Medium: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 21

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Charles Grignion, 1717–1810, British

A Macarony at a Sale of Pictures

1771

Print made by James Caldwall, 1739–1819, British

Now Sir, You're a Complete Macaroni

1772

Print made by James Bretherton, ca. 1730–1806, British

The Fish-Street Macaroni

1772

Print made by Charles Bretherton, ca. 1760–1783, British

Postiglione Inglese

1772

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Print made by John Goldar, 1729–1795, British

Captain Conquest and His Baggage Wagon

1772

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Print made by John Byrne, 1786–1847, British

Rome from Monte Mario

1820

Print made by John Byrne, 1786–1847, British

Rome, Tomb of Cecilia Metella

1818-1820

Walter Geikie, 1795–1837, British

Edinburgh Castle and Horse Fair

1830

Print made by John Le Keux, 1783–1846, British

Rome, from the Farnese Gardens

1818-1820

Print made by James C. Allen, active 1821–1831, British

Orford Castle and St. George's Tower

ca. 1830

Print made by William Bernard Cooke, 1778–1855, British

Martello Towers at Bexhill

1817

Print made by William Bernard Cooke, 1778–1855, British

Martello Towers at Bexhill

1817

Print made by William Bernard Cooke, 1778–1855, British

Minehead, Somersetshire

1820

Print made by unknown artist, nineteenth century

The Little Devil's Bridge

between 1816 and 1820

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Henry Le Keux, 1787–1868, British

Aosta (vignette)

1830

George Baxter, 1804–1867, British

The Sacrifice at Lystra

after 1855

Print made by Edward Goodall, 1795–1870, British

Caerlaverock Castle

1834

Print made by Edward Goodall, 1795–1870, British

Caerlaverock Castle

1834

unknown artist, (Evans)

Henry Fuseli, Esq

1808

Print made by Thomas Chambars, ca. 1724–1789, British

Lewis Francis Roubiliac

undated

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

Print made by John Corner, 1788–1825

Sir Godfrey Kneller

1821

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Angelica Kauffman

1780

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Maurice Blot, 1753–1818

Van-Dyck

undated

James Basire the younger, 1769–1822, British

Benjamin Hoadly, Bishop of Winchester

1771

George Vertue, 1684–1756, British

Edward Harley, 2nd Earl of Oxford and Earl of Mortimer

1745

Print made by Caroline Watson, 1760–1814, British

Contemplation

1790

Print made by Henry Le Keux, 1787–1868, British

Aosta (vignette)

1830

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826-1832

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 1

1828

Print made by James Caldwall, 1739–1819, British

A Ladies Maid Purchasing a Leek

1772

Print made by James Caldwall, 1739–1819, British

The Macarony Brothers

1772

Print made by James Bretherton, ca. 1730–1806, British

John Jehu L'Inghilterra

1772

Print made by Henry William Bunbury, 1750–1811, British

The Judgement of Paris

1771

Print made by Coenrad Waumans, born 1619–active 1636/37, Flemish

Fredericus Henricus

ca. 1635

Print made by Coenrad Waumans, born 1619–active 1636/37, Flemish

Maria Clara de Croiio

ca. 1635

Print made by Jacobus Neeffs, 1610–after 1660, Flemish

Maria Margareta de Barlemont

ca. 1635

Print made by Caroline Watson, 1760–1814, British

Contemplation

1790

Print made by Robert Blyth, 1750–1784

Belisarius

1780

Print made by Robert Blyth, 1750–1784

Belisarius

1780

Print made by Robert Blyth, 1750–1784

Silenus

1779

Print made by Robert Blyth, 1750–1784

Silenus

1779

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

Print made by Robert Kearsley Dawson, 1798–1861, British

Map of Bewdley from the Ordnance Survey

undated

Print made by M. Coote, ca. 1758/62–1801, British

Edgar's Tower at Worcester

before 1786

Print made by Robert Brandard, 1805–1862, British

Jedburgh Abbey

1834

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

Free Natives of Dominica

1780

Print made by James Bretherton, ca. 1730–1806, British

Damn Mambrino

1799

Print made by Lucas Vorsterman I, 1595–1675, Flemish

Thomas Howardus

ca. 1635

Print made by Bradshaw & Blacklock, active ca.1850, British

Hampton Court

after 1850

Print made by Edward Francis Finden, 1791–1857, British

The Plain of Troy

1832

Richard Bernard Godfrey, 1728–op.1794, British

Knighton, the Seat of George M. Bisset, Esq

before 1781

Print made by Edward Goodall, 1795–1870, British

Caerlaverock Castle

1834

Print made by Edward Francis Finden, 1791–1857, British

Corinth from the Acropolis

1832

Print made by Edward Francis Finden, 1791–1857, British

The Castle of St. Angelo

1832

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

William Cobbett

1801

Print made by James Caldwall, 1739–1819, British

Hagley Hall

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ophelia: There's Rue for You, and Here's Some for Me

1784

Print made by Miles Edmund Cotman, 1810–1858, British

Barge on the Medway with Warships Grampian and Dreadnaugh in the Background

ca. 1838

Jacobus Houbraken, 1698–1780, Dutch

John Churchill, 1st Duke of Marlborough

1745

James Gillray, 1756–1815, British

Hope

1802

James Gillray, 1756–1815, British

Despair

1802

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 21

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 21

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