Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
27
Thomas Forster, ca. 1677–after 1712, British
Banqueting House, Whitehall: Front Elevation
undated
28
James Gandon, 1742–1823, British
Elevation for the West Front of Parliament House, Dublin
ca. 1787
29
Richard Dadd, 1817–1886, British
Eastern Letter Writer
1863
30
Thomas Carwitham, active 1723, British
Raphael receiving the money of Tobias from Gabael: Tobit 9:5
undated
31
James Pattison Cockburn, 1779–1847, British
Medieval Figures in a Crypt
undated
32
John Devoto, active 1708–1752, British
A Capriccio
undated
33
John Devoto, active 1708–1752, British
An architectural fantasy
undated
34
Sir William Chambers, 1723–1796, British
Headfort House, Ireland: Elevations of the North and South Fronts
1765
35
Thomas Girtin, 1775–1802, British
Tempio d' Antonio e Faustina
between 1798 and 1799
36
Robert Smirke, 1752–1845, British
Olivia and Maria
1822
37
John Martin, 1789–1854, British
Classical City in Landscape
1816
38
John Massey Wright, 1777–1866, British
The Rustics Perform from "A Midsummer Night's Dream"
undated
39
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
40
Giovanni Battista Borra, 1713–1770, Italian
Sepolcro di Absalon
ca. 1750
41
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
42
Giovanni Battista Borra, 1713–1770, Italian
Details of a Doric Order from Toreh
ca. 1750
43
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
44
Giovanni Battista Borra, 1713–1770, Italian
Details of the Ionic Temple at Toreh
ca. 1750
45
Giovanni Battista Borra, 1713–1770, Italian
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
46
James Jefferys, 1751–1784, British
The Body of Lucretia Exposed to the Romans
between 1777 and 1778
47
Robert Frank Atkinson, 1869 or 1871–1923, British
Entrance to Hypostyle Hall, Midland Adelphi Hotel, Liverpool