Medium: brown ink / Date: 1745 / Work Type: drawing - YCBA Collections Search Search Results

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Medium brown ink

Date 1745

Work Type drawing

William Hogarth George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

William Hogarth, 1697–1764, British

George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

ca. 1750

William Hogarth George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

William Hogarth, 1697–1764, British

George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

ca. 1750

Giovanni Battista Borra View of a Valley with Ruins at Sardis

Giovanni Battista Borra, 1713–1770, Italian

View of a Valley with Ruins at Sardis

ca. 1750

Giovanni Battista Borra Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus

Giovanni Battista Borra, 1713–1770, Italian

Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus

ca. 1750

Giovanni Battista Borra The Members of a Corinthian Temple in Ruins at Ephesus

Giovanni Battista Borra, 1713–1770, Italian

The Members of a Corinthian Temple in Ruins at Ephesus

ca. 1750

Giovanni Battista Borra Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian

Giovanni Battista Borra, 1713–1770, Italian

Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian

ca. 1750

Giovanni Battista Borra Posizione delle Piramidi di Sachara

Giovanni Battista Borra, 1713–1770, Italian

Posizione delle Piramidi di Sachara

ca. 1750

Giovanni Battista Borra Plan and View of a Cave, Temple, or Tomb

Giovanni Battista Borra, 1713–1770, Italian

Plan and View of a Cave, Temple, or Tomb

ca. 1750

Giovanni Battista Borra Plans and Views of Two Pyramids, One Cephron's at Giza

Giovanni Battista Borra, 1713–1770, Italian

Plans and Views of Two Pyramids, One Cephron's at Giza

ca. 1750

Giovanni Battista Borra View, Cross Section, and Other Details of Cheop's Pyramid at Giza

Giovanni Battista Borra, 1713–1770, Italian

View, Cross Section, and Other Details of Cheop's Pyramid at Giza

ca. 1750

Giovanni Battista Borra Topographical View of the Pyramids at Giza

Giovanni Battista Borra, 1713–1770, Italian

Topographical View of the Pyramids at Giza

ca. 1750

Giovanni Battista Borra Plan of Jerusalem

Giovanni Battista Borra, 1713–1770, Italian

Plan of Jerusalem

ca. 1750

Giovanni Battista Borra View and Plan of the Grotto of St. Jerome at Lydda (Lod)

Giovanni Battista Borra, 1713–1770, Italian

View and Plan of the Grotto of St. Jerome at Lydda (Lod)

ca. 1750

Giovanni Battista Borra Is'Tmo di Cizico unito al Continente

Giovanni Battista Borra, 1713–1770, Italian

Is'Tmo di Cizico unito al Continente

ca. 1750

Giovanni Battista Borra Reggio di Calabria

Giovanni Battista Borra, 1713–1770, Italian

Reggio di Calabria

ca. 1750

Giovanni Battista Borra View of the Ruined Baths at Hadrian's Villa at Tivoli

Giovanni Battista Borra, 1713–1770, Italian

View of the Ruined Baths at Hadrian's Villa at Tivoli

ca. 1750

James Bruce Temple at Baalbec: Architectural Detail of Entablature of Amphitheatre of Vespesian

James Bruce, 1730–1794, British

Temple at Baalbec: Architectural Detail of Entablature of Amphitheatre of Vespesian

undated

James Bruce Temple at Baalbec: Detailed drawing of a Doorway

James Bruce, 1730–1794, British

Temple at Baalbec: Detailed drawing of a Doorway

undated

James Bruce Temple at Baalbec: Sheet of Sketches of Columns

James Bruce, 1730–1794, British

Temple at Baalbec: Sheet of Sketches of Columns

undated

James Bruce Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State

James Bruce, 1730–1794, British

Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State

undated

James Bruce Veduta di Tunga

James Bruce, 1730–1794, British

Veduta di Tunga

undated

James Bruce Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga

James Bruce, 1730–1794, British

Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga

undated

James Bruce Fragments of Architecture at Temple of Thignica Ain Tunga

James Bruce, 1730–1794, British

Fragments of Architecture at Temple of Thignica Ain Tunga

undated

James Bruce Study of the Front of a Horse

James Bruce, 1730–1794, British

Study of the Front of a Horse

undated

Francis Swaine Hulks in the Medway

Francis Swaine, 1730–1782, British

Hulks in the Medway

undated

James Bruce Plan of the circular temple at Baalbec

James Bruce, 1730–1794, British

Plan of the circular temple at Baalbec

undated

Charles Gore Hubertusburg Château

Charles Gore, 1729–1807, British

Hubertusburg Château

undated

Giovanni Battista Borra Frieze and Capitals (from Priene?)

