Medium: etching (printing process) / Period: 18th century / Work Type: intaglio print

Print made by George Stubbs, 1724–1806, British

A Horse Affrighted by a Lion

1788

Print made by William Hogarth, 1697–1764, British

Plate 2, The Industrious 'Prentice Performing the Duty of a Christian

1747

Print made by William Hogarth, 1697–1764, British

Plate 1, The Fellow 'Prentices at their Looms

1747

Print made by William Hogarth, 1697–1764, British

Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master

1747

Print made by William Hogarth, 1697–1764, British

Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute

1747

Print made by William Hogarth, 1697–1764, British

Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

1747

Print made by William Hogarth, 1697–1764, British

Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice

1747

Print made by William Hogarth, 1697–1764, British

Plate 11, The Idle 'Prentice Executed at Tyburn

1747

Print made by William Hogarth, 1697–1764, British

Plate 12, The Industrious 'Prentice Lord Mayor of London

1747

Print made by William Hogarth, 1697–1764, British

Strolling Actresses Dressing in a Barn

1738

Print made by William Hogarth, 1697–1764, British

The Five Orders of Periwigs

1761

Print made by William Hogarth, 1697–1764, British

Columbus Breaking the Egg

1752

Print made by William Hogarth, 1697–1764, British

Marriage à la Mode, Plate 6

1745

Print made by William Hogarth, 1697–1764, British

Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter

1747

Print made by William Hogarth, 1697–1764, British

Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service

1747

Print made by William Hogarth, 1697–1764, British

Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea

1747

Print made by William Hogarth, 1697–1764, British

Simon Lord Lovat

1746

Print made by William Hogarth, 1697–1764, British

Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice

1747

Print made by William Hogarth, 1697–1764, British

A Rake's Progress, Plate 8

1735

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 3

1732

Print made by William Hogarth, 1697–1764, British

Four Heads from the Raphael Cartoons at Hampton Court

1781

Print made by William Hogarth, 1697–1764, British

Paul Before Felix

1752

Print made by William Hogarth, 1697–1764, British

The Stage-Coach, or the Country Inn Yard

1747

Print made by William Hogarth, 1697–1764, British

Tail Piece, or the Bathos

1764

Print made by William Hogarth, 1697–1764, British

Decimation

1725

Print made by William Hogarth, 1697–1764, British

Crucifixion, etc

1725

Print made by William Hogarth, 1697–1764, British

Banishment

1725

Print made by William Hogarth, 1697–1764, British

Breaking the Legs

1725

Print made by William Hogarth, 1697–1764, British

Fustium Admonitio

1725

Print made by William Hogarth, 1697–1764, British

Degrading Punishments

1725

Print made by William Hogarth, 1697–1764, British

Shameful Discharge

1725

Print made by William Hogarth, 1697–1764, British

Taking Away the Military Belt or Girdle

1725

Print made by William Hogarth, 1697–1764, British

Issued Barley Instead of Wheat

1725

Print made by William Hogarth, 1697–1764, British

Hanging by the Thumbs

1725

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 1

1732

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 6

1732

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 5

1732

Print made by William Hogarth, 1697–1764, British

Emerald Vessel

1723

Print made by William Hogarth, 1697–1764, British

Paul Before Felix Burlesqued

1751

Print made by William Hogarth, 1697–1764, British

A Midnight Modern Conversation

1733

Print made by William Hogarth, 1697–1764, British

After

1736

Print made by William Hogarth, 1697–1764, British

Frontispiece: A Seated Roman General on a Camp Stool

1725

Print made by William Hogarth, 1697–1764, British

Before

1736

Print made by William Hogarth, 1697–1764, British

Fustigatio

1725

Print made by William Hogarth, 1697–1764, British

Beheading

1725

Print made by William Hogarth, 1697–1764, British

Freemen Degraded and Sold into Slavery

1725

Print made by William Hogarth, 1697–1764, British

Dismemberment, etc

1725

Print made by William Hogarth, 1697–1764, British

Issued Barley Instead of Wheat

1725

Print made by William Hogarth, 1697–1764, British

Cutting off the Nose

1725

Print made by William Hogarth, 1697–1764, British

Crowns, Mitres, Maces, Etc

1754

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 2

1732

Print made by William Hogarth, 1697–1764, British

A Harlot's Progress, Plate 4

1732

after William Hogarth, 1697–1764, British

Simon, Lord Lovat

1746

Print made by William Blake, 1757–1827, British

The Death of Juliet

1799

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

Print made by William Blake, 1757–1827, British

Romeo and Juliet, Act IV, Scene V

1799

Print made by William Blake, 1757–1827, British

Introduction to the Fables, The Shepherd and the Philosopher

1793

Print made by William Blake, 1757–1827, British

Fable VI. The Miser and Plutus

1793

Print made by William Blake, 1757–1827, British

Fable XXII. The Goat Without a Beard

1793

Print made by William Blake, 1757–1827, British

Fable XXIV. The Butterfly and the Snail

1793

Print made by William Blake, 1757–1827, British

Fable XXVIII. The Persian, the Sun, and the Cloud

1793

Print made by William Blake, 1757–1827, British

Fable XXX. The Setting-dog and the Partridge

1793

Print made by William Blake, 1757–1827, British

Fable XLI. The Owl and the Farmer

1793

Print made by William Blake, 1757–1827, British

Fable I. The Dog and the Fox

1793

Print made by William Blake, 1757–1827, British

Fable XVI. The Ravens, the Sexton, and the Earth-Worm

1793

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

Print made by William Blake, 1757–1827, British

Fable XVI. The Pin and the Needle

1793

Print made by William Blake, 1757–1827, British

Fable XIII. The Tame Stag

1793

Print made by William Blake, 1757–1827, British

Fable XII. Pan and Fortune

1793

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The present moment terminates our sight"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

ca. 1797

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Medium etching (printing process)

Period 18th century

Work Type intaglio print

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