Grave, A Poem, by Robert Blair

1808

Print made by unknown artist, ( James Fagan )

On the Beach

1893

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

William Blake, Frontispiece

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by William Strang, 1859–1921, British

Macbeth's Witches

1882

James Gillray, 1756–1815, British

Pillars of the Constitution - Three O'Clock and A Cloudy Morning

1809

James Gillray, 1756–1815, British

Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle

1802

James Gillray, 1756–1815, British

Sketch of the Interior of St. Stephen's, as It Now Stands. -

1802

James Gillray, 1756–1815, British

The Apotheosis of the Corsican Phoenix

1808

James Gillray, 1756–1815, British

True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard

1809

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Medium etching (printing process)

Period 19th century

Height [cm] 36

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Medium etching (printing process)

Period 19th century

Height [cm] 36

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