Giovanni Battista Borra, 1713–1770, Italian

Frieze and Capitals (from Priene?)

ca. 1750

Giovanni Battista Borra Details of a Corinthian Temple on the Acropolis of Pergamon

Giovanni Battista Borra, 1713–1770, Italian

Details of a Corinthian Temple on the Acropolis of Pergamon

ca. 1750

James Bruce Temple ruins

James Bruce, 1730–1794, British

Temple ruins

undated

James Bruce Tomb of Juba II near Algiers

James Bruce, 1730–1794, British

Tomb of Juba II near Algiers

undated

James Bruce Obelisk at Axum Erected As Is Supposed by Ptolemy Evergetes

James Bruce, 1730–1794, British

Obelisk at Axum Erected As Is Supposed by Ptolemy Evergetes

undated

James Bruce Plan and Section of the Mikeas or Kiosc with the Pillar Where on Is Measured the Daily Increase of the Nile During Inundation

James Bruce, 1730–1794, British

Plan and Section of the Mikeas or Kiosc with the Pillar Where on Is Measured the Daily Increase of the Nile During Inundation

undated

James Bruce Six Men Talking

James Bruce, 1730–1794, British

Six Men Talking

undated

James Bruce One Side of a Coin with Inscription

James Bruce, 1730–1794, British

One Side of a Coin with Inscription

undated

James Bruce Back view of the same circular temple in its present state

James Bruce, 1730–1794, British

Back view of the same circular temple in its present state

undated

John Sanderson Langley Park, Norfolk: Elevation of the South Front

John Sanderson, active 1730; died 1774, British

Langley Park, Norfolk: Elevation of the South Front

ca. 1750

James Paine Design for the Gothic Library at Felbrigg Hall in Norfolk

James Paine, 1717–1789, British

Design for the Gothic Library at Felbrigg Hall in Norfolk

ca. 1750

James Bruce Three Men Talking

James Bruce, 1730–1794, British

Three Men Talking

undated

James Bruce Weighing Scale

James Bruce, 1730–1794, British

Weighing Scale

undated

James Bruce Plan of upright of the semi circular Exedra of Temple at Baalbec

James Bruce, 1730–1794, British

Plan of upright of the semi circular Exedra of Temple at Baalbec

undated

James Bruce Pl. IX Arch of Caracalla at Tebessa

James Bruce, 1730–1794, British

Pl. IX Arch of Caracalla at Tebessa

undated

James Bruce Order of the two courts of the Temple at Baalbec

James Bruce, 1730–1794, British

Order of the two courts of the Temple at Baalbec

undated

James Bruce Plan of upright of the Tabernacle above the Niche of Temple at Baalbec

James Bruce, 1730–1794, British

Plan of upright of the Tabernacle above the Niche of Temple at Baalbec

undated

James Bruce Measured drawing of section of pediments of temple Baalbec

James Bruce, 1730–1794, British

Measured drawing of section of pediments of temple Baalbec

undated

James Bruce Plan of the most entire temple at Baalbec

James Bruce, 1730–1794, British

Plan of the most entire temple at Baalbec

undated

James Bruce Order of the Great Temple at Baalbec with descriptive notes attached

James Bruce, 1730–1794, British

Order of the Great Temple at Baalbec with descriptive notes attached

undated

Rev. William Gilpin Classical Landscape with Ruin on Left, Two Figures on Right

Rev. William Gilpin, 1724–1804, British

Classical Landscape with Ruin on Left, Two Figures on Right

between 1745 and 1748

Rev. William Gilpin Mountainous Landscape with River, Trees and Foliage in Foreground

