Medium: etching (printing process) / Period: 19th century / Height [cm]: 34

Etched by Joseph Mallord William Turner, 1775–1851, British

Chain of Alps from Grenoble to Chamberi

1812

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by Thomas Goff Lupton, 1791–1873, British

The Source of the Arveron in the Valley of Chamouni, Savoy

1860

Print made by Thomas Goff Lupton, 1791–1873, British

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1858

Print made by Thomas Goff Lupton, 1791–1873, British

Procris and Cephalus

1864

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1814

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1814 to 1826

Print made by William Bernard Cooke, 1778–1855, British

The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq

1816

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Citadel

1821

Print made by Samuel Rawle, 1771–1860, British

Hylton Castle, County of Durham

1820

Print made by George Cooke, 1781–1834, British

Naples, from the Mole

1820

Print made by John Pye, 1782–1874, British

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by W. R. Smith, active 1819–1851

Heysham and Cumberland Mountain

1818-1823

Print made by John Le Keux, 1783–1846, British

Rome, from the Farnese Gardens

1818-1820

Sir David Young Cameron, 1865–1945, British

Ponte Vecchio [North Italian Set: No. 21]

1895

Sir David Young Cameron, 1865–1945, British

Siena

1900

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814

Print made by George Cooke, 1781–1834, British

Teignmouth, Devon

1814

Print made by George Cooke, 1781–1834, British

Watchet, Somersetshire

1814-1826

Print made by George Cooke, 1781–1834, British

Lulworth Castle, Dorsetshire

1820

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1814 to 1826

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by Thomas Higham, 1796–1844, British

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by William Bernard Cooke, 1778–1855, British

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1814 to 1826

Print made by George Cooke, 1781–1834, British

Brighton

1814 to 1826

Print made by W. R. Smith, active 1819–1851

Heriot's Hospital

1822

Print made by Thomas Rowlandson, 1756–1827, British

A Mad Dog in a Coffee House

1809

Print made by Auguste Boulard, 1852–1927, French

A Difference of Opinion

1897

unknown artist, nineteenth century

View of the Coronation Procession of George IV

ca. 1821

Print made by B. Winkles, active 1830–1840, British

Longitudinal Section of Westminster Hall

ca. 1821

Print made by James Girtin, ca. 1780–after 1820

Dedication Page for: to the Right Honorable George Earl of Essex

1803

Print made by G. Greatbach, active 19th century

Indian Procession, Ivory Carving; Indian Figures

undated

Print made by Anthony Cardon, 1772–1813, Flemish

Cupid Wounded

1801

Print made by Peltro W. Tomkins, 1760–1840, British

Her Royal Highness the Princess Royal

1801

Print made by John Augustus Atkinson, (etching), 1775–1831, British

Fools; or Jesters

1813

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1845

James Heath, 1757–1834, British

"Hubert, let me not be bound!"

1802

James Heath, 1757–1834, British

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

Print made by Edward Radclyffe, 1809–1863, British

Calais Pier

after 1832

Print made by Edward Radclyffe, 1809–1863, British

Peat-Gatherers

undated

Print made by Edward Radclyffe, 1809–1863, British

Changing Pasture

undated

Print made by Samuel Freeman, 1773–1857, British

Mamma at Romps

1810

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Print made by Charles Turner, 1774–1857, British

Shields on the River Tyne

1823

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by Guillaume Sulpice Chevalier, 1804–1866, French

Intemperance

undated

Print made by Charles Rosenberg, active 1828–1848

The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

1837

Print made by James Charles Armytage, 1802–1897, British

The Monk

between 1833 and 1853

James Gillray, 1756–1815, British

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

Print made by Robert Kearsley Dawson, 1798–1861, British

Map of Bewdley from the Ordnance Survey

undated

Print made by William Strang, 1859–1921, British

The Soup Kitchen

1889

Walter Greaves, 1846–1930, British

Cremorne Gardens: Chelsea Bandstand

1871

James Gillray, 1756–1815, British

Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico

1805

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by William Miller, 1796–1882, British

Kilchurn Castle, Loch Awe

1847

$William Chapman Ilfracombe$

Print made by William Chapman, 1817–1879, British

Ilfracombe

between 1853 and 1874

Print made by Frederick Bacon, 1803–1887, British

The Penitent

between 1842 and 1887

Print made by Edward Julius Detmold, 1883–1957, British

Phoenix

1899

Edward Francis Finden, 1791–1857, British

Hester Lynch Piozzi (Mrs. Thrale)

1835

James Gillray, 1756–1815, British

Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle

1802

James Gillray, 1756–1815, British

The Apotheosis of the Corsican Phoenix

1808

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Medium etching (printing process)

Period 19th century

Height [cm] 34

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Medium etching (printing process)

Period 19th century

Height [cm] 34

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