Medium: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 41 - YCBA Collections Search Search Results

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 41

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The present moment terminates our sight"

ca. 1797

William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

ca. 1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

ca. 1797

William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

ca. 1797

William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

ca. 1797

William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

ca. 1797

William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O treacherous conscience!"

ca. 1797

William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

ca. 1797

William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

ca. 1797

William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

ca. 1797

William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

ca. 1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

1797

William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

1797

William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

John Scott Aske Hall

Print made by John Scott, 1774–1828, British

Aske Hall

1821

Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans

Print made by Henry Hulsberg, active 1700s–died 1729, Netherlandish, active in London

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Samuel Middiman High Street, Oxford

Etched by Samuel Middiman, ca. 1750–1831, British

High Street, Oxford

1812

Edward Goodall Cologne

Print made by Edward Goodall, 1795–1870, British

Cologne

1824

Charles Fox John Burnet, Author of "Practical Hints on Painting"

Charles Fox, 1749–1809, British

John Burnet, Author of "Practical Hints on Painting"

1827

Anthony Cardon Do You Want Any Matches?

Print made by Anthony Cardon, 1772–1813, Flemish

Do You Want Any Matches?

1794

Luigi Schiavonetti Milk below Maids

Print made by Luigi Schiavonetti, 1765–1810, Italian

Milk below Maids

1793

Luigi Schiavonetti Sweet China Oranges, Sweet China

Print made by Luigi Schiavonetti, 1765–1810, Italian

Sweet China Oranges, Sweet China

1794

Luigi Schiavonetti Two Bunches a Penny Primroses, Two Bunches a Penny

Print made by Luigi Schiavonetti, 1765–1810, Italian

Two Bunches a Penny Primroses, Two Bunches a Penny

1793

Giovanni Vendramini Fresh Gathered Peas, Young Hastings

Print made by Giovanni Vendramini, 1769–1839, Italian

Fresh Gathered Peas, Young Hastings

1795

Giovanni Vendramini Knives, Scissors, and Razors to Grind

Print made by Giovanni Vendramini, 1769–1839, Italian

Knives, Scissors, and Razors to Grind

1795

Niccoló Schiavonetti New Mackrel, New Mackrel

Print made by Niccoló Schiavonetti, 1771–1813, Italian

New Mackrel, New Mackrel

1795

Giovanni Vendramini Strawberrys, Scarlet Strawberrys

Print made by Giovanni Vendramini, 1769–1839, Italian

Strawberrys, Scarlet Strawberrys

1795

Anthony Cardon Round & Sound, Five Pence a Pound, Duke Cherries

Print made by Anthony Cardon, 1772–1813, Flemish

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Thomas Gaugain Turnips & Carrots ho

Print made by Thomas Gaugain, 1748–1812, French

Turnips & Carrots ho

1797

Giovanni Vendramini Hot Spice Gingerbread, Smoking Hot!

Print made by Giovanni Vendramini, 1769–1839, Italian

Hot Spice Gingerbread, Smoking Hot!

1796

Anthony Cardon A New Love Song, Only ha'Penny a Piece

Print made by Anthony Cardon, 1772–1813, Flemish

A New Love Song, Only ha'Penny a Piece

1796

Valentine Green St. Augustine's Gate, Canterbury

Valentine Green, 1739–1813, British

St. Augustine's Gate, Canterbury

1779

Luigi Schiavonetti Milk below Maids

Print made by Luigi Schiavonetti, 1765–1810, Italian

Milk below Maids

1793

Anthony Cardon Round & Sound, Five Pence a Pound, Duke Cherries

Print made by Anthony Cardon, 1772–1813, Flemish

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Giovanni Vendramini Knives, Scissars, and Razors to Grind

Print made by Giovanni Vendramini, 1769–1839, Italian

Knives, Scissars, and Razors to Grind

1795

Anthony Cardon Do You Want Any Matches?

Print made by Anthony Cardon, 1772–1813, Flemish

Do You Want Any Matches?

1794

Etienne Dupérac Insula Tiberina

Print made by Etienne Dupérac, ca. 1535–1604, French

Insula Tiberina

1582

W. R. Smith Dido and Aeneas; The Morning of the Chase

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Nicolas Beatrizet Pantheum Romanum nunc Mariae Cognomento

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565, French

Pantheum Romanum nunc Mariae Cognomento

1549

Edward Rooker The Magicians Marching off After the Success of their Incantations

Edward Rooker, 1724–1774, British

The Magicians Marching off After the Success of their Incantations

ca. 1763

Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Edward Rooker, 1724–1774, British

