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William Blake The Horse
William Blake, 1757–1827, British
The Horse
ca. 1805
Not on view
Samuel Palmer A Cottage among Trees, Shoreham
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Cottage among Trees, Shoreham
undated
Samuel Palmer An Ancient Barn at Shoreham
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
An Ancient Barn at Shoreham
undated
Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Cornfield and Church by Moonlight
early 1830s
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Timber Wain
between 1833 and 1834
George Stubbs Horses Fighting
after George Stubbs, 1724–1806, British
Horses Fighting
undated
Joseph Mallord William Turner Barnard Castle
Joseph Mallord William Turner, 1775–1851, British
Barnard Castle
ca. 1825
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851, British
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner View of Hampton Court, Herefordshire, from the Northwest
Joseph Mallord William Turner, 1775–1851, British
View of Hampton Court, Herefordshire, from the Northwest
ca. 1806
Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851, British
Andernach
1817
Joseph Mallord William Turner Lake Geneva and Mount Blanc
Joseph Mallord William Turner, 1775–1851, British
Lake Geneva and Mount Blanc
1802 to 1805
Joseph Mallord William Turner Villa d'Este
Joseph Mallord William Turner, 1775–1851, British
Villa d'Este
ca. 1796
Edward Lear Catania
Edward Lear, 1812–1888, British
Catania
1847
Edward Lear Bavella, Corsica
Edward Lear, 1812–1888, British
Bavella, Corsica
ca. 1868
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827, British
Spring, from Songs of Innocence
ca. 1795
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827, British
The Shepherd, from Songs of Innocence
ca. 1795
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827, British
The Entrance Front of Hayley's House at Eartham
1801
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Jerusalem, Plate 38, "His face and bosom...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 38, "His face and bosom...."
1804 to 1820
William Blake America. A Prophecy, Plate 14, "So Cried He...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 14, "So Cried He...."
1793
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake America. A Prophecy, Plate 18, "Over the Hills...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 18, "Over the Hills...."
1793
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
William Blake America. A Prophecy, Plate 4, "Silent as despairing love...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 57, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
William Blake Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
1789
William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
William Blake Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
Giovanni Battista Borra Monte delle Beatitudini
Giovanni Battista Borra, 1713–1770, Italian
Monte delle Beatitudini
ca. 1750
Giovanni Battista Borra View of the Ruined Theater of Aezani at Tjaden
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
Giovanni Battista Borra View of the Source of the Lycus River (Nahr el-Kelb)
Giovanni Battista Borra, 1713–1770, Italian
View of the Source of the Lycus River (Nahr el-Kelb)
ca. 1751
Giovanni Battista Borra Gierusalemme
Giovanni Battista Borra, 1713–1770, Italian
Gierusalemme
ca. 1750
Giovanni Battista Borra Is'Tmo di Cizico unito al Continente
Giovanni Battista Borra, 1713–1770, Italian
Is'Tmo di Cizico unito al Continente
ca. 1750
Giovanni Battista Borra Unfinished View of the Palatine in Rome
Giovanni Battista Borra, 1713–1770, Italian
Unfinished View of the Palatine in Rome
ca. 1750
Giovanni Battista Borra View of Ruins at Tivoli
Giovanni Battista Borra, 1713–1770, Italian
View of Ruins at Tivoli
ca. 1750
Giovanni Battista Borra Reggio di Calabria
Giovanni Battista Borra, 1713–1770, Italian
Reggio di Calabria
ca. 1750
Giovanni Battista Borra View of a Passage Cut into a Hillside
Giovanni Battista Borra, 1713–1770, Italian
View of a Passage Cut into a Hillside
ca. 1750
Giovanni Battista Borra View of the Ruined Baths at Hadrian's Villa at Tivoli
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
Luigi Balugani Valkoffa (Dombeya torrida)
Luigi Balugani, 1737–1770, Italian
Valkoffa (Dombeya torrida)
undated
William Pars Temple of Jupiter Panhellenios at Aegina
William Pars, 1742–1782, British
Temple of Jupiter Panhellenios at Aegina
between 1764 and 1766
Michel Jean Cazabon Forest Scenery near Tamana
Michel Jean Cazabon, 1813–1888, Trinidadian
Forest Scenery near Tamana
1857
Sir George Howland Beaumont seventh Baronet Part of Brind Gill in Ligburthwaite
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Part of Brind Gill in Ligburthwaite
undated
Thomas Bradshaw From the Beach near Fort Blanc, Oct. 4, 1819
Thomas Bradshaw, Born 1767, British
From the Beach near Fort Blanc, Oct. 4, 1819
1819
Alexander Cozens A Valley
Alexander Cozens, 1717–1786, British
A Valley
between 1775 and 1780
William Henry Bartlett Richmond
William Henry Bartlett, 1809–1854, British
Richmond
undated
Paul Sandby Couple in a Farmyard
Paul Sandby, 1731–1809, British
Couple in a Farmyard
1782
Wenceslaus Hollar View of Steiereck on the Danube
Wenceslaus Hollar, 1607–1677, Bohemian
View of Steiereck on the Danube
ca. 1636
Wenceslaus Hollar A View from St. Mary's, Southwark, Looking Towards Westminster
Wenceslaus Hollar, 1607–1677, Bohemian
A View from St. Mary's, Southwark, Looking Towards Westminster
ca. 1638
Thomas Hearne Giant Oaks
attributed to Thomas Hearne, 1744–1817, British
Giant Oaks
undated
unknown artist Heveningham Hall, Suffolk
unknown artist
Heveningham Hall, Suffolk
between 1782 and 1790
Harold Gilman Norwegian Landscape
Harold Gilman, 1876–1919, British
Norwegian Landscape
undated
unknown artist Illustration to Tonson's Ovid Metamorphosis (two of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (two of four)
ca. 1710
J. Tobin Preparing to lay eel traps
J. Tobin, active 1776
Preparing to lay eel traps
undated
Thomas Stothard The Fortune Teller
Thomas Stothard, 1755–1834, British
The Fortune Teller
1827
Henry William Bunbury How to Ride without a Bridle
Henry William Bunbury, 1750–1811, British
How to Ride without a Bridle
undated
John Henry Müntz Landscape with Sportsman and Guns
John Henry Müntz, 1727–1798, Swiss
Landscape with Sportsman and Guns
1779
James Moore The Artist Sketching Mlle. de St. Legier as a Shepherdess
James Moore, 1762–1799, British
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
Paul Sandby Munn Pale Melancholy
Paul Sandby Munn, 1773–1845, British
Pale Melancholy
ca. 1804
Henry William Bunbury The Duel: 'Twelfth Night,' Act III, Scene IV
Henry William Bunbury, 1750–1811, British
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
Paul Sandby The Gypsy Fortune-Teller
Paul Sandby, 1731–1809, British
The Gypsy Fortune-Teller
ca. 1758
Humphry Repton West Hill, the seat of D.H. Rucker
Humphry Repton, 1752–1818, British
West Hill, the seat of D.H. Rucker
undated
William Henry Pyne Old London, View from St. James Park Looking East
William Henry Pyne, 1769–1843, British
Old London, View from St. James Park Looking East
undated
Paul Sandby Halfway House, Sadler's Wells
Paul Sandby, 1731–1809, British
Halfway House, Sadler's Wells
1780
Joseph Barber Autumn Trees by a Lake
Joseph Barber, 1757–1811, British
Autumn Trees by a Lake
undated
George Lothian Hall The South Barracks, Gibraltar
George Lothian Hall, 1825–1888, British
The South Barracks, Gibraltar
1844