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Edward Lear Dendera
Edward Lear, 1812–1888, British
Dendera
1867
Giovanni Battista Borra Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
Giovanni Battista Borra, 1713–1770, Italian
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
Giovanni Battista Borra Posizione delle Piramidi di Sachara
Giovanni Battista Borra, 1713–1770, Italian
Posizione delle Piramidi di Sachara
ca. 1750
Giovanni Battista Borra Plans and Views of Two Pyramids, One Cephron's at Giza
Giovanni Battista Borra, 1713–1770, Italian
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
Giovanni Battista Borra View, Cross Section, and Other Details of Cheop's Pyramid at Giza
Giovanni Battista Borra, 1713–1770, Italian
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
James Wyatt Cobham Hall, Kent: Design for a Lintel for One End of a Passage
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Design for a Lintel for One End of a Passage
ca. 1790
James Wyatt Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790
unknown artist St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710
unknown artist, nineteenth century
St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710
undated
Giovanni Battista Borra Frieze and Capitals (from Priene?)
Giovanni Battista Borra, 1713–1770, Italian
Frieze and Capitals (from Priene?)
ca. 1750
Sir James Thornhill The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
Sir James Thornhill, 1675–1734, British
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
unknown artist Shed
unknown artist
Shed
undated
Augustus Welby Northmore Pugin Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
Augustus Welby Northmore Pugin, 1812–1852, British
Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
undated
Thomas Shotter Boys Courtyard of an Inn on the Thames
Thomas Shotter Boys, 1803–1874, British
Courtyard of an Inn on the Thames
undated
Rev. Daniel Finch At Ashford
Attributed to Rev. Daniel Finch, 1757–1840, British
At Ashford
1818
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879, British
[One from] A Volume of Drawings and Prints
1837
George Chinnery Ruins of a Temple, Sunset
George Chinnery, 1774–1852, British
Ruins of a Temple, Sunset
undated
Samuel Davis Sculpture depicting three heads
Samuel Davis, 1760–1819, British
Sculpture depicting three heads
undated
Augustus Welby Northmore Pugin Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852, British
Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
undated
Isaac Weld Arco di Druso
Isaac Weld, 1774–1856, Irish
Arco di Druso
1818
Augustus Welby Northmore Pugin Design for a Gothic Canopy
Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Gothic Canopy
undated
unknown artist Building Plans and ornate Architectural Designs
unknown artist
Building Plans and ornate Architectural Designs
undated
Capt. Thomas Hastings From the White Hart, 29 February 1826
Capt. Thomas Hastings, 1778–1854, British
From the White Hart, 29 February 1826
1826
Giovanni Battista Borra View of the Theater and Plan of the Ionic Temple at Sardis
Giovanni Battista Borra, 1713–1770, Italian
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
Giovanni Battista Borra View of the Valley of Sardis and View of a Ruined Bridge
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
Giovanni Battista Borra Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
Giovanni Battista Borra Plan of the Second Theater of Laodicea and Details of a Composite Order
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
Giovanni Battista Borra Details of a Doric Order from Toreh
Giovanni Battista Borra, 1713–1770, Italian
Details of a Doric Order from Toreh
ca. 1750
Giovanni Battista Borra Frieze and Capital of the Ionic Temple at Toreh
Giovanni Battista Borra, 1713–1770, Italian
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
Giovanni Battista Borra Plan of the Temple of Juno at Samos and Details of a Column
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
Giovanni Battista Borra Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
Giovanni Battista Borra, 1713–1770, Italian
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
Giovanni Battista Borra Details of the Ionic Temple at Toreh
Giovanni Battista Borra, 1713–1770, Italian
Details of the Ionic Temple at Toreh
ca. 1750
Giovanni Battista Borra Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
Giovanni Battista Borra, 1713–1770, Italian
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750