Rev. William Gilpin, 1724–1804, British

Mountainous Landscape with River, Trees and Foliage in Foreground

between 1745 and 1748

Rev. William Gilpin Hilly Landscape

Rev. William Gilpin, 1724–1804, British

Hilly Landscape

between 1745 and 1748

Rev. William Gilpin Three Figures in a Hilly Landscape with Ruins, beyond

Rev. William Gilpin, 1724–1804, British

Three Figures in a Hilly Landscape with Ruins, beyond

between 1745 and 1748

Rev. William Gilpin Two Figures on a Road with Castle in Center Distance

Rev. William Gilpin, 1724–1804, British

Two Figures on a Road with Castle in Center Distance

between 1745 and 1748

Rev. William Gilpin Two Figures on a Road by a Lake

Rev. William Gilpin, 1724–1804, British

Two Figures on a Road by a Lake

between 1745 and 1748

Rev. William Gilpin The Artist's Bookplate and Pen Inscription from a Drawing Album

Rev. William Gilpin, 1724–1804, British

The Artist's Bookplate and Pen Inscription from a Drawing Album

between 1745 and 1748

Rev. William Gilpin Shipping Scene with Three Figures on shore

Rev. William Gilpin, 1724–1804, British

Shipping Scene with Three Figures on shore

between 1745 and 1748

Rev. William Gilpin A Rocky Landscape

Rev. William Gilpin, 1724–1804, British

A Rocky Landscape

between 1745 and 1748

Rev. William Gilpin Landscape with Four Figures

Rev. William Gilpin, 1724–1804, British

Landscape with Four Figures

between 1745 and 1748

Rev. William Gilpin A Lake with Mountains Rising Beyond

Rev. William Gilpin, 1724–1804, British

A Lake with Mountains Rising Beyond

between 1745 and 1748

Rev. William Gilpin Mountainous Landscape with Rocky Crag at Right

Rev. William Gilpin, 1724–1804, British

Mountainous Landscape with Rocky Crag at Right

between 1745 and 1748

James Adam Landscape with River and Figures

James Adam, 1732–1794, Scottish

Landscape with River and Figures

undated

Rev. William Gilpin Landscape with Mountain in Center Distance

Rev. William Gilpin, 1724–1804, British

Landscape with Mountain in Center Distance

between 1745 and 1748

Rev. William Gilpin Classical Landscape with Two Figures on Lake Shore

Rev. William Gilpin, 1724–1804, British

Classical Landscape with Two Figures on Lake Shore

between 1745 and 1748

Rev. William Gilpin Two Figures on Shore with Mountain Rising Behind

Rev. William Gilpin, 1724–1804, British

Two Figures on Shore with Mountain Rising Behind

between 1745 and 1748

Rev. William Gilpin Landscape with Two Horsemen on a Road

Rev. William Gilpin, 1724–1804, British

Landscape with Two Horsemen on a Road

between 1745 and 1748

Rev. William Gilpin Classical Landscape with Two Figures on Horseback at Right

Rev. William Gilpin, 1724–1804, British

Classical Landscape with Two Figures on Horseback at Right

between 1745 and 1748

Rev. William Gilpin Mountainous Landscape with a River

Rev. William Gilpin, 1724–1804, British

Mountainous Landscape with a River

between 1745 and 1748

Isaac Taylor Unidentified Periodical / Play Illustration

Isaac Taylor, 1730–1807, British

Unidentified Periodical / Play Illustration

undated

unknown artist Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains

unknown artist

Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains

ca. 1750

Giovanni Battista Borra Mausolio d'Haliatte in Faccia a Sardes

Giovanni Battista Borra, 1713–1770, Italian

Mausolio d'Haliatte in Faccia a Sardes

ca. 1750

Giovanni Battista Borra Reconstruction of the Second Theatre at Laodicea

Giovanni Battista Borra, 1713–1770, Italian

Reconstruction of the Second Theatre at Laodicea

ca. 1750

Giovanni Battista Borra Pianura dell'Hermo in Faccia a Sardes

Giovanni Battista Borra, 1713–1770, Italian

Pianura dell'Hermo in Faccia a Sardes

ca. 1750

Giovanni Battista Borra View of the Theater and Plan of the Ionic Temple at Sardis

