Medium: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 37

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Print made by George Cuitt, 1779–1854, British

Presented by the Officers

after 1813

Print made by James C. Allen, active 1821–1831, British

Whitby

ca. 1830

Print made by John Wykeham Archer, 1808–1864, British

Crook of the Lune, Looking towards Hornby Castle

1821

Print made by William Miller, 1796–1882, British

Bass Rock

1826

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814-1826

Heneage Finch fourth Earl of Aylesford, 1751–1812, British

Maxstoke Priory

undated

Print made by James Basire, 1730–1802, British

George Gower

1800

William Camden Edwards, 1777–1855, British

Nicholas Revett

1827

Print made by Robert Wallis, 1794–1878, British

Hermitage Castle

1833

Print made by Matthew Dubourg, active 1786–1838, British

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838, British

Partridge Shooting

1822

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by Peter P. Benazech, 1767–1794

The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...

ca. 1760

Print made by James Charles Armytage, 1802–1897, British

Sir David Wilkie

after 1829

Peter P. Benazech The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

Print made by Peter P. Benazech, 1767–1794

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

ca. 1760

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by unknown artist, sixteenth century

Panthei Fidelissime Dimensi Exterior et Interior

1553

Print made by John Augustus Atkinson, (etching), 1775–1831, British

Fools; or Jesters

1813

Print made by John Boydell, 1720–1804, British

The Boscawen and Sheerness Privateers

1753

Print made by James Bretherton, ca. 1730–1806, British

Englishman at Paris, 1767

1799

Print made by unknown artist

The South Sea House

between 1720 and 1728

Simon Gribelin, 1662–1733, French, active in Britain

Sir James Butler, 2nd Duke of Ormonde

1713

unknown artist

Sir Walter Raleigh

undated

George Vertue, 1684–1756, British

Edmund Spenser

1727

George Vertue, 1684–1756, British

Sir Philip Sidney

1741

Jacobus Houbraken, 1698–1780, Dutch

Lieutenant General Thomas Talmash

undated

Print made by Philip Dawe, ca.1745–ca.1809, British

The Letter Woman

ca. 1769

Print made by James Charles Armytage, 1802–1897, British

The Balcony

between 1835 and 1854

Print made by James Charles Armytage, 1802–1897, British

The Monk

between 1833 and 1853

Print made by Thomas Malton the Younger, 1748–1804, British

The Bank

1781

Sir George Hayter Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Sir George Hayter, 1792–1871, British

Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

1828

Robert Pollard, 1755–1838, British

View of Bloomsbury Square

1787

William Woollett, 1735–1785, British

View of the Walton Bridge, Venus's Temple

1757

Print made by Edward Goodall, 1795–1870, British

Smailholm Tower (Vignette)

1834

Print made by unknown artist

The Famous Lincolnshire Ox

1823

Print made by Edward Goodall, 1795–1870, British

Johnnie Armstrong's Tower (Vignette)

1834

Print made by Edward Goodall, 1795–1870, British

Fingal's Cave, Staffa

1833

Print made by Isaac Cruikshank, 1764–1811, British

Young Ladies

1795

Print made by Pieter de Jode II, ca. 1606–1674, Flemish

Quintinus Simons

ca. 1635

Print made by Jacobus Neeffs, 1610–after 1660, Flemish

Martinus Rychart

ca. 1635

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Atalanta and Hippomanes

1763

Print made by Benoit Audran, 1661–1721, French

Guillaume Laud

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Medallions of F. Hutcheson and L. Natter

1780

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Lord FitzGibbon

1790

Paul Fourdrinier, 1698–1758, French

A Plan for the Bank of England Designed by Theodore Jacobsen, Esqr

undated

Print made by Pietro Antonio Martini, 1738–1797, Italian

The Exhibition of the Royal Academy, 1787

1787

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

August

1793

Print made by Luigi Schiavonetti, 1765–1810, Italian

Christ Descending into the Grave

1808

Prints made by Luigi Schiavonetti, 1765–1810, Italian

The Grave, A Poem, by Robert Blair

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

William Blake, Frontispiece

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

William Blake, Frontispiece

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

Print made by Thomas Abiel Prior, 1809–1886, British

Heidelberg from the Opposite bank of the Neckar

1846

Print made by Thomas Abiel Prior, 1809–1886, British

Heidelberg from the Opposite Bank of the Neckar

1846

James Gillray, 1756–1815, British

Delicious Dreams! Castles in the Air! Glorious Prospects!

1808

James Gillray, 1756–1815, British

Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise

1806

James Gillray, 1756–1815, British

The Apotheosis of the Corsican Phoenix

1808

Print made by P. Crotchet, active 1768, British

Grown Ladies Taught to Dance

1768

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 37

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 37

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