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Medium charcoal

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Creator Gender male

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Period 18th century-19th century

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Male with Arms Spread Wide Seen from Behind
Creator:
James Barry, 1741–1806, Irish
Date:
undated
Medium:
Brown wash, pen and brown ink, black chalk, graphite, and white gouache on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 11 3/4 inches (50.2 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Studies of a Sleeping Lion
Creator:
unknown artist
Date:
undated
Medium:
Charcoal, graphite, and red chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 13/16 × 8 15/16 inches (17.3 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Mare, Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
Creator:
James Ward, 1769–1859, British
Date:
undated
Medium:
Charcoal on medium, slightly textured, brown wove paper
Dimensions:
Mount: 11 1/4 × 15 5/16 inches (28.6 × 38.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape
Creator:
Dr. Thomas Monro, 1759–1833, British
Date:
undated
Medium:
Charcoal on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/4 x 8 7/8 inches (14.6 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Still Life with Rake
Creator:
attributed to Peter DeWint, 1784–1849, British
Date:
undated
Medium:
Charcoal and white gouache on medium, smooth, beige wove paper
Dimensions:
Sheet: 14 1/4 x 19 1/2 inches (36.2 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of William Lock II of Norbury Park, Surrey
Creator:
Sir Thomas Lawrence, 1769–1830, British
Date:
ca. 1800
Medium:
Oiled charcoal and blue-gray ground on canvas
Dimensions:
Frame: 34 1/2 x 28 x 3 1/4 inches (87.6 x 71.1 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund and Friends of British Art Fund