Medium: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 13

Print made by John Constable, 1776–1837, British

The Ruins of Netley Abbey

1826

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

William Blake, 1757–1827, British

From Antique Coins

1821

William Blake, 1757–1827, British

Caius Julius Cæsar

1821

Print made by William Blake, 1757–1827, British

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by James Caldwall, 1739–1819, British

Now Sir, You're a Complete Macaroni

1772

Print made by Miles Edmund Cotman, 1810–1858, British

Study of Trees on the Banks of the Yare

1846

Print made by Jean B. C. Chatelain, 1710–1771, French

Wooded Landscape with a River Leading to Distant Buildings

undated

Print made by James Caldwall, 1739–1819, British

A Macarony Alderman and His Rib

1772

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

Print made by B. R. Davies, active ca. 1833, British

Mount Blanc

1828

Print made by William Miller, 1796–1882, British

Clovelly Bay and Lundy Island

1814 to 1826

Print made by James C. Allen, active 1821–1831, British

Addingham Mill on the Warfe

1821

Print made by William Angus, 1752–1821, British

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by James C. Allen, active 1821–1831, British

Harborough Sands (vignette)

ca. 1830

George Baxter, 1804–1867, British

The Sacrifice at Lystra

after 1855

Print made by William Miller, 1796–1882, British

Edinburgh from Blackford Hill

1834

George H. Every, 1837–1910, British

Sir Joshua Reynolds

1866

Print made by Thomas Chambars, ca. 1724–1789, British

Paul Van Somer

undated

Sir George Hayter, 1792–1871, British

Sir George Hayter

1822

Print made by Thomas Chambars, ca. 1724–1789, British

Samuel Cooper

undated

Print made by John Condé, 1765–1794, French, active in Britain

T. Banks, Sculptor, R. A

1791

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Samuel Ireland, active 1760–died 1800, British

Inner Temple

1800

Samuel Ireland, active 1760–died 1800, British

Lion's Inn

1800

Samuel Ireland, active 1760–died 1800, British

Lincoln's Inn Gate

1800

Samuel Ireland, active 1760–died 1800, British

Garden Front of Furnival's Inn

1800

Print made by Anthony Cardon, 1772–1813, Flemish

E. Edwards, Associate and Teacher of Perspective in the Royal Academy

1808

Print made by unknown artist, ( J. Clarke )

Richard Cosway

1788

Print made by James Heath, 1757–1834, British

James Barry, Esq

after 1806

Samuel Ireland, active 1760–died 1800, British

Southwest View of Middle Temple

1800

Samuel Ireland, active 1760–died 1800, British

Gray's Inn

1800

Samuel Ireland, active 1760–died 1800, British

Sergeant's Inn

1800

Samuel Ireland, active 1760–died 1800, British

North Front of Temple Hall

1800

Samuel Ireland, active 1760–died 1800, British

Temple Church

1800

Samuel Ireland, active 1760–died 1800, British

Leather Fullers Hall

1800

Samuel Ireland, active 1760–died 1800, British

Clement's Inn

1800

Samuel Ireland, active 1760–died 1800, British

Rolls Chapel

1800

Samuel Ireland, active 1760–died 1800, British

Lincoln's Inn Hall and Chapel

1800

Samuel Ireland, active 1760–died 1800, British

Clifford's Inn

1800

Samuel Ireland, active 1760–died 1800, British

Furnival's Inn

1800

Print made by Robert Cooper, ca. 1800–1836, British

A. More

1826

Print made by Thomas Chambars, ca. 1724–1789, British

Peter Oliver

undated

Charles Grignion, 1717–1810, British

James Paine

undated

Print made by Thomas Chambars, ca. 1724–1789, British

Abraham Vanderdort

undated

Print made by Thomas Chambars, ca. 1724–1789, British

Nicholas Hilliard

undated

Print made by Thomas Chambars, ca. 1724–1789, British

Gerard Honthorst

undated

Print made by Charles West Cope, 1811–1890, British

W. Mulready RA

1863

Print made by Thomas Chambars, ca. 1724–1789, British

Sir Peter Paul Rubens

undated

Print made by Thomas Chambars, ca. 1724–1789, British

Francesco Cleyn

undated

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Richard Earlom, 1743–1822, British

Giovanni Battista Cipriani, Esqr. R. A

1789

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mrs. Hannah Sparke, Widow

1785

Print made by Thomas Chambars, ca. 1724–1789, British

George Vertue, Engraver

undated

Print made by Thomas Chambars, ca. 1724–1789, British

George Vertue, Engraver

undated

Print made by Thomas Chambars, ca. 1724–1789, British

Robert Walker

undated

Print made by James C. Allen, active 1821–1831, British

Harborough Sands

1819-1826

Edward Edwards, 1738–1806, British

Sir Joshua Reynolds

undated

Print made by Frederick Christian Lewis the Elder, 1779–1856, British

View of the Village of Chaillot & C. taken from Pont de la Concorde

1803

Print made by Thomas Girtin, 1775–1802, British

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

Print made by Samuel David Colkett, 1806–1863, British

The Gipsy Encampment

1830

Print made by Bradshaw & Blacklock, active ca.1850, British

View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Chepstow Castle

after 1850

Edward Scriven, 1775–1841, British

Sir Frederick William Herschel

ca.1830

Print made by M. Coote, ca. 1758/62–1801, British

Edgar's Tower at Worcester

before 1786

Print made by M. Coote, ca. 1758/62–1801, British

Edgar's Tower at Worcester

before 1786

Print made by William Angus, 1752–1821, British

Witley Court in Worcestershire, the Seat of Lord Foley

1810

Print made by Thomas Bonnor, ca. 1740–ca. 1812, British

Blockley Church

1793

Print made by James Fittler, 1758–1835, British

Warwick Castle

1780

Print made by Bradshaw & Blacklock, active ca.1850, British

Bacharach and View near Bingen

after 1850

Bradshaw & Blacklock, active ca.1850, British

Swiss Costumes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Tintern Abbey

after 1850

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Bacchus on a Barrel

1796

Print made by Thomas Barber, ca. 1768–1843, British

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1829

Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain

At the Vatican

undated

Richard Bernard Godfrey, 1728–op.1794, British

Knighton, the Seat of George M. Bisset, Esq

before 1781

John Hassell, 1767–1825, British

Clapham Manor-House, Surry

between 1804 and 1822

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mrs. Hannah Sparke

1785

Print made by William Angus, 1752–1821, British

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

William Ellis, 1747–1810, British

Baskerville House, the Residence of John Ryland, Esq

1792

William Ellis, 1747–1810, British

Bordesley Hall, the Seat of John Taylor, Esq

1792

William Ellis, 1747–1810, British

The New Meeting

1792

Print made by William Angus, 1752–1821, British

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

Print made by Thomas Girtin, 1775–1802, British

View of St. Cloud and Mount Cavalary taken from Pont de Seve

Print made by Robert Cooper, ca. 1800–1836, British

Daniel O'Connell, Esqr

1825

Print made by James Caldwall, 1739–1819, British

Hagley Hall

undated

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 13

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Medium etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 13

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