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1. The Horse

The Horse
Creator:
William Blake, 1757–1827, British
Date:
ca. 1805
Medium:
Tempera with pen and black ink on a copper engraving plate
Dimensions:
4 3/16 x 2 1/2 inches (10.6 x 6.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Opening the Fold: Early Morning

Opening the Fold: Early Morning
Creator:
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
ca. 1880
Medium:
Graphite, gray wash, and pen and black ink, squared for transfer on medium, smooth, cream laid paper
Dimensions:
Sheet: 4 1/4 x 5 7/8 inches (10.8 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Creator:
Edward Lear, 1812–1888, British
Date:
undated
Medium:
Pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Creator:
Edward Lear, 1812–1888, British
Date:
undated
Medium:
Pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Jerusalem, Plate 10, "Into the Furnaces...."

Jerusalem, Plate 10, "Into the Furnaces...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Plate 100

Jerusalem, Plate 100
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Europe. A Prophecy, Frontispiece Proof Impression

Europe. A Prophecy, Frontispiece Proof Impression
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1820
Medium:
Relief etching prined in brown ink; verso: color printed relief etching, pen and black ink, and gray ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Jerusalem, Plate 15, "And Hand & Hyle...."

Jerusalem, Plate 15, "And Hand & Hyle...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 16, "Hampstead Highgate Finchley...."

Jerusalem, Plate 16, "Hampstead Highgate Finchley...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 30, "And the Two that escaped...."

Jerusalem, Plate 30, "And the Two that escaped...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Jerusalem, Plate 84, "Highgates heights & Hampstead...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 85, "Became a Space & an Allegory...."

Jerusalem, Plate 85, "Became a Space & an Allegory...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Jerusalem, Plate 89, "Tho divided by the Cross...."

Jerusalem, Plate 89, "Tho divided by the Cross...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Jerusalem, Plate 90, "The Feminine separates...."

Jerusalem, Plate 90, "The Feminine separates...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Jerusalem, Plate 91, "It is easier to forgive an enemy...."

Jerusalem, Plate 91, "It is easier to forgive an enemy...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Jerusalem, Plate 93, "Enitharmon heard...."

Jerusalem, Plate 93, "Enitharmon heard...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Jerusalem, Plate 94, "Albion cold lays on his Rock...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Jerusalem, Plate 21, "O Vala! O Jerusalem...."

Jerusalem, Plate 21, "O Vala! O Jerusalem...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."

Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Jerusalem, Plate 57, "And the voices of Bath...."

Jerusalem, Plate 57, "And the voices of Bath...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Jerusalem, Plate 58, "In beauty the Daughters of Albion...."

Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Jerusalem, Plate 63, "Jehovah stood among the Druids...."

Jerusalem, Plate 63, "Jehovah stood among the Druids...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Jerusalem, Plate 69, "Then all the Males...."

Jerusalem, Plate 69, "Then all the Males...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Jerusalem, Plate 72, "And the Thirty-two Counties...."

Jerusalem, Plate 72, "And the Thirty-two Counties...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Jerusalem, Plate 17, "His Spectre divides...."

Jerusalem, Plate 17, "His Spectre divides...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Jerusalem, Plate 36, "Reuben returnd to his place...."

Jerusalem, Plate 36, "Reuben returnd to his place...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Jerusalem, Plate 44, "With one accord...."

Jerusalem, Plate 44, "With one accord...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Jerusalem, Plate 49, "The secret coverts of Albion...."

Jerusalem, Plate 49, "The secret coverts of Albion...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Jerusalem, Plate 54, "In Great Eternity...."

Jerusalem, Plate 54, "In Great Eternity...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Jerusalem, Plate 55, "When those who disregard...."

Jerusalem, Plate 55, "When those who disregard...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Jerusalem, Plate 59, "And formed into Four precious stones...."

Jerusalem, Plate 59, "And formed into Four precious stones...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Jerusalem, Plate 62, "Repose on me...."

