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Medium black ink

Width [cm] 15

William Blake The Horse

William Blake, 1757–1827, British

The Horse

ca. 1805

Not on view

Samuel Palmer Opening the Fold: Early Morning

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold: Early Morning

ca. 1880

Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

Edward Lear, 1812–1888, British

Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

undated

Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Edward Lear, 1812–1888, British

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

undated

William Blake Jerusalem, Plate 10, "Into the Furnaces...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 10, "Into the Furnaces...."

1804 to 1820

William Blake Jerusalem, Plate 100

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 100

1804 to 1820

William Blake Europe. A Prophecy, Frontispiece Proof Impression

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Frontispiece Proof Impression

ca. 1820

William Blake Jerusalem, Plate 15, "And Hand & Hyle...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 15, "And Hand & Hyle...."

1804 to 1820

William Blake Jerusalem, Plate 16, "Hampstead Highgate Finchley...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 16, "Hampstead Highgate Finchley...."

1804 to 1820

William Blake Jerusalem, Plate 30, "And the Two that escaped...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 30, "And the Two that escaped...."

1804 to 1820

William Blake Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 84, "Highgates heights & Hampstead...."

1804 to 1820

William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 85, "Became a Space & an Allegory...."

1804 to 1820

William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 89, "Tho divided by the Cross...."

1804 to 1820

William Blake Jerusalem, Plate 90, "The Feminine separates...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 90, "The Feminine separates...."

1804 to 1820

William Blake Jerusalem, Plate 91, "It is easier to forgive an enemy...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 91, "It is easier to forgive an enemy...."

1804 to 1820

William Blake Jerusalem, Plate 93, "Enitharmon heard...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 93, "Enitharmon heard...."

1804 to 1820

William Blake Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 94, "Albion cold lays on his Rock...."

1804 to 1820

William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

1804 to 1820

William Blake Jerusalem, Plate 21, "O Vala! O Jerusalem...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 21, "O Vala! O Jerusalem...."

1804 to 1820

William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

1804 to 1820

William Blake Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

1804 to 1820

William Blake Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."

1804 to 1820

William Blake Jerusalem, Plate 57, "And the voices of Bath...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 57, "And the voices of Bath...."

1804 to 1820

William Blake Jerusalem, Plate 58, "In beauty the Daughters of Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 58, "In beauty the Daughters of Albion...."

1804 to 1820

William Blake Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

1804 to 1820

William Blake Jerusalem, Plate 63, "Jehovah stood among the Druids...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 63, "Jehovah stood among the Druids...."

1804 to 1820

William Blake Jerusalem, Plate 69, "Then all the Males...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 69, "Then all the Males...."

1804 to 1820

William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 72, "And the Thirty-two Counties...."

1804 to 1820

William Blake Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

1804 to 1820

William Blake Jerusalem, Plate 17, "His Spectre divides...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 17, "His Spectre divides...."

1804 to 1820

William Blake Jerusalem, Plate 36, "Reuben returnd to his place...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 36, "Reuben returnd to his place...."

1804 to 1820

William Blake Jerusalem, Plate 44, "With one accord...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 44, "With one accord...."

1804 to 1820

William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 49, "The secret coverts of Albion...."

1804 to 1820

William Blake Jerusalem, Plate 54, "In Great Eternity...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 54, "In Great Eternity...."

1804 to 1820

William Blake Jerusalem, Plate 55, "When those who disregard...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 55, "When those who disregard...."

1804 to 1820

William Blake Jerusalem, Plate 59, "And formed into Four precious stones...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 59, "And formed into Four precious stones...."

1804 to 1820

William Blake Jerusalem, Plate 62, "Repose on me...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 62, "Repose on me...."

1804 to 1820

William Blake Jerusalem, Plate 64, "Of the Mundane Shell...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 64, "Of the Mundane Shell...."

1804 to 1820

William Blake Jerusalem, Plate 67, "By those who drink their blood...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 67, "By those who drink their blood...."

1804 to 1820

William Blake Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

1804 to 1820

William Blake Jerusalem, Plate 81, "I have mockd those...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 81, "I have mockd those...."

1804 to 1820

William Blake Jerusalem, Plate 86, "I see thy Form...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 86, "I see thy Form...."

1804 to 1820

William Blake Jerusalem, Plate 87, "Repelling weeping Enion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 87, "Repelling weeping Enion...."

1804 to 1820

William Blake Jerusalem, Plate 88, "Los answerd sighing...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 88, "Los answerd sighing...."

1804 to 1820

William Blake Jerusalem, Plate 92, "What do I see!...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 92, "What do I see!...."

1804 to 1820

William Blake Jerusalem, Plate 98, "Then each an Arrow flaming...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 98, "Then each an Arrow flaming...."

