Medium: etching (printing process) / On-site Access: Accessible by appointment in the Study Room / Subject Terms: sitting

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Tenth Plague of Egypt

1816

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

Print made by William Blake, 1757–1827, British

Air; Plate 6

1793

Print made by William Blake, 1757–1827, British

Does Thy God O Priest Take such Vengeance as This?; Plate 14

1793

Print made by William Blake, 1757–1827, British

I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18

1793

Print made by William Blake, 1757–1827, British

Water; Plate 4

1793

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by John Crome, 1768–1821, British

Road Scene, Trowse Hall, near Norwich

1813

Print made by Robert Sargent Austin, 1895–1973, British

Women at Prayer

1936

Print made by Robert Sargent Austin, 1895–1973, British

Hero's Widow

1932

Print made by Jean B. C. Chatelain, 1710–1771, French

Classical Landscape with Travellers, a Dog and House on the left

1741

Print made by George Chinnery, 1774–1852, British

Henry Tresham, Esq, R.A

1802

Print made by Thomas Chambars, ca. 1724–1789, British

Peter Tillemans

undated

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by George Cruikshank, 1792–1878, British

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

Print made by Robert Sargent Austin, 1895–1973, British

Before Mass

1926

Print made by George Cruikshank, 1792–1878, British

Audacity of Jack Sheppard

1839

Print made by George Cruikshank, 1792–1878, British

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

1839

Print made by George Cruikshank, 1792–1878, British

Mrs. Sheppard Expostulating with her Son

1839

Print made by George Cruikshank, 1792–1878, British

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

1839

Print made by George Cruikshank, 1792–1878, British

"That aint him!"

undated

Print made by George Cruikshank, 1792–1878, British

Mr. Weazel Renews an Old Friendship

undated

Print made by Thomas Chambars, ca. 1724–1789, British

Nicholas Laniere

undated

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by Thomas Dale, active ca. 1921, British

Interior of the Chapel of the Holy Trinity

1825

Print made by George Cruikshank, 1792–1878, British

Virgo - Unmatched Enjoyment

undated

Print made by Herbert A. Freeth, 1912–1986, British

Morenta

1939

Print made by Robert Sargent Austin, 1895–1973, British

The Blind Beggar of Tivoli

1923

Print made by Robert Sargent Austin, 1895–1973, British

The Stone Breaker

1925

Print made by Robert Sargent Austin, 1895–1973, British

The Puppet Master

1926

Print made by Robert Sargent Austin, 1895–1973, British

The Letter

1938

Print made by Robert Sargent Austin, 1895–1973, British

The Puppet Master

1926

Print made by George Cooke, 1781–1834, British

Florence, from Chiesa al Monte

1820

Print made by George Cooke, 1781–1834, British

Florence, from Chiesa al Monte

1820

Print made by William Faithorne, ca. 1620–1691, British

Henry More

1675

Print made by Sir Francis Seymour Haden, 1818–1910, British

Thomas Haden of Derby

1864

John Dixon, ca. 1740–1811, Irish

William Robert Fitzgerald, Second Duke of Leinster

1775

Sir William Russell Flint, 1880–1969, British

The Prison Door, Concaran

1929

Sir William Russell Flint, 1880–1969, British

Gypsy Chorus, Granada

1931

Sir William Russell Flint, 1880–1969, British

A Spanish Showman's Family

1931

Print made by Robert Sargent Austin, 1895–1973, British

Women at Prayer

1936

Print made by Robert Sargent Austin, 1895–1973, British

The Belfry

1930

Print made by Robert Sargent Austin, 1895–1973, British

Four Friends

1947

Print made by Robert Sargent Austin, 1895–1973, British

Four Friends

1946

Print made by Johann Jacobus Haid, 1704–1767

La bonheur du Mariage

undated

James Fittler, 1758–1835, British

'The Gamester,' Act V, Scene IV

1792

Print made by John Dixon, ca. 1740–1811, Irish

Peasants Drinking

between 1765 and 1771

Print made by John Dixon, ca. 1740–1811, Irish

A Peasant Family

between 1765 and 1771

Print made by Louis de Fontaine, active 1723–1757, French

Wandering Musicians

undated

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808, published 1813

James Heath, 1757–1834, British

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

William Greatbach, Born 1802, British

Falstaff and his Friends

ca. 1868

Print made by Frederik Christiaan Bierweiler, active 1800–1831, Dutch

De Hemelvaart

ca. 1820

Print made by Thomas Burke, 1749–1815, British

Lady Rushout and Daughter

1784

Print made by Thomas Cheesman, 1760–1834/35, British

Marchioness of Townshend and Child

1792

Print made by James Barry, 1741–1806, Irish

Repose in Egypt

ca. 1776

Print made by James Barry, 1741–1806, Irish

Repose in Egypt

ca. 1776

Print made by John Crome, 1768–1821, British

Landscape with Oak Trees

ca. 1812

Print made by John Crome, 1768–1821, British

Wooded Landscape

ca. 1812

Print made by Bradshaw & Blacklock, active ca.1850, British

View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Bacharach

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Double Hairpin Set

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Oriental Scenes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of Needle-Box Prints

after 1850

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by Alexander George Fraser, 1786–1865, British

A Seated Man Drinking

undated

Print made by Alexander George Fraser, 1786–1865, British

A Highland Interior

undated

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by James Barry, 1741–1806, Irish

Sacra Christi Familia

undated

Print made by Bradshaw & Blacklock, active ca.1850, British

Bacharach and View near Bingen

after 1850

Bradshaw & Blacklock, active ca.1850, British

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'

after 1850

Bradshaw & Blacklock, active ca.1850, British

Swiss Costumes

after 1850

Print made by Matthew Darly, active 1754–1778, British

Statue Hall or the Modern Register Office

1769

Print made by unknown artist, seventeenth century

The Double Deliverance, 1588–1605

1621

John Hassell, 1767–1825, British

Clapham Manor-House, Surry

between 1804 and 1822

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Medallions of F. Hutcheson and L. Natter

1780

Print made by Ebenezer Challis, active 1837–1859

The Baron's Hall

1844

Print made by Robert Isaac Cruikshank, 1789–1856, British

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

after 1820

Print made by John Crome, 1768–1821, British

Composition: Sandy Road through Woodland

1813

William Lee Hankey, 1869–1952, British

Meditation

undated

Print made by Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)

Spectrum Dioneum

1768

Print made by Charles W. Bartlett, 1860–1940, British

Chinese Mother and Child

1923

Prints made by Luigi Schiavonetti, 1765–1810, Italian

The Grave, A Poem, by Robert Blair

1808

Prints made by Luigi Schiavonetti, 1765–1810, Italian

The Grave, A Poem, by Robert Blair

1808

Prints made by Luigi Schiavonetti, 1765–1810, Italian

The Grave, A Poem, by Robert Blair

1808

Hedley Fitton, 1859–1929, British

St. Andrew's Castle in the Kingdom of Fife

undated

Hedley Fitton, 1859–1929, British

Founders Tomb, Winchester

undated

Sir William Russell Flint, 1880–1969, British

Amazons on a Breton Beach

1931

George Percival Gaskell, 1868–1934, British

Villa d'Este: Evening

undated

Hedley Fitton, 1859–1929, British

Juliet House

undated

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