Medium: chine collé / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 21

Print made by John Byrne, 1786–1847, British

Rome from Monte Mario

1820

Print made by John Byrne, 1786–1847, British

Rome, Tomb of Cecilia Metella

1818-1820

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Robert Wallis, 1794–1878, British

Havre

1832

Print made by James Baylis Allen, 1803–1876, British

Falls of the Rhine

1832

Print made by James C. Allen, active 1821–1831, British

Orford Castle and St. George's Tower

ca. 1830

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 1

1828-1832

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828-1837

Print made by James T. Willmore, 1800–1863, British

Nantes

1828-1837

Print made by Robert Wallis, 1794–1878, British

Saumur

1830

Print made by Robert Wallis, 1794–1878, British

Saumur

1830

Print made by James T. Willmore, 1800–1863, British

Nantes

1828-1837

Print made by Robert Wallis, 1794–1878, British

St. Germain-en-Laye

1828-1837

Print made by Edward Goodall, 1795–1870, British

Florence from the Chiesa al Monte

1831

Print made by Edward Goodall, 1795–1870, British

Florence from the Chiesa al Monte

1831

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 1

1828-1832

Print made by Robert Wallis, 1794–1878, British

Ehrenbreitstein

1833

Print made by James T. Willmore, 1800–1863, British

Nantes

1828-1837

Print made by James T. Willmore, 1800–1863, British

Nantes

1828-1832

Print made by Robert Wallis, 1794–1878, British

St. Germain-en-Laye

1828-1837

Print made by William Miller, 1796–1882, British

Palace of La Belle Gabrielle

1828-1837

Print made by Robert Wallis, 1794–1878, British

St. Germain-en-Laye

1831

Print made by Edward Goodall, 1795–1870, British

Cortes and Pizarro

1834

Print made by John Corner, 1788–1825

Sir Godfrey Kneller

1821

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Robert Wallis, 1794–1878, British

Virginia Water. No. I

1828

Print made by William Miller, 1796–1882, British

Marly

1831

Print made by Robert Wallis, 1794–1878, British

Saumur

1830

Print made by James T. Willmore, 1800–1863, British

Nantes

1826-1837

Print made by James C. Allen, active 1821–1831, British

Falls of the Rhine

1832

Print made by Edward Goodall, 1795–1870, British

Florence from the Chiesa al Monte

1826-1837

Print made by William Miller, 1796–1882, British

Palace of LaBelle Gabrielle

1826-1837

Print made by William Drummond, active 1829

William Wyon

1835

Print made by Robert Wallis, 1794–1878, British

Virginia Water. No. II

1826-1837

Print made by Edward Francis Finden, 1791–1857, British

Bolton Abbey, Wharfdale

1826

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826-1832

Print made by Edward Goodall, 1795–1870, British

Florence

1827

Print made by Edward Goodall, 1795–1870, British

Florence

1827

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 11

1828

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 1

1828

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 11

1828-1837

Print made by Robert Wallis, 1794–1878, British

Havre

1833

Print made by Robert Wallis, 1794–1878, British

Ehrenbreitstein

1833

Print made by Thomas Shotter Boys, 1803–1874, British

Verona, Hay Barge on the Medway, and a Calvary (three prints)

after 1833

Print made by Robert Smirke, 1752–1845, British

Interior of York Minster from the Nave Shewing the Screen of the Choir in its Present Situation

undated

M. Gauci, 1810–1846

Alexander Morison M.D

ca.1829

Print made by Robert Wallis, 1794–1878, British

Havre

1833

Print made by Richard Parkes Bonington, 1802–1828, British

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

1824

Print made by Godefroy Engelmann, 1788–1839, French

G. Engelmann

undated

Print made by Edward Francis Finden, 1791–1857, British

St. Sophia, Constantinople

1833

James Duffield Harding, 1798–1863, British

Lane Scene

1829

Print made by Edward Francis Finden, 1791–1857, British

Corinth from the Acropolis

1832

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Medium chine collé

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 21

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Medium chine collé

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 21

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