Jerusalem, Plate 62, "Repose on me...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Jerusalem, Plate 64, "Of the Mundane Shell...."

Jerusalem, Plate 64, "Of the Mundane Shell...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Jerusalem, Plate 67, "By those who drink their blood...."

Jerusalem, Plate 67, "By those who drink their blood...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Jerusalem, Plate 81, "I have mockd those...."

Jerusalem, Plate 81, "I have mockd those...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Jerusalem, Plate 86, "I see thy Form...."

Jerusalem, Plate 86, "I see thy Form...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Jerusalem, Plate 87, "Repelling weeping Enion...."

Jerusalem, Plate 87, "Repelling weeping Enion...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Jerusalem, Plate 88, "Los answerd sighing...."

Jerusalem, Plate 88, "Los answerd sighing...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Jerusalem, Plate 92, "What do I see!...."

Jerusalem, Plate 92, "What do I see!...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Jerusalem, Plate 98, "Then each an Arrow flaming...."

Jerusalem, Plate 98, "Then each an Arrow flaming...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. View of the Road Near Borchetta

View of the Road Near Borchetta
Creator:
Henry Swinburne, 1743–1803, British
Date:
undated
Medium:
Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. A Fireworks Display

A Fireworks Display
Creator:
John Wilson Carmichael, 1799–1868, British
Date:
undated
Medium:
Pen and black ink and watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 5 3/4in. (10.8 x 14.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Fisherfolk with Baskets and Nets

Fisherfolk with Baskets and Nets
Creator:
Francis Wheatley, 1747–1801, British
Date:
undated
Medium:
Watercolor with pen and black ink on medium, smooth, cream laid paper
Dimensions:
Sheet: 3 3/8 x 5 7/8 inches (8.6 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
Creator:
Luigi Balugani, 1737–1770, Italian
Date:
ca. 1768
Medium:
Pen and black ink, gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 8 5/8 inches (27.3 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
Creator:
Luigi Balugani, 1737–1770, Italian
Date:
ca. 1768
Medium:
Pen and black ink, gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 8 5/8 inches (27.9 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881, British
Date:
undated
Medium:
Black ink, graphite, watercolor, gouache on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/2 × 5 3/4 inches (29.2 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Adrian Hope's House I: Plan of the Chamber Floor

Adrian Hope's House I: Plan of the Chamber Floor
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Medium:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 × 5 7/8 inches (20.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Malvolio: Possibly a Self-Portrait in the Role

Malvolio: Possibly a Self-Portrait in the Role
Creator:
John Boyne, ca. 1750–1810, British
Date:
undated
Medium:
Black and gray wash with pen and black ink, scraping, graphite, and red pencil on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 × 6 1/16 inches (22.7 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Sion House

Sion House
Creator:
Samuel Wale, 1721–1786, British
Date:
undated
Medium:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 × 5 3/4 inches (8.9 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Peter Callam & Elvira

Peter Callam & Elvira
Creator:
J. Findlay, active 1825–1857
Date:
undated
Medium:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to card, with attached offset print
Dimensions:
Sheet: 3 1/2 × 6 inches (8.9 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The Facade of the Royal Naval College, Greenwich

The Facade of the Royal Naval College, Greenwich
Creator:
James Holland, 1799–1870, British
Date:
undated
Medium:
Pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 3/4 inches (21.3 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. A Durbar Scene, Poona, October 3, 1792

A Durbar Scene, Poona, October 3, 1792
Creator:
Robert Mabon, died 1798, British
Date:
1792
Medium:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 1/16 inches (11.4 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Sir Violet Sighaway & Mr. Villiers

Sir Violet Sighaway & Mr. Villiers
Creator:
J. Findlay, active 1825–1857
Date:
undated
Medium:
Pen and black ink, graphite and watercolor on medium, slightly textured, cream wove paper mounted to card, with attached offset print
Dimensions:
Sheet: 3 1/2 × 6 inches (8.9 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Cobham Hall, Kent: Plan of Stables

