Medium: etching (printing process) / Creator Gender: male / Height [cm]: 40 - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Medium etching (printing process)

Creator Gender male

Height [cm] 40

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

1797

William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

ca. 1797

William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

ca. 1797

William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

ca. 1797

William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

ca. 1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

ca. 1797

William Blake Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

ca. 1797

William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

ca. 1797

William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

ca. 1797

William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

ca. 1797

William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

Pieter de Jode II Ioannes Snellincx

Print made by Pieter de Jode II, ca. 1606–1674, Flemish

Ioannes Snellincx

ca. 1635

John Boydell Night

Print made by John Boydell, 1720–1804, British

Night

1756

John Boydell The Wreck of the Nuestra Senora de los Remedios

Print made by John Boydell, 1720–1804, British

The Wreck of the Nuestra Senora de los Remedios

1753

James Clark View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

James Clark, 19th century

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

1812

James C. Allen The Ivy Bridge, Devonshire

Print made by James C. Allen, active 1821–1831, British

The Ivy Bridge, Devonshire

1816

Samuel Middiman Weathercote Cave when Half Filled with Water

Print made by Samuel Middiman, ca. 1750–1831, British

Weathercote Cave when Half Filled with Water

1821

Robert Sargent Austin Women at Prayer

Print made by Robert Sargent Austin, 1895–1973, British

Women at Prayer

1936

Sir Muirhead Bone Demolition of St. James's Hall, Interior

Print made by Sir Muirhead Bone, 1876–1953, British

Demolition of St. James's Hall, Interior

1906

Sir David Young Cameron The North Porch, Harfleur

Sir David Young Cameron, 1865–1945, British

The North Porch, Harfleur

1904

W. R. Smith Richmond, Yorkshire

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

John Pye A View of Oxford from the Abingdon Road

Print made by John Pye, 1782–1874, British

A View of Oxford from the Abingdon Road

1818

Samuel Rawle Hylton Castle, County of Durham

Print made by Samuel Rawle, 1771–1860, British

Hylton Castle, County of Durham

1816 to 1823

Edward Goodall Tivoli, a Composition

Print made by Edward Goodall, 1795–1870, British

Tivoli, a Composition

1827

Edward Goodall Tivoli, a Composition

Print made by Edward Goodall, 1795–1870, British

Tivoli, a Composition

1827

Francesco Bartolozzi A Lecture on Gadding

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

A Lecture on Gadding

1789

William Daniell A View of the East India Docks

Print made by William Daniell, 1769–1837, British

A View of the East India Docks

1808

William Lee Hankey Madeleine

William Lee Hankey, 1869–1952, British

Madeleine

between 1917 and 1918

Anthony Cardon Do You Want Any Matches?

Print made by Anthony Cardon, 1772–1813, Flemish

Do You Want Any Matches?

1794

B. Winkles Interior of Westminster Hall as Prepared for the Banquet

Print made by B. Winkles, active 1830–1840, British

Interior of Westminster Hall as Prepared for the Banquet

ca. 1821

Sir Muirhead Bone A Manhattan Excavation

Print made by Sir Muirhead Bone, 1876–1953, British

A Manhattan Excavation

1923

Thomas Girtin A View of Pont Neuf, the Mint, & c.

Print made by Thomas Girtin, 1775–1802, British

A View of Pont Neuf, the Mint, & c

1803

Giovanni Vendramini Fresh Gathered Peas, Young Hastings

Print made by Giovanni Vendramini, 1769–1839, Italian

Fresh Gathered Peas, Young Hastings

1795

Giovanni Vendramini Knives, Scissors, and Razors to Grind

Print made by Giovanni Vendramini, 1769–1839, Italian

Knives, Scissors, and Razors to Grind

1795

Anthony Cardon Round & Sound, Five Pence a Pound, Duke Cherries

Print made by Anthony Cardon, 1772–1813, Flemish

Round & Sound, Five Pence a Pound, Duke Cherries

1795

William Carpenter Charles Fox

Print made by William Carpenter, 1818–1899, British

Charles Fox

1849

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Francis David Soiron The Promenade in St. James's Park

