Medium: etching (printing process) / Date: 1819 / Period: 19th century

Etched by Joseph Mallord William Turner, 1775–1851, British

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

The Alcove, Isleworth

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

East Gate, Winchelsea, Sussex

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Isis

1819

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Interior of a Church

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

The Alcove, Isleworth

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Ben Arthur, Scotland

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Ben Arthur, Scotland

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

East Gate, Winchelsea, Sussex

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Isis

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Interior of a Church

1819

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Print made by William Bernard Cooke, 1778–1855, British

Views in Sussex, Publisher's Printed Wrapper

1819

Print made by Samuel Rawle, 1771–1860, British

Gibside, County of Durham

1819

Etched by Samuel Middiman, ca. 1750–1831, British

Lake of Nemi

1819

Print made by George Cooke, 1781–1834, British

Naples, from the Mole

1819

Print made by John Pye, 1782–1874, British

Junction of the Greta and Tees at Rokeby

1819

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1819

Engraved by Henry Le Keux, 1787–1868, British

High Street, Edinburgh

1819

James Pollard, 1792–1867, British

Cottager's Hospitality to Travellers of The Coach Broke Down

1819

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Print made by George Cruikshank, 1792–1878, British

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

1819

Print made by Robert Havell & Son, 1769–1832, British

View of the Front of the New Public Buildings, Guildford

1819

Print made by William Bernard Cooke, 1778–1855, British

The Vale of Ashburnham

1819

Print made by William Bernard Cooke, 1778–1855, British

Crowhurst, Sussex

1819

Print made by William Bernard Cooke, 1778–1855, British

Vale of Heathfield, Sussex

1819

Print made by John Landseer, 1769–1852, British

Casade of Terni

1819

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1819

Print made by John Byrne, 1786–1847, British

Tomb of Cecilia Metella

1819

Etched by Samuel Middiman, ca. 1750–1831, British

La Riccia

1819

Etched by Samuel Middiman, ca. 1750–1831, British

Lake of Nemi

1819

Print made by Samuel Middiman, ca. 1750–1831, British

Junction of the Greta and Tees at Rokeby

1819

Print made by William Bernard Cooke, 1778–1855, British

Battle Abbey, The Spot where Harold Fell

1819

Print made by George Cooke, 1781–1834, British

Critchton Castle

1819

Print made by W. R. Smith, active 1819–1851

Florence from Fiesoli

1819

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by James C. Allen, active 1821–1831, British

Harborough Sands

1819-1826

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

1819-1826

Print made by James C. Allen, active 1821–1831, British

Harborough Sands

1819-1826

Print made by James C. Allen, active 1821–1831, British

Dunwich

1819-1826

Print made by Guillaume Sulpice Chevalier, 1804–1866, French

Intemperance

undated

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Etched by Samuel Middiman, ca. 1750–1831, British

La Riccia

1819

Print made by unknown artist, ( T. Clark )

Boston Church and Grand Sluice, Lincolnshire

undated

Thomas Higham, 1796–1844, British

Benacre Hall, Suffolk

1819

Print made by S. T. Davies, active ca. 1835, British

Lincoln from the River Witham

undated

John Cousen, 1804–1880, British

Manse and Church of Cults, the Birthplace of Wilkie

undated

Print made by Robert Havell & Son, 1769–1832, British

View of the Old Corn Market and Tuns Inn, Guildford

1819

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Medium etching (printing process)

Date 1819

Period 19th century

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Date 1819

Period 19th century

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