Medium: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 33

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

1813 to 1823

after William Hogarth, 1697–1764, British

Simon, Lord Lovat

1746

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Print made by George Cooke, 1781–1834, British

Brighton

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Mount Edgecomb, Devonshire

1814 to 1826

Print made by Samuel Rawle, 1771–1860, British

Raby Castle, County of Durham

1820

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1818-1823

Print made by John Scott, 1774–1828, British

Aske Hall

1818-1823

Print made by John Wykeham Archer, 1808–1864, British

Richmond Castle and Town

1820

Print made by James C. Allen, active 1821–1831, British

Dunbar

1824

Engraved by Henry Le Keux, 1787–1868, British

High Street, Edinburgh

1819

Print made by Edward Goodall, 1795–1870, British

Cologne

1824

Print made by Edward Goodall, 1795–1870, British

Cologne

1824

Print made by Edward Goodall, 1795–1870, British

Cologne

1824

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

A Lecture on Gadding

1789

John Goldar, 1729–1795, British

The Sacrifice

1767

John Goldar, 1729–1795, British

The Refusal

1768

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Evening

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Noon

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Night

undated

Thomas Harland, active early 19th century

Charles Barry

undated

James Girtin, ca. 1780–after 1820

Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs

1803

James Girtin, ca. 1780–after 1820

Half Title page for: Views in Paris and its Environs

1803

Thomas Malton the Younger, 1748–1804, British

St. Martin-in-the-Fields, Interior

undated

Print made by John Corner, 1788–1825

Sir Anthony van Dyck

1825

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808, published 1813

James Basire the younger, 1769–1822, British

Benjamin Hoadly, Bishop of Winchester

1771

Print made by Henry Le Keux, 1787–1868, British

Aosta (vignette)

1830

Print made by Samuel Freeman, 1773–1857, British

Mamma at Romps

1810

Print made by James Bretherton, ca. 1730–1806, British

I Will Pay No More Debts of Her Contracting

1772

Print made by Andreas Stock, ca. 1540–1648, Dutch

Petrus Snaeyers

ca. 1635

Print made by Andreas Stock, ca. 1540–1648, Dutch

Petrus Snayers

ca. 1635

Print made by Adrian Lommelin, ca. 1637–1677

Catherinæ Howard

ca. 1635

Print made by Lucas Vorsterman I, 1595–1675, Flemish

Franciscus de Moncada

ca. 1635

Print made by Wenceslaus Hollar, 1607–1677, Bohemian

Hieronymus Westonius

1645

Print made by unknown artist

The South Sea House

between 1720 and 1728

Print made by Robert Blyth, 1750–1784

The Captive

1781

Print made by Philip Dawe, ca.1745–ca.1809, British

The Letter Woman

ca. 1769

Print made by Thomas Malton the Younger, 1748–1804, British

The Bank

1781

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Morning

undated

William Woollett, 1735–1785, British

View of the Walton Bridge, Venus's Temple

1757

James Gillray, 1756–1815, British

Presages of the Millenium

1795

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

Etched by Thomas Rowlandson, 1756–1827, British

French Barracks

1791

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

A Negroes Dance in the Island of Dominica

1779

Print made by Lucas Vorsterman I, 1595–1675, Flemish

Cornelius Schut

ca. 1635

Print made by Lucas Vorsterman I, 1595–1675, Flemish

Princeps Wolfangus Wilhelmus

ca. 1635

Print made by Wenceslaus Hollar, 1607–1677, Bohemian

Carolus II

1649

Print made by Bradshaw & Blacklock, active ca.1850, British

Bacharach and View near Bingen

after 1850

Paul Sandby, 1731–1809, British

The Opening of the Carnival at Rome

ca. 1781

Print made by Simon Gribelin, 1662–1733, French, active in Britain

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

1720

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565, French

Castello S. Angelo Di Roma

1602

Print made by unknown artist, seventeenth century

The Double Deliverance, 1588–1605

1621

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

1786

Charles Exshaw, c. 1730–1771, British

Isabel van Loo

ca. 1757

Print made by Benedictus Antonio van Assen, active 1788–died 1817, British

John Hamilton Mortimer

1810

Charles Exshaw, c. 1730–1771, British

Charles van Loo

ca. 1757

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

William Cobbett

1801

Print made by R. F. Cahusac, active 1830, British

Athenaeum

1830

Print made by Philip Dawe, ca.1745–ca.1809, British

Reading by a Paper-Bell Shade

1768

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

James Gillray, 1756–1815, British

Citizens Visiting the Bastille, - Vide. Democratic Charities. -

1799

James Gillray, 1756–1815, British

Pizarro, Contemplating (over) The Product of His Peruvian Mine

1799

James Gillray, 1756–1815, British

Delicious Dreams! Castles in the Air! Glorious Prospects!

1808

James Gillray, 1756–1815, British

Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise

1806

James Gillray The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

James Gillray, 1756–1815, British

The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

1800

Robert Dighton, 1752–1814, British

Mr. Deputy Dumpling and Family Enjoying a Summer Afternoon

1781

Published by Sir Frank Short, 1857–1945, British

Jason

1807

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 33

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 33

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