Medium: chine collé / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 31

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by George Cuitt, 1779–1854, British

Presented by the Officers

after 1813

Print made by John Byrne, 1786–1847, British

Rome, Tomb of Cecilia Metella

1818-1820

Print made by W. R. Smith, active 1819–1851

Florence, from Fiesoli

1818-1820

Print made by Edward Goodall, 1795–1870, British

A Tempest – Voyage of Columbus

1834

Print made by John Scott, 1774–1828, British

Aysgarth Force

1818-1823

Print made by Edward Goodall, 1795–1870, British

Tantallon Castle

1822

Print made by Edward Goodall, 1795–1870, British

Tantallon Castle

1822

Print made by Robert Wallis, 1794–1878, British

Linlithgow Palace

1822

William Finden, 1787–1852, British

A Wish

1834

James Henry Watt, 1799–1867, British

St. Cecilia

1834

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Orfordness

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Orfordness

ca. 1830

Print made by Edward Francis Finden, 1791–1857, British

The Bernese Alps

1832-1834

Henry Le Keux, 1787–1868, British

A Convent Gate

1829

William Finden, 1787–1852, British

The Sailor

1834

Print made by James C. Allen, active 1821–1831, British

Lowestoffe

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Whitby

ca. 1830

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855, British

Ilfracombe, North Devon

1818

Print made by George Cooke, 1781–1834, British

Watchet, Somersetshire

1814-1826

Engraved by George Hollis, 1792–1842, British

The Forum Romanum

1818-1820

Print made by George Cooke, 1781–1834, British

Florence from the Chiesa al Monte

1820

Print made by W. R. Smith, active 1819–1851

Florence, from Fiesoli

1818-1820

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

Print made by Henry Le Keux, 1787–1868, British

Borthwick Castle

1819

William Finden, 1787–1852, British

The Judgement Seat

1834

Print made by John Horsburgh, 1791–1869, British

Bell Rock Lighthouse

1824

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by William Bernard Cooke, 1778–1855, British

Weymouth, Dorset

1813

Print made by George Cooke, 1781–1834, British

Tintagel Castle, Cornwall

1818

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1820

Print made by George Cooke, 1781–1834, British

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by James Fittler, 1758–1835, British

Isola Bella, on the Lago Maggiore

1818-1820

Print made by James Fittler, 1758–1835, British

Isola Bella on the Lago Maggiore

1818-1820

Print made by James C. Allen, active 1821–1831, British

Lowestoffe Lighthouse (vignette)

ca. 1830

Print made by W. R. Smith, active 1819–1851

The Entrance to Fowey Harbour, Cornwall

1829

Print made by James C. Allen, active 1821–1831, British

Lowestoffe Lighthouse (vignette)

ca. 1830

Print made by James T. Willmore, 1800–1863, British

Penmaen Mawr, Caernarvonshire

1832

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Print made by Edward Goodall, 1795–1870, British

St. Anne's Hill, No. II

1834

Print made by James C. Allen, active 1821–1831, British

Hebiborough Sands

ca. 1830

Print made by Edward Goodall, 1795–1870, British

Rievaulx Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870, British

Rievaulx Abbey, Yorkshire

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by Robert Brandard, 1805–1862, British

Orford, Suffolk

1827

Print made by William Miller, 1796–1882, British

Stamford, Lincolnshire

1830

Print made by Josiah Henshall, 1806–1869, British

Winchelsea, Sussex

1830

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by Thomas Jeavons, ca. 1800–1867, British

Devonport and Dockyard, Devonshire

1830

Print made by Thomas Jeavons, ca. 1800–1867, British

Kenilworth Castle

1832

Print made by S. Fisher, active 1831–1844

Coventry, Warwickshire

1833

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1836

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by William Radclyffe, 1780–1855, British

Ashby de la Zouch

1832

Print made by Thomas Jeavons, ca. 1800–1867, British

Arundel Castle and Town, Sussex

1834

Print made by J. C. Varrall, active 1815–1827

Rochester, Stroud and Chatham

1838

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

1819-1826

Print made by James C. Allen, active 1821–1831, British

Aldborough

1819-1826

Print made by James C. Allen, active 1821–1831, British

Dunwich

1819-1826

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by William Radclyffe, 1780–1855, British

Salisbury, Wiltshire

1830

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by Robert Brandard, 1805–1862, British

Orford, Suffolk

1827

Print made by Robert Brandard, 1805–1862, British

Orford, Suffolk

1827

Print made by Thomas Jeavons, ca. 1800–1867, British

Exeter

1819-1826

Print made by Thomas Jeavons, ca. 1800–1867, British

Exeter

1829

Print made by William Radclyffe, 1780–1855, British

Louth, Lincolnshire

1829

Print made by James T. Willmore, 1800–1863, British

Alnwick Castle

1830

Print made by W. R. Smith, active 1819–1851

Tynemouth, Northumberland

1831

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge

1832

Print made by Robert Brandard, 1805–1862, British

Gosport, Entrance to Portsmouth Harbor

1831

Print made by Edward Goodall, 1795–1870, British

Aldborough, Suffolk

1827

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by Robert Wallis, 1794–1878, British

Stone Henge

1829

Print made by Robert Wallis, 1794–1878, British

Stone Henge, Wiltshire

1829

Charles Heath, 1785–1848, British

The Tower from the River

1825

Charles Heath, 1785–1848, British

Tower Hill

1825

Charles Heath, 1785–1848, British

Green Park

1825

Print made by Frederick Bacon, 1803–1887, British

Thomas Bewick

1852

Print made by W. R. Smith, active 1819–1851

Chain Bridge over the River Tees

1838

Print made by Luigi Schiavonetti, 1765–1810, Italian

William Blake, Frontispiece

1808

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Medium chine collé

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 31

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Medium chine collé

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 31

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