Giovanni Battista Borra, 1713–1770, Italian

View of the Theater and Plan of the Ionic Temple at Sardis

ca. 1750

Giovanni Battista Borra Members of an Ionic Temple at Teos

Giovanni Battista Borra, 1713–1770, Italian

Members of an Ionic Temple at Teos

ca. 1750

Giovanni Battista Borra View of the Valley of Sardis and View of a Ruined Bridge

Giovanni Battista Borra, 1713–1770, Italian

View of the Valley of Sardis and View of a Ruined Bridge

ca. 1750

Giovanni Battista Borra Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea

Giovanni Battista Borra, 1713–1770, Italian

Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea

ca. 1750

Giovanni Battista Borra Sepolcro di Absalon

Giovanni Battista Borra, 1713–1770, Italian

Sepolcro di Absalon

ca. 1750

Giovanni Battista Borra View and Plan of the Grotto of Gethsemene

Giovanni Battista Borra, 1713–1770, Italian

View and Plan of the Grotto of Gethsemene

ca. 1750

Giovanni Battista Borra Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea

Giovanni Battista Borra, 1713–1770, Italian

Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea

ca. 1750

Giovanni Battista Borra Plan of the Second Theater of Laodicea and Details of a Composite Order

Giovanni Battista Borra, 1713–1770, Italian

Plan of the Second Theater of Laodicea and Details of a Composite Order

ca. 1750

Giovanni Battista Borra Details of a Doric Order from Toreh

Giovanni Battista Borra, 1713–1770, Italian

Details of a Doric Order from Toreh

ca. 1750

Giovanni Battista Borra Samos

Giovanni Battista Borra, 1713–1770, Italian

Samos

ca. 1750

Giovanni Battista Borra View of Micale Promontorio

Giovanni Battista Borra, 1713–1770, Italian

View of Micale Promontorio

ca. 1750

Giovanni Battista Borra Frieze and Capital of the Ionic Temple at Toreh

Giovanni Battista Borra, 1713–1770, Italian

Frieze and Capital of the Ionic Temple at Toreh

ca. 1750

Giovanni Battista Borra Plan of the Temple of Juno at Samos and Details of a Column

Giovanni Battista Borra, 1713–1770, Italian

Plan of the Temple of Juno at Samos and Details of a Column

ca. 1750

Giovanni Battista Borra Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)

Giovanni Battista Borra, 1713–1770, Italian

Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)

ca. 1750

Giovanni Battista Borra View of Sigacik (Ancient Teos)

Giovanni Battista Borra, 1713–1770, Italian

View of Sigacik (Ancient Teos)

ca. 1750

Giovanni Battista Borra Plan of the Port of Sigacik (ancient Teos)

Giovanni Battista Borra, 1713–1770, Italian

Plan of the Port of Sigacik (ancient Teos)

ca. 1750

Giovanni Battista Borra View of Artaki (now Erduk)

Giovanni Battista Borra, 1713–1770, Italian

View of Artaki (now Erduk)

ca. 1750

Giovanni Battista Borra Details of the Ionic Temple at Toreh

Giovanni Battista Borra, 1713–1770, Italian

Details of the Ionic Temple at Toreh

ca. 1750

Giovanni Battista Borra View of Tivoli in the Direction of the North Wind

Giovanni Battista Borra, 1713–1770, Italian

View of Tivoli in the Direction of the North Wind

ca. 1750

Giovanni Battista Borra Is'Tmo e Penisola di Cizico

Giovanni Battista Borra, 1713–1770, Italian

Is'Tmo e Penisola di Cizico

ca. 1750

Giovanni Battista Borra View of a Long Aqueduct

Giovanni Battista Borra, 1713–1770, Italian

View of a Long Aqueduct

ca. 1750

Giovanni Battista Borra Aquedotto Angolare

Giovanni Battista Borra, 1713–1770, Italian

Aquedotto Angolare

ca. 1750

Giovanni Battista Borra View of Maglova Aqueduct

Giovanni Battista Borra, 1713–1770, Italian

View of Maglova Aqueduct

ca. 1750

Giovanni Battista Borra Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)

Giovanni Battista Borra, 1713–1770, Italian

Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)

ca. 1750

James Bruce No. 1 plan of a temple at Baalbec

James Bruce, 1730–1794, British

No. 1 plan of a temple at Baalbec

undated