Medium: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 34

Print made by George Stubbs, 1724–1806, British

A Horse Affrighted by a Lion

1777

Etched by Joseph Mallord William Turner, 1775–1851, British

Chain of Alps from Grenoble to Chamberi

1812

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by Pieter de Jode II, ca. 1606–1674, Flemish

Paulus Halmalius

ca. 1635

Print made by John Boydell, 1720–1804, British

The Taking of the Nuestra Senora de los Remedios

1753

Print made by John Boydell, 1720–1804, British

The Wreck of the Nuestra Senora de los Remedios

1753

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Print made by Thomas Goff Lupton, 1791–1873, British

The Source of the Arveron in the Valley of Chamouni, Savoy

1860

Print made by Thomas Goff Lupton, 1791–1873, British

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1858

Print made by Thomas Goff Lupton, 1791–1873, British

Procris and Cephalus

1864

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1814

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1814 to 1826

Print made by William Bernard Cooke, 1778–1855, British

The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq

1816

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Citadel

1821

Print made by Samuel Rawle, 1771–1860, British

Hylton Castle, County of Durham

1820

Print made by George Cooke, 1781–1834, British

Naples, from the Mole

1820

Print made by John Pye, 1782–1874, British

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by W. R. Smith, active 1819–1851

Heysham and Cumberland Mountain

1818-1823

Print made by John Le Keux, 1783–1846, British

Rome, from the Farnese Gardens

1818-1820

Print made by unknown artist, eighteenth century

A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

1755

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814

Print made by George Cooke, 1781–1834, British

Teignmouth, Devon

1814

Print made by George Cooke, 1781–1834, British

Watchet, Somersetshire

1814-1826

Print made by George Cooke, 1781–1834, British

Lulworth Castle, Dorsetshire

1820

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1814 to 1826

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by Thomas Higham, 1796–1844, British

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by William Bernard Cooke, 1778–1855, British

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1814 to 1826

Print made by George Cooke, 1781–1834, British

Brighton

1814 to 1826

Heneage Finch fourth Earl of Aylesford, 1751–1812, British

Maxstoke Priory

undated

Print made by W. R. Smith, active 1819–1851

Heriot's Hospital

1822

unknown artist, nineteenth century

View of the Coronation Procession of George IV

ca. 1821

Print made by B. Winkles, active 1830–1840, British

Longitudinal Section of Westminster Hall

ca. 1821

Print made by James Girtin, ca. 1780–after 1820

Dedication Page for: to the Right Honorable George Earl of Essex

1803

Print made by Peter P. Benazech, 1767–1794

The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ..

ca. 1759

Print made by Peter P. Benazech, 1767–1794

The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...

ca. 1760

Peter P. Benazech The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

Print made by Peter P. Benazech, 1767–1794

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

ca. 1760

Print made by John Augustus Atkinson, (etching), 1775–1831, British

Fools; or Jesters

1813

Print made by A. Birrell, ca.1770–ca. 1820, British

John Home, Esq

1799

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1845

George Vertue, 1684–1756, British

Edward Harley, 2nd Earl of Oxford and Earl of Mortimer

1745

Pieter S. van der Gunst, 1659–c. 1724

Thomas Wolsey

undated

Robert Dighton, 1752–1814, British

A Lesson Westward - or A Morning Visit to Betsy Cole

1782

Print made by John Boydell, 1720–1804, British

The Boscawen and Sheerness Privateers

1753

Print made by Samuel Freeman, 1773–1857, British

Mamma at Romps

1810

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

A Negroes Dance in the Island of Dominica

1779

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Print made by Charles Turner, 1774–1857, British

Shields on the River Tyne

1823

Paul Sandby, 1731–1809, British

The Romans Polite to Strangers

ca. 1781

Print made by unknown artist

The South Sea House

between 1720 and 1728

Print made by Thomas Bowles, ca. 1712–died 1753, British

The Admiralty Office

1731

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

George Vertue, 1684–1756, British

Edmund Spenser

1727

Print made by Guillaume Sulpice Chevalier, 1804–1866, French

Intemperance

undated

Print made by Charles Rosenberg, active 1828–1848

The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

1837

Print made by Robert Blyth, 1750–1784

An Aga of the Janizaries

1779

Print made by James Charles Armytage, 1802–1897, British

The Monk

between 1833 and 1853

John Hamilton Mortimer, 1740–1779, British

Caliban, from The Tempest

1775

Print made by Robert Blyth, 1750–1784

An Aga of the Janizaries

1779

James Gillray, 1756–1815, British

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

James Gillray, 1756–1815, British

The Death of the Great Wolf

1795

Print made by Robert Kearsley Dawson, 1798–1861, British

Map of Bewdley from the Ordnance Survey

undated

Richard Bernard Godfrey, 1728–op.1794, British

Edgar's Tower, Worcester

1786

Print made by Lucas Vorsterman I, 1595–1675, Flemish

Princeps Wolfangus Wilhelmus

ca. 1635

Print made by William Hondius, c.1597–c.1660

Guilielmus Hondius

ca. 1635

Paul Sandby, 1731–1809, British

The Horse Race at Rome During the Carnival

ca. 1781

Paul Sandby, 1731–1809, British

The Victor Conducted in Triumph

ca. 1781

Print made by Paulus Pontius, 1603–1658, Flemish

Simon de Vos

ca. 1635

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565, French

Castello S. Angelo Di Roma

1602

James Gillray, 1756–1815, British

Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

1798

Print made by Jacques Bouillard, 1744–1806, French

Franciscus Bartolozzi

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Virgin and Child

1770

Walter Greaves, 1846–1930, British

Cremorne Gardens: Chelsea Bandstand

1871

James Gillray, 1756–1815, British

Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico

1805

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by William Miller, 1796–1882, British

Kilchurn Castle, Loch Awe

1847

$William Chapman Ilfracombe$

Print made by William Chapman, 1817–1879, British

Ilfracombe

between 1853 and 1874

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 34

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 34

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