Cobham Hall, Kent: Plan of Stables
Creator:
James Wyatt, 1746–1813, British
Date:
ca. 1790
Medium:
Pen and black ink and watercolor on thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 1/2 x 5 7/8 inches (11.4 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881, British
Date:
undated
Medium:
Black ink, graphite, gouache and watercolor, verso: white gouache on medium, slighy textured, brown wove paper
Dimensions:
Sheet: 13 1/4 × 6 inches (33.7 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881, British
Date:
undated
Medium:
Black ink, graphite, gouache and watercolor, verso: yellow and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 1/4 × 5 3/4 inches (33.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881, British
Date:
undated
Medium:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 3/8 × 6 inches (34 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Moonlit Scene of Castle and Ships

Moonlit Scene of Castle and Ships
Creator:
unknown artist, nineteenth century
Date:
undated
Medium:
Watercolor, with pen and black ink, brown ink, graphite, gouache and gum arabic on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 4 3/8 × 5 13/16 inches (11.1 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881, British
Date:
undated
Medium:
Black and blue ink, pen and graphite with watercolor and gouache, verso: yellow gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 12 7/8 × 5 3/4 inches (32.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881, British
Date:
undated
Medium:
Watercolor, yellow gouache, pen and black ink, blue ink, and graphite on medium, smooth, brown wove paper
Dimensions:
Sheet: 11 1/2 × 6 inches (29.2 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881, British
Date:
undated
Medium:
Brown ink, black ink, watercolor and gouache on moderately thick, slightly textured, green wove paper
Dimensions:
Sheet: 7 3/4 × 5 3/4 inches (19.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Adrian Hope's House I: Plan of the Attic Floor

Adrian Hope's House I: Plan of the Attic Floor
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Medium:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 × 6 inches (20.3 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Battersea

Battersea
Creator:
unknown artist, nineteenth century
Date:
undated
Medium:
Watercolor, graphite, pen and black ink, and and pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 15/16 x 6in. (12.5 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Composition: two travellers and a dog on a road passing cottages, with ruins on a hill

Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
Creator:
Peter La Cave, active 1769–1810
Date:
1799
Medium:
Watercolor, pen and black ink on medium, slightly textured, wove paper
Dimensions:
Sheet: 4 1/2 × 5 7/8 inches (11.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Portrait of Samuel Palmer, February 5, 1828

Portrait of Samuel Palmer, February 5, 1828
Creator:
George Richmond, 1809–1896, British
Date:
1828
Medium:
Graphite with pen and black ink on medium, slightly textured, cream wove paper 1828, on wove paper
Dimensions:
Sheet: 8 1/8 x 5 7/8 inches (20.6 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Illustration to Aesop's Fables: The Fox & the Crane

Illustration to Aesop's Fables: The Fox & the Crane
Creator:
Follower of Francis Barlow, 1622–1704, British
Date:
undated
Medium:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 5 7/8 inches (12.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. The Offer

The Offer
Creator:
Samuel Wale, 1721–1786, British
Date:
undated
Medium:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 5 7/8 inches (11.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. An Old Fisherwoman with Two Women Digging for Bait

An Old Fisherwoman with Two Women Digging for Bait
Creator:
Francis Wheatley, 1747–1801, British
Date:
undated
Medium:
Black ink with watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 3/8 x 5 7/8 inches (8.6 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. London Cries: Fun upon Fun

London Cries: Fun upon Fun
Creator:
Paul Sandby, 1731–1809, British
Date:
1759
Medium:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 5 7/8 inches (18.1 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Sketch of Man, Woman and Child

Sketch of Man, Woman and Child
Creator:
James Bruce, 1730–1794, British
Date:
undated
Medium:
Graphite and pen and black ink on vellum
Dimensions:
Sheet: 5 3/4 × 6 inches (14.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. The Recruiting Officer

The Recruiting Officer
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1797
Medium:
Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Sketch of Boats

Sketch of Boats
Creator:
unknown artist
Date:
undated
Medium:
Pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 2 13/16 x 5 7/8in. (7.1 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

