Medium: chine collé / Associated Places: United Kingdom / Subject Terms: landscape (representation)

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1814

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1821

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1818-1823

Print made by John Pye, 1782–1874, British

Junction of the Greta and Tees at Rokeby

1819

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1821

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1818-1823

Print made by John Scott, 1774–1828, British

Aysgarth Force

1818-1823

Print made by Henry Le Keux, 1787–1868, British

Simmer Lake near Askrig

1818-1823

Print made by Charles Heath, 1785–1848, British

Ingleborough, from Hornby Castle Terrace

1818-1823

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1818-1823

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1818-1823

Print made by Edward Francis Finden, 1791–1857, British

Bolton Abbey, Wharfdale

1826

Print made by Robert Wallis, 1794–1878, British

Buckfastleigh Abbey, Devonshire

1827

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1812

Print made by George Cooke, 1781–1834, British

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834, British

Watchet, Somersetshire

1814-1826

Print made by John Wykeham Archer, 1808–1864, British

Richmond Castle and Town

1820

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by John Wykeham Archer, 1808–1864, British

Richmondshire Castle and Town

1820

Print made by James C. Allen, active 1821–1831, British

Addingham Mill on the Warfe

1821

Print made by Thomas Higham, 1796–1844, British

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1818-1823

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1823

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1818-1823

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1818-1823

Print made by John Wykeham Archer, 1808–1864, British

Crook of the Lune, Looking towards Hornby Castle

1821

Print made by George Cooke, 1781–1834, British

Crichton Castle

1822

Print made by W. R. Smith, active 1819–1851

Rosslyn Castle

ca. 1822

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by William Miller, 1796–1882, British

Plymouth Dock, from Mount Edgecumbe

1820

Print made by William Bernard Cooke, 1778–1855, British

East & West Looe, Cornwall

1818

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

Print made by James T. Willmore, 1800–1863, British

Penmaen Mawr, Caernarvonshire

1832

Print made by James T. Willmore, 1800–1863, British

Ullswater, Cumberland

1835

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

Print made by Robert Brandard, 1805–1862, British

Crossing the Brook

1842

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1821

Print made by Thomas Higham, 1796–1844, British

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1821

Print made by George Cooke, 1781–1834, British

Critchton Castle

1819

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by John Le Keux, 1783–1846, British

St. Agatha's Abbey, Easby

1822

Print made by John Landseer, 1769–1852, British

High Force or Fall of the Tees

1821

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827

Print made by John Scott, 1774–1828, British

Aysgarth Force

1820

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Robert Wallis, 1794–1878, British

Barnard Castle, Durham

1827

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1836

Print made by Thomas Jeavons, ca. 1800–1867, British

Arundel Castle and Town, Sussex

1834

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

1819-1826

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826

Print made by James C. Allen, active 1821–1831, British

Dunwich

1819-1826

Print made by Edward Francis Finden, 1791–1857, British

Bolton Abbey, Wharfdale

1826

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

ca. 1830

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826-1832

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by James T. Willmore, 1800–1863, British

Alnwick Castle

1830

Print made by John Horsburgh, 1791–1869, British

Folkestone, Harbour, and Coast to Dover, Kent

1831

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Medium chine collé

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