1804 to 1820

Henry Swinburne View of the Road Near Borchetta

Henry Swinburne, 1743–1803, British

View of the Road Near Borchetta

undated

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833, British

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817

John Wilson Carmichael A Fireworks Display

John Wilson Carmichael, 1799–1868, British

A Fireworks Display

undated

Francis Wheatley Fisherfolk with Baskets and Nets

Francis Wheatley, 1747–1801, British

Fisherfolk with Baskets and Nets

undated

Luigi Balugani Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries

Luigi Balugani, 1737–1770, Italian

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries

ca. 1768

Luigi Balugani Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits

Luigi Balugani, 1737–1770, Italian

Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits

ca. 1768

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

Henry Phillip Hope Adrian Hope's House I: Plan of the Chamber Floor

Henry Phillip Hope, active 1799–1818

Adrian Hope's House I: Plan of the Chamber Floor

undated

John Boyne Malvolio: Possibly a Self-Portrait in the Role

John Boyne, ca. 1750–1810, British

Malvolio: Possibly a Self-Portrait in the Role

undated

Samuel Wale Sion House

Samuel Wale, 1721–1786, British

Sion House

undated

J. Findlay Peter Callam & Elvira

J. Findlay, active 1825–1857

Peter Callam & Elvira

undated

James Holland The Facade of the Royal Naval College, Greenwich

James Holland, 1799–1870, British

The Facade of the Royal Naval College, Greenwich

undated

Robert Mabon A Durbar Scene, Poona, October 3, 1792

Robert Mabon, died 1798, British

A Durbar Scene, Poona, October 3, 1792

1792

J. Findlay Sir Violet Sighaway & Mr. Villiers

J. Findlay, active 1825–1857

Sir Violet Sighaway & Mr. Villiers

undated

James Wyatt Cobham Hall, Kent: Plan of Stables

James Wyatt, 1746–1813, British

Cobham Hall, Kent: Plan of Stables

ca. 1790

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

unknown artist Moonlit Scene of Castle and Ships

unknown artist, nineteenth century

Moonlit Scene of Castle and Ships

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

Henry Phillip Hope Adrian Hope's House I: Plan of the Attic Floor

Henry Phillip Hope, active 1799–1818

Adrian Hope's House I: Plan of the Attic Floor

undated

unknown artist Battersea

unknown artist, nineteenth century

Battersea

undated

Peter La Cave Composition: two travellers and a dog on a road passing cottages, with ruins on a hill

Peter La Cave, active 1769–1810

Composition: two travellers and a dog on a road passing cottages, with ruins on a hill

1799

George Richmond Portrait of Samuel Palmer, February 5, 1828

George Richmond, 1809–1896, British

Portrait of Samuel Palmer, February 5, 1828

1828

Francis Barlow Illustration to Aesop's Fables: The Fox & the Crane

Follower of Francis Barlow, 1622–1704, British

Illustration to Aesop's Fables: The Fox & the Crane

undated

Samuel Wale The Offer

Samuel Wale, 1721–1786, British

The Offer

undated

Francis Wheatley An Old Fisherwoman with Two Women Digging for Bait

Francis Wheatley, 1747–1801, British

An Old Fisherwoman with Two Women Digging for Bait

undated

Paul Sandby London Cries: Fun upon Fun

Paul Sandby, 1731–1809, British

London Cries: Fun upon Fun

1759

James Bruce Sketch of Man, Woman and Child

James Bruce, 1730–1794, British

Sketch of Man, Woman and Child

undated

Thomas Rowlandson The Recruiting Officer

Thomas Rowlandson, 1756–1827, British

The Recruiting Officer

1797

unknown artist Sketch of Boats

unknown artist

Sketch of Boats

undated

Thomas Sandby A Rowing Boat

Thomas Sandby, 1721–1798, British

A Rowing Boat

undated

Samuel Wale Guys Hospital

Samuel Wale, 1721–1786, British

Guys Hospital

undated

Susannah Wales, Lady Malet A Cheetah Hunting Party with Charles Warre Malet

Susannah Wales, Lady Malet, 1779–1868, British

A Cheetah Hunting Party with Charles Warre Malet

undated

Thomas Girtin Harrow-on-the-Hill, Middlesex

Thomas Girtin, 1775–1802, British

Harrow-on-the-Hill, Middlesex

ca. 1794

Thomas Rowlandson 'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'

Thomas Rowlandson, 1756–1827, British

'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'

undated

Thomas Rowlandson A Village Street with Cattle and Sheep Being Driven Through

Thomas Rowlandson, 1756–1827, British

A Village Street with Cattle and Sheep Being Driven Through

undated

Thomas Rowlandson The Doctor Overcame

Thomas Rowlandson, 1756–1827, British

The Doctor Overcame

undated

unknown artist Warrior, Possibly Paris

unknown artist

Warrior, Possibly Paris

undated

William Roberts Eight Figures Walking

William Roberts, 1895–1980, British

Eight Figures Walking

between 1912 and 1922

Alfred Diston Girl from Hierro

Alfred Diston, active 1818–1829

Girl from Hierro

1828

unknown artist Man Carrying a Basket, from Behind

unknown artist

Man Carrying a Basket, from Behind

ca. 1790

Hubert-François Gravelot Port Mahon

Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)

Port Mahon

between 1756 and 1773

Hubert-François Gravelot Design for a Coin: Chambre du Commerce de Picarde; First Draft

Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)

Design for a Coin: Chambre du Commerce de Picarde; First Draft

ca. 1761

John Eckstein Design for Funerary Monument

John Eckstein, 1735–1818, German

Design for Funerary Monument

undated

John Fayram Frontispiece design for John Fayram's "Eight Views after Nature"

John Fayram, op.1713–1743, British

Frontispiece design for John Fayram's "Eight Views after Nature"

ca. 1739

John Carter Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

John Carter, 1748–1817, British

Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

between 1790 and 1802

Willey Reveley Views in the Levant: The Colossus of Barletta

Willey Reveley, (?), 1760–1799, British

Views in the Levant: The Colossus of Barletta

ca. 1785

unknown artist Morning

unknown artist, eighteenth century

Morning

1799

Robert Dighton William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip

Robert Dighton, 1752–1814, British

William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip

between 1801 and 1802

unknown artist Mid-Day

unknown artist

Mid-Day

1799

John Collet Stable Boy Holding a Horse in a Landscape

John Collet, ca. 1725–1780, British

Stable Boy Holding a Horse in a Landscape

undated