Medium: engraving (printing process) / On-site Access: Accessible by appointment in the Study Room / Exhibition History: Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

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Medium engraving (printing process)

On-site Access Accessible by appointment in the Study Room

Exhibition History Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

Print made by John Horsburgh, 1791–1869, British

Napoleon's Logement, Quai Conti

1834-1836

Print made by William Bernard Cooke, 1778–1855, British

Weymouth, Dorset

1813

Print made by William Miller, 1796–1882, British

Fontainbleau

1835

Print made by William Radclyffe, 1780–1855, British

Nineveh, Moussul on the Tigris

1835-1836

Print made by William Miller, 1796–1882, British

Brienne

1834

Print made by William Miller, 1796–1882, British

Fontainebleau

1835

Print made by William Miller, 1796–1882, British

Scott's Birthplace, no. 39, Castle Street, Edinburgh

1839

Print made by James Stephenson, 1808–1886, British

Solomon's Pools

1835-1836

Print made by Edward Goodall, 1795–1870, British

St. Pierre's Cottage

1834

Print made by W. R. Smith, active 1819–1851

Chain Bridge over the River Tees

1838

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by William Miller, 1796–1882, British

Brienne

1834

Print made by William Miller, 1796–1882, British

Placenza

1834

Print made by William Miller, 1796–1882, British

The Simplon

1834

Print made by John Horsburgh, 1791–1869, British

Napoleon's Logemont, Quai Conti

1834

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