Medium: colored ink / Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 19th century

Print made by George Cruikshank, 1792–1878, British

Fitting out. - Plate 1

1820

Print made by James Clark, 19th century

Cowdray Ruins

1824

John Grant, Died 1873

Royal Artillery Repository Exercises, 1844

1844

John Grant, Died 1873

Royal Horse Artillery, 1843

1843

John Grant, Died 1873

Rocket Practice in the Marshes

1845

Robert Havell, 1769–1832, British

Crofton Hall, Yorkshire

1813

after George Baxter, 1804–1867, British

The Healing of the Lame Man

after 1855

George Baxter, 1804–1867, British

The Sacrifice at Lystra

after 1855

George Baxter, 1804–1867, British

St Paul Preaching in Athens

after 1855

after George Baxter, 1804–1867, British

The Miraculous Draught of Fishes

after 1855

after George Baxter, 1804–1867, British

The Healing of the Lame Man

after 1855

after George Baxter, 1804–1867, British

The Death of Ananias

after 1855

Print made by George Baxter, 1804–1867, British

The Conversion of the Proconsul

after 1855

George Baxter, 1804–1867, British

The Sacrifice at Lystra

after 1855

Print made by George Cruikshank, 1792–1878, British

Mr. B seeking the Bubble reputation - Plate 5

1820

Print made by George Cruikshank, 1792–1878, British

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

Print made by George Cruikshank, 1792–1878, British

Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

1820

Robert Havell, 1769–1832, British

Crofton

1813

Robert Havell, 1769–1832, British

Crofton

1813

Robert Havell, 1769–1832, British

Crofton Hall, Yorkshire

1813

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

1806

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Print made by George Cruikshank, 1792–1878, British

Finding things not exactly what he expected - Plate 2

1820

Print made by George Cruikshank, 1792–1878, British

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

Print made by George Cruikshank, 1792–1878, British

Frontispiece: The Progress of a Midshipman

1820

Print made by George Cruikshank, 1792–1878, British

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

1820

Print made by Robert Havell & Son, 1769–1832, British

View of the Front of the New Public Buildings, Guildford

1819

Print made by John Doyle ('H.B.'), 1797–1868, Irish

Jack in Office

1835

Print made by George Cruikshank, 1792–1878, British

Monstrosities of 1822 - Pt. 5

1835

Print made by George Cruikshank, 1792–1878, British

Traveling in France -or, -Le départ de la diligence

1818

Print made by George Cruikshank, 1792–1878, British

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

1835

Print made by unknown artist, ( J. Fagan )

St. Vincent's Rocks, Clifton (Hotwell House and Baths)

ca. 1840

Print made by Samuel Freeman, 1773–1857, British

Mamma at Romps

1810

Print made by Bradshaw & Blacklock, active ca.1850, British

View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Constantinople

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Bacharach

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Highland Dancers

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Ben Nevis

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Cathedrals in England

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Chepstow Castle

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Double Hairpin Set

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eight colour prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

The Farmer's Boy & The Rustic Angler

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Garden Flowers

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Haddon Hall

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Greenwich Hospital

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Her Majesty Queen Victoria & Family

ca. 1851

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Italian Peasants - Tryoliean Waltz

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Newstead Abbey

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Oriental Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Balmoral Castle

after 1850

after George Baxter, 1804–1867, British

The Death of Ananias

after 1855

after George Baxter, 1804–1867, British

Christ's Charge to Peter

after 1855

Bradshaw & Blacklock, active ca.1850, British

Set of Needle-Box Prints

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of Needle-Box Prints

after 1850

Print made by Robert Isaac Cruikshank, 1789–1856, British

A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles

1824

Print made by Robert Isaac Cruikshank, 1789–1856, British

Dandies Having a Treat

1818

Print made by George Cruikshank, 1792–1878, British

Specimens of Waltzing

1817

Print made by Robert Isaac Cruikshank, 1789–1856, British

Monstrosities of 1827

1835

Print made by George Cruikshank, 1792–1878, British

Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

1835

Print made by Samuel Freeman, 1773–1857, British

Iris

1808

Robert Havell, 1769–1832, British

Clifton Spring and Woods near Maidenhead

1818

Print made by Thomas Talbot Bury, 1811–1877, British

The Royal Naval School at New Cross

undated

James Gillray, 1756–1815, British

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

Print made by Henry Burn, active 1845

Bedford from the North

ca. 1840

Print made by John Chapman, active ca. 1792–1823, British

John Locke

1811

Print made by Bradshaw & Blacklock, active ca.1850, British

Albanian Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Bacharach and View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Castles in England

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

The Crimean War

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eaton Hall

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of Needle-Box Prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Garden Flowers

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

The Last Supper

ca. 1854

Print made by Bradshaw & Blacklock, active ca.1850, British

Hampton Court

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Osborne House

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Rural Scenes

after 1850

after George Baxter, 1804–1867, British

Queen Victoria

ca. 1860

Bradshaw & Blacklock, active ca.1850, British

Returning from the Spring. Virginia

after 1850

after George Baxter, 1804–1867, British

Prince Albert

after 1855

after George Baxter, 1804–1867, British

Prince Albert

after 1855

Bradshaw & Blacklock, active ca.1850, British

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'

after 1850

Bradshaw & Blacklock, active ca.1850, British

Swiss Costumes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Tintern Abbey

after 1850

Print made by Benjamin Fawcett, 1808–1893, British

Scene Illustration: Milton's 'L'Allegro'

between 1860 and 1885

John Hassell, 1767–1825, British

Clapham Manor-House, Surry

between 1804 and 1822

Print made by Benjamin Baker, 1766–1841, British

Plan of the West India Docks

1802

Print made by Robert Isaac Cruikshank, 1789–1856, British

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

after 1820

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Medium colored ink

Credit Line Yale Center for British Art, Paul Mellon Collection

Period 19th century

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Medium colored ink

Credit Line Yale Center for British Art, Paul Mellon Collection

Period 19th century

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