Medium: chine collé / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: women

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Medium chine collé

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms women

James Duffield Harding, 1798–1863, British

View of the Clifton Suspension Bridge

undated

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

Joseph Josiah Dodd, 1809–1894, British

View of Tonbridge During the Late Election

after 1832

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Print made by John Cousen, 1804–1880, British

Mercury and Herse

1842

Print made by John Cousen, 1804–1880, British

Mercury and Herse

1842

Print made by Thomas Shotter Boys, 1803–1874, British

Verona, Hay Barge on the Medway, and a Calvary (three prints)

after 1833

Print made by Thomas Creswick, 1811–1869, British

The Terrace

ca. 1844

James Duffield Harding, 1798–1863, British

Cascades de Thiers, Auvergne

undated

Print made by Joseph Josiah Dodd, 1809–1894, British

View of Tonbridge During the Late Election, December 18, 1832

after 1832

Print made by Guillaume Sulpice Chevalier, 1804–1866, French

Intemperance

undated

Louis Haghe, 1806–1885, British

Thornbury Castle, Gloucestershire

between 1823 and 1835

Print made by James Charles Armytage, 1802–1897, British

The Balcony

between 1835 and 1854