Medium: chine collé / Credit Line: Yale Center for British Art, Paul Mellon Fund

Print made by Joseph Mallord William Turner, 1775–1851, British

Gloucester Cathedral

between 1820 and 1826

Print made by George Richmond, 1809–1896, British

The Fatal Bellman

1827

Print made by Robert Brandard, 1805–1862, British

Crossing the Brook

1842

Print made by John Keyse Sherwin, c.1751–1790, British

Sir Joshua Reynolds

c.1784

Print made by George H. Phillips, active 1819–1825, British

Countess Wilton

1838

Print made by Samuel William Reynolds, 1773–1835, British

Mary Countess Harcourt

ca. 1824

Print made by Samuel Cousins, 1801–1887, British

Mrs. Lister

1834

Print made by Robert Graves, 1798–1873, British

William Esdaile

1826

Print made by Joseph Bishop Pratt, 1854–1910, British

Mrs. Gregory

1898

Print made by James S. King, 1852–1925, American

Abraham Lincoln

1909

Print made by Charles Turner, 1774–1857, British

Age of Innocence

1836

Print made by Samuel William Reynolds, 1773–1835, British

Miss Emma Hart (afterwards Lady Hamilton) as a Bacchante

undated

Print made by Samuel Cousins, 1801–1887, British

Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart

1833

Print made by William Sharp, 1749–1824, British

William Sharp

1817

Print made by Alphonse Legros, 1837–1911, French, active in Britain (1863–11)

Thomas Carlyle

between 1852 and 1877

Print made by Henri Toussaint, 1849–1911, French

John Paul Jones

1906

Print made by Richard Parkes Bonington, 1802–1828, British

Bergues - La Tour du Marché

1824