Medium: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 36

after William Hogarth, 1697–1764, British

Simon, Lord Lovat

1746

Print made by John Boydell, 1720–1804, British

Greenland Fishery

1754

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

Print made by John Boydell, 1720–1804, British

Morning

1753

Print made by John Boydell, 1720–1804, British

Evening

1755

Print made by James C. Allen, active 1821–1831, British

Ivy Bridge, Devonshire

1816

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1818-1823

Print made by Henry Le Keux, 1787–1868, British

Villa Madama (vignette)

1830

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Dock from Mount Edgecumbe

1816

Print made by William Bernard Cooke, 1778–1855, British

Parnassus

1821

Print made by William Chapman, 1817–1879, British

Dover from Shakespeare's Cliff

1860

Luigi Schiavonetti, 1765–1810, Italian

New Mackrel

1795

Giovanni Vendramini, 1769–1839, Italian

Old Chair to Mend

1795

Giovanni Vendramini, 1769–1839, Italian

Knives, Sissors and Razors to Grind

1795

Giovanni Vendramini, 1769–1839, Italian

Fresh gathered Peas. Young Hastings

1795

Anthony Cardon, 1772–1813, Flemish

Do you want any Matches?

1794

Luigi Schiavonetti, 1765–1810, Italian

Sweet China Oranges, Sweet China!

1794

Luigi Schiavonetti, 1765–1810, Italian

Two bunches a penny Primroses, two bunches a penny

1793

Anthony Cardon, 1772–1813, Flemish

Round and Sound Five Pence a Pund Duke Cherry's

1795

Luigi Schiavonetti, 1765–1810, Italian

Milk Below Maids

1793

Giovanni Vendramini, 1769–1839, Italian

Strawberries's Scarlet Strawberries

1795

Thomas Gaugain, 1748–1812, French

Turnips and Carrots

1797

Giovanni Vendramini, 1769–1839, Italian

Hot Spice Gingerbread, Smoking Hot

1796

Print made by William Nelson Gardiner, 1766–1814, Irish

November

1788

Print made by Luigi Schiavonetti, 1765–1810, Italian

Milk below Maids

1793

Print made by Luigi Schiavonetti, 1765–1810, Italian

Two Bunches a Penny Primroses, Two Bunches a Penny

1793

Print made by Giovanni Vendramini, 1769–1839, Italian

Fresh Gathered Peas, Young Hastings

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Knives, Scissors, and Razors to Grind

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Strawberrys, Scarlet Strawberrys

1795

Print made by Anthony Cardon, 1772–1813, Flemish

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Print made by Anthony Cardon, 1772–1813, Flemish

A New Love Song, Only ha'Penny a Piece

1796

Print made by Robert Blyth, 1750–1784

John Hamilton Mortimer

1782

Print made by Thomas Talbot Bury, 1811–1877, British

Elevation of the River Front

ca. 1835

Paul Fourdrinier, 1698–1758, French

A Plan of a Triangular House Designed by Theodore Jacobsen Esqr

undated

Print made by Peter P. Benazech, 1767–1794

The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ..

ca. 1759

Print made by Luigi Schiavonetti, 1765–1810, Italian

Milk below Maids

1793

Print made by Giovanni Vendramini, 1769–1839, Italian

Knives, Scissars, and Razors to Grind

1795

Print made by Anthony Cardon, 1772–1813, Flemish

A New Love Song, Only ha'Penny a Piece

1796

Print made by Giovanni Vendramini, 1769–1839, Italian

Hot Spice Gingerbread, Smoking Hot!

1796

Print made by unknown artist, sixteenth century

Panthei Fidelissime Dimensi Exterior et Interior

1553

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1845

Print made by Robert Thew, 1758–1802, British

Infancy (Francis George Hare)

1790

George Vertue, 1684–1756, British

Edward Harley, 2nd Earl of Oxford and Earl of Mortimer

1745

Charles Grignion, 1717–1810, British

A French Petit Maître and His Valet

1771

Paul Sandby, 1731–1809, British

The Romans Polite to Strangers

ca. 1781

Print made by Thomas Bowles, ca. 1712–died 1753, British

The Admiralty Office

1731

Robert Dighton, 1752–1814, British

A Jack in Office

1793

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by James Charles Armytage, 1802–1897, British

The Balcony

between 1835 and 1854

Print made by William Nelson Gardiner, 1766–1814, Irish

January

1788

Print made by Thomas Malton the Younger, 1748–1804, British

Cambridge University: Queens College

1800

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

James Gillray, 1756–1815, British

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by Isaac Cruikshank, 1764–1811, British

Young Ladies

1795

Print made by George Baxter, 1804–1867, British

George Pritchard, Her Britannic Majesty's Consul

1845

Paul Sandby, 1731–1809, British

The Horse Race at Rome During the Carnival

ca. 1781

Paul Sandby, 1731–1809, British

The Victor Conducted in Triumph

ca. 1781

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Lovelace in Prison

1788

John Henry Robinson, 1796–1871, British

The Mantilla

1838

Print made by Benjamin Cole, 1697–1783, British

Merchant Taylors' School and St. Paul's School

1756

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

And Ah! Let Pity Turn Her Dewy Eyes..

1801

Richard Cooper the Younger, 1740–1814, British

The Procession of the Knights of the Most Noble Order of the Garter

1782

Charles Exshaw, c. 1730–1771, British

Isabel van Loo

ca. 1757

John William Edy, 1760–1820, Danish

View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

1797

Paul Fourdrinier, 1698–1758, French

A Plan for the Bank of England Designed by Theodore Jacobsen, Esqr

undated

Print made by John Crome, 1768–1821, British

Composition: Sandy Road through Woodland

1813

Print made by Sir Frank Short, 1857–1945, British

Shipping By A Breakwater

1889

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

September

1793

James Gillray, 1756–1815, British

Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico

1805

James Gillray, 1756–1815, British

Political Mathematician's Shaking the Broad Bottom'd Hemispheres

ca. 1811

Print made by Luigi Schiavonetti, 1765–1810, Italian

Christ Descending into the Grave

1808

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

February

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

March

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

July

1789

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

June

1789

Prints made by Luigi Schiavonetti, 1765–1810, Italian

The Grave, A Poem, by Robert Blair

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

William Blake, Frontispiece

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Jacobus Houbraken, 1698–1780, Dutch

John Churchill, 1st Duke of Marlborough

1745

James Gillray, 1756–1815, British

Pizarro, Contemplating (over) The Product of His Peruvian Mine

1799

James Gillray, 1756–1815, British

Pillars of the Constitution - Three O'Clock and A Cloudy Morning

1809

James Gillray, 1756–1815, British

Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle

1802

James Gillray, 1756–1815, British

Sketch of the Interior of St. Stephen's, as It Now Stands. -

1802

James Gillray The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

James Gillray, 1756–1815, British

The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

1800

James Gillray, 1756–1815, British

The Apotheosis of the Corsican Phoenix

1808

James Gillray, 1756–1815, British

True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard

1809

Robert Dighton, 1752–1814, British

Mr. Deputy Dumpling and Family Enjoying a Summer Afternoon

1781

Thomas Sandby, 1721–1798, British

The Horse Race at Rome During the Carnival

ca. 1781

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 36

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 36

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