Francis David Soiron, Born 1764

The Promenade in St. James's Park

1793

Sir Howard Hodgkin Venice, Evening, Sheet 6

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 6

1995

Sir Howard Hodgkin Venice, Evening, Sheet 4

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 4

1995

Sir Howard Hodgkin Venice, Evening, Sheet 9

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 9

1995

Sir Howard Hodgkin Venice, Evening, Sheet 7

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 7

1995

Sir Howard Hodgkin Venice, Evening, Sheet 8

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 8

1995

Sir Howard Hodgkin Venice, Evening, Sheet 12

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 12

1995

Sir Howard Hodgkin Venice, Evening, Sheet 10

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 10

1995

Sir Howard Hodgkin Venice, Evening, Sheet 14

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 14

1995

Sir Howard Hodgkin Venice, Evening, Sheet 16

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 16

1995

Sir Howard Hodgkin Venice, Evening, Sheet 13

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 13

1995

Sir Howard Hodgkin Venice, Evening, Sheet 15

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 15

1995

Sir Howard Hodgkin Venice, Evening, Sheet 1

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 1

1995

Sir Howard Hodgkin Venice, Evening, Sheet 2

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 2

1995

Sir Howard Hodgkin Venice, Evening, Sheet 5

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 5

1995

Sir Howard Hodgkin Venice, Evening, Sheet 3

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 3

1995

Sir Howard Hodgkin Venice, Evening, Sheet 11

Print made by Sir Howard Hodgkin, 1932–2017, British

Venice, Evening, Sheet 11

1995

Frederick Landseer Maur Griggs The Barbican

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

The Barbican

1920

Sir Frank William Brangwyn Pottery, Rouen

Print made by Sir Frank William Brangwyn, 1867–1956, British

Pottery, Rouen

1919

George Percival Gaskell The Wood on the Hilltop

George Percival Gaskell, 1868–1934, British

The Wood on the Hilltop

undated

Ernest Stephen Lumsden The Sitala Temple

Print made by Ernest Stephen Lumsden, 1883–1948, British

The Sitala Temple

1916

Johann Jacobus Haid La bonheur du Mariage

Print made by Johann Jacobus Haid, 1704–1767

La bonheur du Mariage

undated

Johann Jacobus Haid Le jeu de domino

Print made by Johann Jacobus Haid, 1704–1767

Le jeu de domino

undated

Richard Earlom Mrs. Gulston

Print made by Richard Earlom, 1743–1822, British

Mrs. Gulston

1771

Paul Adolphe Rajon Charles Robert Darwin

Print made by Paul Adolphe Rajon, 1842–1888, French

Charles Robert Darwin

1882

Nicolas Beatrizet Theatrum Sive Coliseum Romanum

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565, French

Theatrum Sive Coliseum Romanum

1538

Edward Goodall Caligula's Palace and Bridge

Print made by Edward Goodall, 1795–1870, British

Caligula's Palace and Bridge

1842

Edward Goodall Caligula's Palace and Bridge

Print made by Edward Goodall, 1795–1870, British

Caligula's Palace and Bridge

1842

unknown artist Sepulchrum C. Cesti Epulonis Ostiensi via et pyramide et marmore quadrato noblissimum atq. omnium vetustissimum

Print made by unknown artist

Sepulchrum C. Cesti Epulonis Ostiensi via et pyramide et marmore quadrato noblissimum atq. omnium vetustissimum

1547

John Browne The Sportsman

Print made by John Browne, 1741–1801, British

The Sportsman

1775

Edward Goodall Oxford from North Hinksey

Print made by Edward Goodall, 1795–1870, British

Oxford from North Hinksey

1841

Robert Brandard Crossing the Brook

Print made by Robert Brandard, 1805–1862, British

Crossing the Brook

1838

Thomas Girtin View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

Print made by Thomas Girtin, 1775–1802, British

View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

1803

Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Print made by Thomas Girtin, 1775–1802, British

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

1803

Thomas Girtin View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Print made by Thomas Girtin, 1775–1802, British

View of the Thuilleries and Bridge, taken from the Quai d'Orsai

1802

Thomas Girtin View of the City with the Louvre & Taken from Pont Marie

Print made by Thomas Girtin, 1775–1802, British

View of the City with the Louvre & Taken from Pont Marie

1802

Thomas Girtin View of the Pont St. Michael, taken from the Pont Neuf

Etched by Thomas Girtin, 1775–1802, British

View of the Pont St. Michael, taken from the Pont Neuf

1803

Thomas Girtin View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

Print made by Thomas Girtin, 1775–1802, British

View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf

1802

Thomas Girtin View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

Print made by Thomas Girtin, 1775–1802, British

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

1803

Thomas Girtin A General View of Paris, taken from Chaillot 1803.

Print made by Thomas Girtin, 1775–1802, British

A General View of Paris, taken from Chaillot 1803

1803

Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

Print made by Thomas Girtin, 1775–1802, British

View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

1803

Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Print made by Thomas Girtin, 1775–1802, British

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

1802