Medium: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 40

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

Print made by Pieter de Jode II, ca. 1606–1674, Flemish

Ioannes Snellincx

ca. 1635

Print made by John Boydell, 1720–1804, British

Night

1756

Print made by John Boydell, 1720–1804, British

The Wreck of the Nuestra Senora de los Remedios

1753

James Clark, 19th century

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

1812

Print made by James C. Allen, active 1821–1831, British

The Ivy Bridge, Devonshire

1816

Print made by Samuel Middiman, ca. 1750–1831, British

Weathercote Cave when Half Filled with Water

1821

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by John Pye, 1782–1874, British

A View of Oxford from the Abingdon Road

1818

Print made by Samuel Rawle, 1771–1860, British

Hylton Castle, County of Durham

1816 to 1823

Print made by Edward Goodall, 1795–1870, British

Tivoli, a Composition

1827

Print made by Edward Goodall, 1795–1870, British

Tivoli, a Composition

1827

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

A Lecture on Gadding

1789

Print made by William Daniell, 1769–1837, British

A View of the East India Docks

1808

Print made by Anthony Cardon, 1772–1813, Flemish

Do You Want Any Matches?

1794

Print made by B. Winkles, active 1830–1840, British

Interior of Westminster Hall as Prepared for the Banquet

ca. 1821

Print made by Thomas Girtin, 1775–1802, British

A View of Pont Neuf, the Mint, & c

1803

Print made by Giovanni Vendramini, 1769–1839, Italian

Fresh Gathered Peas, Young Hastings

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Knives, Scissors, and Razors to Grind

1795

Print made by Anthony Cardon, 1772–1813, Flemish

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Print made by William Carpenter, 1818–1899, British

Charles Fox

1849

Francis David Soiron, Born 1764

The Promenade in St. James's Park

1793

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565, French

Theatrum Sive Coliseum Romanum

1538

Print made by Edward Goodall, 1795–1870, British

Caligula's Palace and Bridge

1842

Print made by Edward Goodall, 1795–1870, British

Caligula's Palace and Bridge

1842

Print made by unknown artist

Sepulchrum C. Cesti Epulonis Ostiensi via et pyramide et marmore quadrato noblissimum atq. omnium vetustissimum

1547

Print made by John Browne, 1741–1801, British

The Sportsman

1775

Print made by Edward Goodall, 1795–1870, British

Oxford from North Hinksey

1841

Print made by Robert Brandard, 1805–1862, British

Crossing the Brook

1838

Print made by Thomas Girtin, 1775–1802, British

View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

1803

Print made by Thomas Girtin, 1775–1802, British

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

1803

Print made by Thomas Girtin, 1775–1802, British

View of the Thuilleries and Bridge, taken from the Quai d'Orsai

1802

Print made by Thomas Girtin, 1775–1802, British

View of the City with the Louvre & Taken from Pont Marie

1802

Etched by Thomas Girtin, 1775–1802, British

View of the Pont St. Michael, taken from the Pont Neuf

1803

Print made by Thomas Girtin, 1775–1802, British

View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf

1802

Print made by Thomas Girtin, 1775–1802, British

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

1803

Print made by Thomas Girtin, 1775–1802, British

A General View of Paris, taken from Chaillot 1803

1803

Print made by Thomas Girtin, 1775–1802, British

View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

1803

Print made by Thomas Girtin, 1775–1802, British

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

1802

Print made by Thomas Girtin, 1775–1802, British

Views of the Pantheon, taken from the Arsenal

1803

Print made by Thomas Girtin, 1775–1802, British

View of the Palace and Village of Choisi, on the Banks of the Siene

1803

Print made by Thomas Girtin, 1775–1802, British

View of the Gate of St. Denis Taken from the Suburbs

1803

after Thomas Girtin, 1775–1802, British

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

1803

Print made by Frederick Christian Lewis the Elder, 1779–1856, British

View of the Village of Chaillot & C. taken from Pont de la Concorde

1803

Print made by Thomas Girtin, 1775–1802, British

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

Charles Grignion, 1717–1810, British

A French Petit Maître and His Valet

1771

Robert Pollard, 1755–1838, British

Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

1790

Francis David Soiron, Born 1764

The Promenade in St. Jame's Park

1793

John Hamilton Mortimer, 1740–1779, British

Lear, from King Lear, Act III, Scene ii

1776

John Hamilton Mortimer, 1740–1779, British

Caliban, from The Tempest

1775

Charles Grignion, 1717–1810, British

A View from Richmond Hill Up the River

1794

John Hassell, 1767–1825, British

View of Sion House from the Banks of the Thames

1799

Print made by Robert Blyth, 1750–1784

An Aga of the Janizaries

1779

Thomas Malton the Younger, 1748–1804, British

The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

1799

Paul Sandby, 1731–1809, British

The Victor Conducted in Triumph

ca. 1781

Print made by Hendrick van Schoel, died 1622, Dutch

Senatus Populus Que Romanus Divo Tito Divi Vespasiani Filio Vespasiano Augusto

1548

William Byrne, 1743–1805, British

Carnarvon Castle

1775

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Juvenis auscultans seni de divinis admonenti

1764

Print made by unknown artist, seventeenth century

The Double Deliverance, 1588–1605

1621

Print made by Benjamin Cole, 1697–1783, British

Merchant Taylors' School and St. Paul's School

1756

Print made by Thomas Girtin, 1775–1802, British

On the Banks of the Marne below the Bridge at Charenton

1803

Edward Rooker, 1724–1774, British

The Summit of Cader Idris Mountain

1775

William Woollett, 1735–1785, British

Snowden Hill

1775

Joseph Goupy, 1689–1769, British

Romanus sum Civis

1726

Print made by Frederick Bacon, 1803–1887, British

Thomas Bewick

1852

Prints made by Luigi Schiavonetti, 1765–1810, Italian

The Grave, A Poem, by Robert Blair

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Christ Descending into the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 40

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 40

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