Medium: etching (printing process) / Period: 19th century / Height [cm]: 13

Print made by John Constable, 1776–1837, British

The Ruins of Netley Abbey

1826

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

1880-1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

1874

William Blake, 1757–1827, British

From Antique Coins

1821

William Blake, 1757–1827, British

Caius Julius Cæsar

1821

Print made by William Blake, 1757–1827, British

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by Miles Edmund Cotman, 1810–1858, British

Study of Trees on the Banks of the Yare

1846

Frederick Goulding, 1842–1909, British

Ruins of the Old Bridge, Vernon

1879

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Chelsea

ca. 1882

Print made by B. R. Davies, active ca. 1833, British

Mount Blanc

1828

Print made by William Miller, 1796–1882, British

Clovelly Bay and Lundy Island

1814 to 1826

Print made by James C. Allen, active 1821–1831, British

Addingham Mill on the Warfe

1821

Print made by William Angus, 1752–1821, British

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by James C. Allen, active 1821–1831, British

Harborough Sands (vignette)

ca. 1830

George Baxter, 1804–1867, British

The Sacrifice at Lystra

after 1855

Print made by Charles Golding Constable, 1821–1879, British

Woolwich

between 1820 and 1835

Print made by William Miller, 1796–1882, British

Edinburgh from Blackford Hill

1834

George H. Every, 1837–1910, British

Sir Joshua Reynolds

1866

Sir George Hayter, 1792–1871, British

Sir George Hayter

1822

Print made by Bell, active 1840s, British

Hindu Fakirs Practising their Superstitious Rites

ca. 1840

Print made by J. Sands, active ca. 1840

Entrance to the Valley of the Dhoon

1840

Print made by Bell, active 1840s, British

Key to Plate of Hindu Fakirs Practising their Superstitious Rites

ca. 1840

Print made by William Woolnoth, active 1806–1830, British

Triad Figure, Interior of Elephanta

1833

Print made by Edward Goodall, 1795–1870, British

Scene at Colgong on the Ganges

1836

Print made by Walker, active 1850s, British

The Fall of Tippoo Saib

undated

Print made by unknown artist, nineteenth century

View of Lucknow

ca. 1860

Print made by James Stephenson, 1808–1886, British

Cabul, from the Bala Hissar

1885

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Troop Ships

1887

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Ryde Pier

1887

Print made by George Cruikshank, 1792–1878, British

Cue in a Corner

1855

Print made by George Cruikshank, 1792–1878, British

Pisces - Too Deep!

undated

Print made by George Cruikshank, 1792–1878, British

Untitled

undated

Print made by George Cruikshank, 1792–1878, British

Untitled

undated

Print made by George Cruikshank, 1792–1878, British

Turning the Tables

undated

Print made by George Cruikshank, 1792–1878, British

"Captain Kelly conveys a slight remonstance"

undated

Print made by George Cruikshank, 1792–1878, British

Mr Crump's Extreme Politeness

undated

Print made by Anthony Cardon, 1772–1813, Flemish

E. Edwards, Associate and Teacher of Perspective in the Royal Academy

1808

Print made by George Cruikshank, 1792–1878, British

"That aint him!"

undated

Print made by unknown artist, (A. Dick)

Grandpapa's Story or The Witches Frolick

1838

Print made by George Cruikshank, 1792–1878, British

The First Step

undated

Print made by George Cruikshank, 1792–1878, British

Mr. Weazel Renews an Old Friendship

undated

Print made by George Cruikshank, 1792–1878, British

An Awkward Post

undated

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Return to Tilbury

1887

Print made by Robert Cooper, ca. 1800–1836, British

A. More

1826

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

The Turret-Ship

1887

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Battersea Reach

1863

Print made by Charles West Cope, 1811–1890, British

W. Mulready RA

1863

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

A Child on a Couch, No. 1

between 1873 and 1875

Print made by Edward Francis Finden, 1791–1857, British

Ancient Temple at Kunkhul

ca. 1840

Print made by James Baylis Allen, 1803–1876, British

View at Simla

ca. 1840

Print made by William Miller, 1796–1882, British

The British Residency at Hyderabad

ca. 1845

Print made by unknown artist, nineteenth century

The King's Palace at Delhi

ca. 1860

Print made by unknown artist, nineteenth century

The Residency, Lucknow

ca. 1860

Robert Charles Goff, 1837–1922, British

The Nile

1897

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

Sir Francis Seymour Haden, 1818–1910, British

Dusty Millers

1877

Edwin Edwards, 1823–1879, British

Minehead

1879

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

Sir Francis Seymour Haden, 1818–1910, British

Sunset on the Thames

1865

Sir Francis Seymour Haden, 1818–1910, British

Dusty Millers

1877

Print made by James C. Allen, active 1821–1831, British

Harborough Sands

1819-1826

Print made by Frederick Christian Lewis the Elder, 1779–1856, British

View of the Village of Chaillot & C. taken from Pont de la Concorde

1803

Print made by Thomas Girtin, 1775–1802, British

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

Print made by Samuel David Colkett, 1806–1863, British

The Gipsy Encampment

1830

Print made by Bradshaw & Blacklock, active ca.1850, British

View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Chepstow Castle

after 1850

Edward Scriven, 1775–1841, British

Sir Frederick William Herschel

ca.1830

Print made by John Bell, 1811–1895, British

The Assault

between 1838 and 1850

Print made by John Bell, 1811–1895, British

Diavoli Pescatori

between 1838 and 1850

Print made by John Bell, 1811–1895, British

And This Was Caesar

between 1838 and 1850

Print made by Frederick Bromley, active 1856–1860

Joseph Wilton, Esq

1862

Print made by Frederick Bromley, active 1856–1860

Sir Robert Chambers

1862

Print made by Alexander George Fraser, 1786–1865, British

A Seated Man Drinking

undated

Print made by Alexander George Fraser, 1786–1865, British

A Highland Interior

undated

Print made by William Angus, 1752–1821, British

Witley Court in Worcestershire, the Seat of Lord Foley

1810

Print made by Bradshaw & Blacklock, active ca.1850, British

Bacharach and View near Bingen

after 1850

Bradshaw & Blacklock, active ca.1850, British

Swiss Costumes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Tintern Abbey

after 1850

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Medium etching (printing process)

Period 19th century

Height [cm] 13

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Medium etching (printing process)

Period 19th century

Height [cm] 13

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