80. A Rowing Boat

A Rowing Boat
Creator:
Thomas Sandby, 1721–1798, British
Date:
undated
Medium:
Watercolor and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/8 × 5 13/16 inches (3.5 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Guys Hospital

Guys Hospital
Creator:
Samuel Wale, 1721–1786, British
Date:
undated
Medium:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 7/16 × 5 3/4 inches (8.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. A Cheetah Hunting Party with Charles Warre Malet

A Cheetah Hunting Party with Charles Warre Malet
Creator:
Susannah Wales, Lady Malet, 1779–1868, British
Date:
undated
Medium:
Watercolor, white gouache and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 6 inches (17.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Harrow-on-the-Hill, Middlesex

Harrow-on-the-Hill, Middlesex
Creator:
Thomas Girtin, 1775–1802, British
Date:
ca. 1794
Medium:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. 'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'

'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 x 5 7/8in. (8.3 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. A Village Street with Cattle and Sheep Being Driven Through

A Village Street with Cattle and Sheep Being Driven Through
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and black ink, and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 1/2 × 5 3/4 inches (8.9 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. The Doctor Overcame

The Doctor Overcame
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 4 3/16 x 5 13/16 inches (10.6 x 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Warrior, Possibly Paris

Warrior, Possibly Paris
Creator:
unknown artist
Date:
undated
Medium:
Graphite and gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 5 3/4 inches (19.7 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

88. Eight Figures Walking

Eight Figures Walking
Creator:
William Roberts, 1895–1980, British
Date:
between 1912 and 1922
Medium:
Pen and black and pen and red ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 11/16 × 5 13/16 inches (19.5 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

89. Girl from Hierro

Girl from Hierro
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Medium:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 6 inches (21.3 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Man Carrying a Basket, from Behind

Man Carrying a Basket, from Behind
Creator:
unknown artist
Date:
ca. 1790
Medium:
Gray wash and pen and black ink on medium, slightly textured beige wove paper mounted to card
Dimensions:
Sheet: 10 × 6 inches (25.4 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Port Mahon

Port Mahon
Creator:
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Date:
between 1756 and 1773
Medium:
Pen and black ink, pen and brown ink, brown wash, gray wash, watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 8 × 9 7/8 inches (20.3 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Design for a Coin: Chambre du Commerce de Picarde; First Draft

Design for a Coin: Chambre du Commerce de Picarde; First Draft
Creator:
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Date:
ca. 1761
Medium:
Pen in black and gray ink over graphite on medium, slightly textured, cream laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 11 x 7 3/4 inches (27.9 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Design for Funerary Monument

Design for Funerary Monument
Creator:
John Eckstein, 1735–1818, German
Date:
undated
Medium:
Pen and black ink, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 × 5 3/4 inches (25.1 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Frontispiece design for John Fayram's "Eight Views after Nature"

Frontispiece design for John Fayram's "Eight Views after Nature"
Creator:
John Fayram, op.1713–1743, British
Date:
ca. 1739
Medium:
Pen, black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 5 7/8 inches (18.1 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
Creator:
John Carter, 1748–1817, British
Date:
between 1790 and 1802
Medium:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Views in the Levant: The Colossus of Barletta

Views in the Levant: The Colossus of Barletta
Creator:
Willey Reveley, (?), 1760–1799, British
Date:
ca. 1785
Medium:
Watercolor, pen and brown ink, black ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 7/16 × 5 7/8 inches (21.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Morning

Morning
Creator:
unknown artist, eighteenth century
Date:
1799
Medium:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip

William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip
Creator:
Robert Dighton, 1752–1814, British
Date:
between 1801 and 1802
Medium:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 5 7/8 inches (14.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Mid-Day

Mid-Day
Creator:
unknown artist
Date:
1799
Medium:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Stable Boy Holding a Horse in a Landscape

Stable Boy Holding a Horse in a Landscape
Creator:
John Collet, ca. 1725–1780, British
Date:
undated
Medium:
Watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection