Medium: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: death

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Etched by Joseph Mallord William Turner, 1775–1851, British

Tenth Plague of Egypt

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Rispah: 2nd Book of Samuel, Chap. 21

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Procris and Cephalus

1812

Print made by Joseph Mallord William Turner, 1775–1851, British

Procris and Cephalus

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Tenth Plague of Egypt

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Procris and Cephalus

1812

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

ca. 1797

Print made by William Blake, 1757–1827, British

Fear & Hope Are -- Vision; Plate 15

1793

Print made by William Blake, 1757–1827, British

Death's Door; Plate 17

1793

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by John Browne, 1741–1801, British

After Sun-Set

ca. 1797

Print made by John Sell Cotman, 1782–1842, British

Column at Yarmouth to the Memory of Lord Nelson

1817

Print made by Thomas Goff Lupton, 1791–1873, British

Procris and Cephalus

1864

Print made by Peter Simon, 1750–1810

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

1791

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

Christ Descending into the Grave

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808, published 1813

Richard Earlom, 1743–1822, British

Tiger Hunting in the East Indies

1802

Print made by John Martin, 1789–1854, British

The Deluge

1828

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

A Ship in Distress

1745

James Gillray, 1756–1815, British

The Death of the Great Wolf

1795

James Gillray, 1756–1815, British

Presages of the Millenium

1795

James Gillray, 1756–1815, British

The Valley of the Shadow of Death

1808

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

St. Nil

1762

Print made by William Skelton, 1763–1848, British

Richard III: Act IV, Scene III, Tower of London

1795

Print made by James Basire the younger, 1769–1822, British

Monumentum hoc ad austrum in choro Ecclesiae cathedralis Worcestiae positum

undated

Joseph Goupy, 1689–1769, British

Romanus sum Civis

1726

Print made by Ralph Hudson, active ca. 1820, British

Pilgrim's Progress Illustrated, Uncut Panorama

ca. 1820

Henry Thomas Alken, 1785–1851, British

The Quorn Hunt: The Death

undated

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808

William Dickinson, 1746–1823, British

Charlotte at the Tomb of Werther

1785

James Gillray, 1756–1815, British

Blood on Thunder Fording the Red Sea

1788

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Medium

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms death

YCBA Collections Search

Refine your search

Search Constraints

Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms death

Search Results