Medium: colored ink / Genre: genre subject - YCBA Collections Search Search Results

Print made by Charles Catton the elder RA, 1728–1798, British

The Margate Hoy

1785

Print made by George Cruikshank, 1792–1878, British

Fitting out. - Plate 1

1820

John Grant, Died 1873

Royal Artillery Repository Exercises, 1844

1844

John Grant, Died 1873

Royal Horse Artillery, 1843

1843

John Grant, Died 1873

Rocket Practice in the Marshes

1845

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Evening

undated

Print made by George Cruikshank, 1792–1878, British

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

Print made by George Cruikshank, 1792–1878, British

Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

1820

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Noon

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Night

undated

Robert Havell, 1769–1832, British

Crofton

1813

Robert Havell, 1769–1832, British

Crofton

1813

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

1806

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Print made by James Gillray, 1756–1815, British

A Cognocenti Contemplating ye Beauties of ye Antique

1801

Print made by George Cruikshank, 1792–1878, British

Finding things not exactly what he expected - Plate 2

1820

Print made by George Cruikshank, 1792–1878, British

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

Print made by George Cruikshank, 1792–1878, British

Frontispiece: The Progress of a Midshipman

1820

Print made by George Cruikshank, 1792–1878, British

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

1820

Print made by Robert Havell & Son, 1769–1832, British

View of the Front of the New Public Buildings, Guildford

1819

Print made by John Doyle ('H.B.'), 1797–1868, Irish

War !!! Commencement of Hostilities --Combined movement of the Allied Powers

1831

Print made by John Doyle ('H.B.'), 1797–1868, Irish

A Will O' The Wisp

1831

Print made by John Doyle ('H.B.'), 1797–1868, Irish

The Exeter Cat and Plymouth Mouse

1834

Print made by John Doyle ('H.B.'), 1797–1868, Irish

A Graceful Speciman of The Retort Courteous

1831

Print made by John Doyle ('H.B.'), 1797–1868, Irish

Leap Frog, Down Constitution Hill

1831

Print made by John Doyle ('H.B.'), 1797–1868, Irish

An Extraordinary Animal, Neither an Opossum nor a Kangaroo but Having Something of Both

1835

Print made by John Doyle ('H.B.'), 1797–1868, Irish

Little Red-Riding Hood's Meeting with the Wolf

1835

Print made by John Doyle ('H.B.'), 1797–1868, Irish

Jack in Office

1835

Print made by John Doyle ('H.B.'), 1797–1868, Irish

Trois Dogs: a Graphic Tale, with a Moral... for Those Who Can Find It Out!

1834

Print made by Louis Marin Bonnet, 1736–1793, French

The Woman Taking Coffee

ca. 1774

Print made by Henry William Bunbury, 1750–1811, British

Love and Wind

undated

Print made by Henry William Bunbury, 1750–1811, British

How to Ride Without a Bridle

undated

Print made by George Cruikshank, 1792–1878, British

Monstrosities of 1822 - Pt. 5

1835

Print made by Isaac Cruikshank, 1764–1811, British

Washing the Blackamoor

1795

Print made by George Cruikshank, 1792–1878, British

Traveling in France -or, -Le départ de la diligence

1818

Print made by George Cruikshank, 1792–1878, British

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

1835

Robert Dighton, 1752–1814, British

A Lesson Westward - or A Morning Visit to Betsy Cole

1782

Print made by unknown artist, ( J. Fagan )

St. Vincent's Rocks, Clifton (Hotwell House and Baths)

ca. 1840

Print made by Samuel Freeman, 1773–1857, British

Mamma at Romps

1810

Print made by Bradshaw & Blacklock, active ca.1850, British

Highland Dancers

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Ben Nevis

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Double Hairpin Set

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eight colour prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

The Farmer's Boy & The Rustic Angler

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Italian Peasants - Tryoliean Waltz

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Oriental Scenes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of Needle-Box Prints

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of Needle-Box Prints

after 1850

Print made by Robert Isaac Cruikshank, 1789–1856, British

A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles

1824

Print made by Robert Isaac Cruikshank, 1789–1856, British

Dandies Having a Treat

1818

Print made by George Cruikshank, 1792–1878, British

Specimens of Waltzing

1817

Print made by Robert Isaac Cruikshank, 1789–1856, British

Monstrosities of 1827

1835

Robert Dighton, 1752–1814, British

A Jack in Office

1793

Print made by George Cruikshank, 1792–1878, British

Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

1835

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Morning

undated

John Hassell, 1767–1825, British

View of Sion House from the Banks of the Thames

1799

Robert Havell, 1769–1832, British

Clifton Spring and Woods near Maidenhead

1818

Print made by Henry Burn, active 1845

Bedford from the North

ca. 1840

Print made by Isaac Cruikshank, 1764–1811, British

Young Ladies

1795

Print made by Bradshaw & Blacklock, active ca.1850, British

Albanian Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Castles in England

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of Needle-Box Prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Hampton Court

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Rural Scenes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Returning from the Spring. Virginia

after 1850

Bradshaw & Blacklock, active ca.1850, British

Swiss Costumes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes

after 1850

Print made by Benjamin Fawcett, 1808–1893, British

Scene Illustration: Milton's 'L'Allegro'

between 1860 and 1885

John Hassell, 1767–1825, British

Clapham Manor-House, Surry

between 1804 and 1822

Print made by Robert Isaac Cruikshank, 1789–1856, British

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

after 1820

John Eginton, active 1763–1800

The Affectionate Daughter

1792

Print made by Robert Havell & Son, 1769–1832, British

View of the Old Corn Market and Tuns Inn, Guildford

1819

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

September

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

August

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

February

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

March

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

July

1789

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

June

1789

Print made by Bradshaw & Blacklock, active ca.1850, British

Ben Nevis

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Highland Dancers

after 1850

Print made by Isaac Cruikshank, 1764–1811, British

An Abyssinian Breakfast

1791

Print made by Bradshaw & Blacklock, active ca.1850, British

Turkish Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Country Scenes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Scottish Scenes. Albanian Scenes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Scottish Scenes. Albanian Scenes

after 1850

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Medium

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Medium colored ink

Genre genre subject

YCBA Collections Search

Refine your search

Search Constraints

Medium colored ink

Genre genre subject

Search Results