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Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Sawrey Gilpin Armored men attending a fallen horse
Sawrey Gilpin, 1733–1807, British
Armored men attending a fallen horse
undated
Sawrey Gilpin Four horses galloping: (?) a mythological study, possibly for Phaeton's Chariot
Sawrey Gilpin, 1733–1807, British
Four horses galloping: (?) a mythological study, possibly for Phaeton's Chariot
undated
Sawrey Gilpin Three Deer
Sawrey Gilpin, 1733–1807, British
Three Deer
undated
Sawrey Gilpin Five Deer
Sawrey Gilpin, 1733–1807, British
Five Deer
undated
Sawrey Gilpin Cow Lying Next to a Fence
Sawrey Gilpin, 1733–1807, British
Cow Lying Next to a Fence
undated
Denton Welsh Beehive and Cow
Denton Welsh, 1915–1948
Beehive and Cow
undated
Sawrey Gilpin Doe and Buck
Sawrey Gilpin, 1733–1807, British
Doe and Buck
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
Thomas Henry Wyatt Design for St. David, Pantasaph, Flintshire. East Elevation
Thomas Henry Wyatt, 1807–1880, British
Design for St. David, Pantasaph, Flintshire. East Elevation
undated
Francois Gasselin View of the Royal Hospital, Chelsea
Francois Gasselin, ca. 1683–1703, French
View of the Royal Hospital, Chelsea
undated
François Louis Thomas Francia The Pont de la Concorde and Tuileries Palace from the Cours la Reine
François Louis Thomas Francia, 1772–1839, French, active in Britain
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
1823
Henry Fuseli Study of a Back of a Female Nude, Standing
attributed to Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Study of a Back of a Female Nude, Standing
undated
Edward Duncan Pheasant Shooting
Edward Duncan, 1803–1882, British
Pheasant Shooting
1825
Edward Duncan Wild Duck Shooting
Edward Duncan, 1803–1882, British
Wild Duck Shooting
1825
James Seymour A Boar Hunt
James Seymour, 1702–1752, British
A Boar Hunt
undated
James Seymour Rider on a Horse, Rearing to Left
James Seymour, 1702–1752, British
Rider on a Horse, Rearing to Left
undated
Peter Tillemans Racing: a Match in Progress
Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708)
Racing: a Match in Progress
undated
James Seymour Racehorse at Exercise, Ridden by a Training-Groom
James Seymour, 1702–1752, British
Racehorse at Exercise, Ridden by a Training-Groom
undated
James Seymour George Montague, first Earl of Halifax on His White Hunter, Ironside, With His Groom on Justice, a Chestnut Foaled in 1721
James Seymour, 1702–1752, British
George Montague, first Earl of Halifax on His White Hunter, Ironside, With His Groom on Justice, a Chestnut Foaled in 1721
1721
Sir Edwin Henry Landseer An Irish Wolfhound
Sir Edwin Henry Landseer, 1802–1873, British
An Irish Wolfhound
undated
Thomas Rowlandson Preparatory sketch for 'Dr Syntax Sketching the Lake'
Thomas Rowlandson, 1756–1827, British
Preparatory sketch for 'Dr Syntax Sketching the Lake'
1812
Thomas Rowlandson The Vicar of Wakefield: Frontispiece
Thomas Rowlandson, 1756–1827, British
The Vicar of Wakefield: Frontispiece
1817
Sir John Everett Millais Awful Protection Against Midges
Sir John Everett Millais, 1829–1896, British
Awful Protection Against Midges
1853
Thomas Rowlandson An Old Coquette Outstood her Market
Thomas Rowlandson, 1756–1827, British
An Old Coquette Outstood her Market
between 1815 and 1820
Thomas Rowlandson The Miseries of the Country
Thomas Rowlandson, 1756–1827, British
The Miseries of the Country
undated
James Seymour Two Horses Trotting in Harness
James Seymour, 1702–1752, British
Two Horses Trotting in Harness
undated
James Seymour 'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
James Seymour, 1702–1752, British
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
James Seymour Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
James Seymour, 1702–1752, British
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
James Seymour Coursing - After the Kill
James Seymour, 1702–1752, British
Coursing - After the Kill
undated
John Vanderbank "The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739, British
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
Samuel Jackson St. Michael's Hill, Bristol
Samuel Jackson, 1794–1869, British
St. Michael's Hill, Bristol
ca. 1824
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879, British
[One from] A Volume of Drawings and Prints
1839
Sawrey Gilpin Studies of Two Riders, and of Rider's Heads
Sawrey Gilpin, 1733–1807, British
Studies of Two Riders, and of Rider's Heads
undated
Charles Hancock Two Shetland Ponies With a Groom
Charles Hancock, 1802–1877, British
Two Shetland Ponies With a Groom
1834
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879, British
[One from] A Volume of Drawings and Prints
1837
James Ward A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat
James Ward, 1769–1859, British
A Canopied Boat and Two Rowing Boats at a Jetty; Inset Left, a Pencil Study of the Tintern Livestock Ferry-boat
undated
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879, British
[One from] A Volume of Drawings and Prints
1834
Thomas Rowlandson Embarkation at Southampton, June 20th 1794
Thomas Rowlandson, 1756–1827, British
Embarkation at Southampton, June 20th 1794
1794
Thomas Rowlandson Jack Bannister in his Dressing Room
Thomas Rowlandson, 1756–1827, British
Jack Bannister in his Dressing Room
1783
Giulio Aristide Sartorio Study of a Crouching Woman
Giulio Aristide Sartorio, 1860–1932, Italian
Study of a Crouching Woman
undated
Thomas Rowlandson Sketch of a Woman and Children Sitting on a Shipping Dock
Thomas Rowlandson, 1756–1827, British
Sketch of a Woman and Children Sitting on a Shipping Dock
undated
Samuel Prout Coast Scene
Samuel Prout, 1783–1852, British
Coast Scene
undated
Sawrey Gilpin Group Scene showing horses, figures and red Indians
Sawrey Gilpin, 1733–1807, British
Group Scene showing horses, figures and red Indians
undated
Sawrey Gilpin Horse running towards left...
Sawrey Gilpin, 1733–1807, British
Horse running towards left..
undated
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878, British
Macbeth and the Witch
undated
John Sell Cotman The Rise of the Stocks (One of a Set of Three)
John Sell Cotman, 1782–1842, British
The Rise of the Stocks (One of a Set of Three)
1799
George Chambers A Lugger Signaling a Passing Frigate
George Chambers, 1803–1840, British
A Lugger Signaling a Passing Frigate
undated
unknown artist Male Figure Raising Stone Slab
unknown artist
Male Figure Raising Stone Slab
undated
George Chinnery Thatched Building in a Wood
George Chinnery, 1774–1852, British
Thatched Building in a Wood
1814
George Dance A Vestry Disputing about the Parish Rates
George Dance, 1741–1825, British
A Vestry Disputing about the Parish Rates
undated
Rev. William Gilpin Mountainous Landscape with Trees - High Crags to the Right
Rev. William Gilpin, 1724–1804, British
Mountainous Landscape with Trees - High Crags to the Right
undated
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Charles Samuel Keene Sketchbook Drawing
Charles Samuel Keene, 1823–1891, British
Sketchbook Drawing
between 1846 and 1852
Robert Smirke Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
Robert Smirke, 1752–1845, British
Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
undated