Medium: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 6

Print made by William Blake, 1757–1827, British

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

Print made by William Blake, 1757–1827, British

Does Thy God O Priest Take such Vengeance as This?; Plate 14

1793

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by Miles Edmund Cotman, 1810–1858, British

French Fishing Boat off the Shears

1846

Print made by William Bernard Cooke, 1778–1855, British

Martigny (vignette)

1830

Print made by Edward Goodall, 1795–1870, British

The Campagna of Rome

1830

Print made by John Pye, 1782–1874, British

Paestum (vignette)

1830

Print made by Edward Goodall, 1795–1870, British

The Lake of Geneva

1829

Print made by Robert Wallis, 1794–1878, British

St. Maurice

1829

Print made by Robert Wallis, 1794–1878, British

Rome, Castle of St. Angelo

1830

Print made by John Pye, 1782–1874, British

Paestum (Vignette)

1830

Print made by William Bernard Cooke, 1778–1855, British

Martigny

1830

Print made by Edward Goodall, 1795–1870, British

Lake of Como, I

1830

Print made by Edward Goodall, 1795–1870, British

Venice

1830

Print made by Edward Goodall, 1795–1870, British

Galileo's Villa

1830

Print made by Edward Goodall, 1795–1870, British

St. Anne's Hill, No. I

1834

Print made by Edward Goodall, 1795–1870, British

The Campagna of Rome

1830

Print made by Edward Goodall, 1795–1870, British

Perugia (vignette)

1830

Print made by Edward Goodall, 1795–1870, British

The Lake of Geneva

1830

Print made by Edward Goodall, 1795–1870, British

The Lake of Geneva

1830

Print made by Robert Wallis, 1794–1878, British

Rome, Castle of St. Angelo (vignette)

1830

Print made by John Pye, 1782–1874, British

Paestum (vignette)

1830

Print made by Robert Wallis, 1794–1878, British

Amalfi (vignette)

1830

Print made by Edward Goodall, 1795–1870, British

Perugia (vignette)

1830

Print made by Edward Goodall, 1795–1870, British

Galileo's Villa (vignette)

1830

Print made by Edward Goodall, 1795–1870, British

Florence (vignettes)

1830

Print made by Edward Goodall, 1795–1870, British

Galileo's Villa (vignette)

1830

Print made by Edward Goodall, 1795–1870, British

Venice (vignettes)

1830

Print made by Edward Goodall, 1795–1870, British

Galileo's Villa (vignette)

1830

Print made by W. R. Smith, active 1819–1851

Hannibal passing the Alps (vignette)

1830

Print made by Edward Francis Finden, 1791–1857, British

St. Sophia, Constantinople

1833

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Concert Ticket: Professional Concert, 1789, First Night, Hanover Square

1789

Print made by Edward Francis Finden, 1791–1857, British

The Walls of Rome (Tomb of Caius Sestus)

1833

Print made by Edward Francis Finden, 1791–1857, British

The Field of Waterloo from Hougoumont

1833

Print made by unknown artist, ( Barrett )

Peter Vanderbank (1649–1697)

undated

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Edward Goodall, 1795–1870, British

Florence

1830

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mrs. Hannah Sparke, Widow

1785

Attributed to David Lucas, 1802–1881, British

Cottage in a Cornfield

1844

Print made by Edward Goodall, 1795–1870, British

Lake of Como, I

1830

Print made by W. R. Smith, active 1819–1851

Hospice of the Great St. Bernard (vignette)

1830

Print made by Robert Wallis, 1794–1878, British

St. Maurice (vignette)

1830

Print made by Robert Wallis, 1794–1878, British

St. Maurice (vignette)

1827

Print made by David Lucas, 1802–1881, British

Cottage in a Cornfield

1844

Engraved by George Baxter, 1804–1867, British

Balmoral Castle

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of Needle-Box Prints

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of Needle-Box Prints

after 1850

Print made by Edward Goodall, 1795–1870, British

Venice

1830

Print made by Edward Goodall, 1795–1870, British

Lake of Como, I

1830

Print made by Robert Wallis, 1794–1878, British

Rome, Castle of St. Angelo

1830

John Greig, active 1803–1853, British

Cloisters of Worcester Cathedral

1807

Print made by Edward Goodall, 1795–1870, British

The Campagna of Rome

1830

Print made by Edward Goodall, 1795–1870, British

Perugia

1830

Print made by John Pye, 1782–1874, British

Paestum

1830

John Greig, active 1803–1853, British

Godalming, Surrey

1820

Print made by William John Cooke, 1797–1865, Irish

Worcester

undated

Thomas Higham, 1796–1844, British

Benacre Hall, Suffolk

1819

Bradshaw & Blacklock, active ca.1850, British

Set of Needle-Box Prints

after 1850

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mrs. Hannah Sparke

1785

John Greig, active 1803–1853, British

Dudley Castle from the Court

1810

Print made by Edward Goodall, 1795–1870, British

Galileo's Villa

1830

Print made by unknown artist, ( J. Cary )

Royal Humane Society's Receiving House in Hyde Park

undated

John Greig, active 1803–1853, British

The Crypt, Worcester Cathedral

1807

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 6

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 6

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