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

ca. 1763

Charles Grignion A French Petit Maître and His Valet

Charles Grignion, 1717–1810, British

A French Petit Maître and His Valet

1771

Lucas Vorsterman I Franciscus de Moncada

Print made by Lucas Vorsterman I, 1595–1675, Flemish

Franciscus de Moncada

ca. 1635

Robert Blyth An Aga of the Janizaries

Print made by Robert Blyth, 1750–1784

An Aga of the Janizaries

1779

William Nelson Gardiner January

Print made by William Nelson Gardiner, 1766–1814, Irish

January

1788

Thomas Malton the Younger Cambridge University: Queens College

Print made by Thomas Malton the Younger, 1748–1804, British

Cambridge University: Queens College

1800

Thomas Malton the Younger Cambridge University: Emmanuel College

Thomas Malton the Younger, 1748–1804, British

Cambridge University: Emmanuel College

1799

John Condé Mrs. Fitzherbert

Print made by John Condé, 1765–1794, French, active in Britain

Mrs. Fitzherbert

1792

George Baxter George Pritchard, Her Britannic Majesty's Consul

Print made by George Baxter, 1804–1867, British

George Pritchard, Her Britannic Majesty's Consul

1845

William Byrne Chinese Pavilion in European Landscape

William Byrne, 1743–1805, British

Chinese Pavilion in European Landscape

1792

Pierre Charles Canot The Great Bridge over the Taafe

Pierre Charles Canot, ca. 1710–1777, French, active in Britain

The Great Bridge over the Taafe

1775

Francesco Bartolozzi Atalanta and Hippomanes

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Atalanta and Hippomanes

1763

Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine

Print made by Thomas Girtin, 1775–1802, British

View of the Palace and Village of Choisi on the Banks of the Seine

1803

Thomas Girtin View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

Print made by Thomas Girtin, 1775–1802, British

View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

1803

Thomas Girtin The Water Works at Marli and St. German en Laye seen in the distance

Print made by Thomas Girtin, 1775–1802, British

The Water Works at Marli and St. German en Laye seen in the distance

1803

Thomas Girtin View of the Tuilleries and Bridge taken from the Quay D'Orsai

Print made by Thomas Girtin, 1775–1802, British

View of the Tuilleries and Bridge taken from the Quay D'Orsai

1802

Thomas Girtin View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

Print made by Thomas Girtin, 1775–1802, British

View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

1802

Thomas Girtin View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

Print made by Thomas Girtin, 1775–1802, British

View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

1803

Thomas Girtin A General View of Paris taken from Chaillot

Print made by Thomas Girtin, 1775–1802, British

A General View of Paris taken from Chaillot

1803

Thomas Girtin View of the City with the Louvre taken from Pont Marie

Print made by Thomas Girtin, 1775–1802, British

View of the City with the Louvre taken from Pont Marie

1802

Thomas Girtin A View of Pont Neuf, the Mint and etc.

Print made by Thomas Girtin, 1775–1802, British

A View of Pont Neuf, the Mint and etc

1803

Thomas Girtin View of Pont Neuf, part of the Louvre and the College of Four Nations

Print made by Thomas Girtin, 1775–1802, British

View of Pont Neuf, part of the Louvre and the College of Four Nations

1803

Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Print made by Thomas Girtin, 1775–1802, British

View of Pont de la Tournelle and Notre Dame taken from the Arsenal

1802

Thomas Girtin View of the Pantheon taken from the Arsenal

Print made by Thomas Girtin, 1775–1802, British

View of the Pantheon taken from the Arsenal

1803

Thomas Girtin View of St. Cloud and Mount Cavalary taken from Pont de Seve

Print made by Thomas Girtin, 1775–1802, British

View of St. Cloud and Mount Cavalary taken from Pont de Seve

Thomas Girtin On the Banks of the Marne below the Bridge at Charenton

Print made by Thomas Girtin, 1775–1802, British

On the Banks of the Marne below the Bridge at Charenton

1803

James Mitchell Rat Hunters

James Mitchell, 1791–1852, British

Rat Hunters

1830

William Elliot Kilgarren Castle, South Wales

William Elliot, active 1774, died 1792, British

Kilgarren Castle, South Wales

1765

James Mason Pembroke Town and Castle

James Mason, 1710–1783, British

Pembroke Town and Castle

1775

Thomas Girtin View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.

Print made by Thomas Girtin, 1775–1802, British

View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame

1803

Thomas Girtin View of Pont St. Michael taken from Pont Neuf

Print made by Thomas Girtin, 1775–1802, British

View of Pont St. Michael taken from Pont Neuf

1803

Thomas Girtin View of the Gate of the St. Denis taken from the Suburbs

Print made by Thomas Girtin, 1775–1802, British

View of the Gate of the St. Denis taken from the Suburbs

1803

Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Print made by Thomas Girtin, 1775–1802, British

View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

1802

Thomas Girtin View of the Village of Chaillot and etc. taken from Pont de la Concorde.

Print made by Thomas Girtin, 1775–1802, British

View of the Village of Chaillot and etc. taken from Pont de la Concorde

1803

Thomas Girtin The Water Mill above the Bridge at Charenton

Print made by Thomas Girtin, 1775–1802, British

The Water Mill above the Bridge at Charenton

1803

Paul Fourdrinier A Plan for the Bank of England Designed by Theodore Jacobsen, Esqr.

Paul Fourdrinier, 1698–1758, French

A Plan for the Bank of England Designed by Theodore Jacobsen, Esqr

undated

Philip Dawe Reading by a Paper-Bell Shade

Print made by Philip Dawe, ca.1745–ca.1809, British

Reading by a Paper-Bell Shade

1768

Theodore Henry Adolphus Fielding A Shipwreck

Print made by Theodore Henry Adolphus Fielding, 1781–1851, British

A Shipwreck

1825