Medium: etching (printing process) / Credit Line: Yale Center for British Art; Yale University Art Gallery Collection / Classification: Prints

Print made by Thomas Goff Lupton, 1791–1873, British

Sheerness

1828

Print made by George Vertue, 1684–1756, British

William Cavendish of Newcastle

1739

Print made by Jacobus Houbraken, 1698–1780, Dutch

James Graham Marquess of Montrose

1740

Print made by unknown artist

Edward Montague Lord Kimbolton

ca. 1740

Print made by George Vertue, 1684–1756, British

Francis Earl of Bedford

1737

Print made by unknown artist

William Cavendish, first Duke of Newcastle-upon-Tyne

undated

Print made by George Vertue, 1684–1756, British

William Cavendish, Duke of Newcastle

1739

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

View of the Inside of the Vestibulum

1764

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

View of the Temple of Aesculapius

1764

Print made by Jacobus Houbraken, 1698–1780, Dutch

Thomas Wentworth, 1st Earl of Stratford

1740

Print made by George Vertue, 1684–1756, British

Francis Earl of Bedford

1737

Print made by Jacobus Houbraken, 1698–1780, Dutch

George Lord Digby Earl of Bristol

1738

Print made by Jacobus Houbraken, 1698–1780, Dutch

William Russell, Earl of Bedford

1738

Print made by Jacobus Houbraken, 1698–1780, Dutch

Sir Kenelm Digby

1748

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

View of the Porta Ferrea

1764

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Another View of the Temple of Aesculapius

1764

Print made by George Vertue, 1684–1756, British

Edward Sackville, Earl of Dorset, Lord Chamberlain

1742

Print made by George Vertue, 1684–1756, British

Francis Earl of Bedford

1737

Print made by James Heath, 1757–1834, British

General Washington

1800

Print made by George Cruikshank, 1792–1878, British

The Triumph of Cupid: A Reverie

undated

Print made by Richard Earlom, 1743–1822, British

A Landscape with Cattle

1775

Print made by Charles Tomkins, 1757–1823, British

A French Second Rate, An:1670

1801

Print made by Jacobus Houbraken, 1698–1780, Dutch

James Graham, Marquess of Montrose

1740

Print made by George Vertue, 1684–1756, British

Thomas Sackvill Earl of Dorset, Baron of Buckhurst

ca. 1740

Print made by Jacobus Houbraken, 1698–1780, Dutch

Algernoon Piercy Earl of Northumberland

1738

Print made by unknown artist

Edward Montague Lord Kimbolton

ca. 1740

Print made by George Vertue, 1684–1756, British

William Cavendish, 1st Duke of Newcastle upon Tyne

1739

Print made by John Harris, 1811–1865, British

The Arrival at Waterford, Commin's Hotel

1856

Print made by Jacobus Houbraken, 1698–1780, Dutch

Robert Rich, Earl of Warwick

1747

Robert Rich, Earl of Warwick

1747

Print made by Jacobus Houbraken, 1698–1780, Dutch

Thomas Wentworth, 1st Earl of Strafford

1740

Reginald Green, active 1910–1955

Derwentwater from Ashness Bridge

undated

Print made by Herbert Johnson Harvey, 1883–1928, British

Head Study of a Woman

ca. 1920

William Lee Hankey, 1869–1952, British

In the Garden

1920

Print made by Ernest L. Hampshire, born 1882, British

Westminster Abbey from Dean's Yard

undated

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Medium etching (printing process)

Credit Line Yale Center for British Art; Yale University Art Gallery Collection

Classification Prints

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Medium etching (printing process)

Credit Line Yale Center for British Art; Yale University Art Gallery Collection

Classification Prints

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