Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
ca. 1840
2
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
3
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
4
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
5
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 1, Frontispiece
1793
6
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
7
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 14, "So Cried He...."
1793
8
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
9
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
10
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 17, "On Albions Angels...."
1793
11
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 18, "Over the Hills...."
1793
12
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 2, Title Page
1793
13
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
14
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
15
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
16
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
17
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
18
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
19
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 2, Title Page
1794
20
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
21
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
22
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
23
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
24
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 3, "Preludium"
1794
25
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
26
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
27
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
28
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
29
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
30
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
31
Giovanni Battista Borra, 1713–1770, Italian
Monte delle Beatitudini
ca. 1750
32
Giovanni Battista Borra, 1713–1770, Italian
Plan of Lake Tiberias
ca. 1750
33
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
34
Giovanni Battista Borra, 1713–1770, Italian
View of the Source of the Lycus River (Nahr el-Kelb)
ca. 1751
35
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
36
Henry Swinburne, 1743–1803, British
View of the Cascine Near Florence
1787
37
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Part of Brind Gill in Ligburthwaite
undated
38
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Long Blue Coat
undated
39
James Bruce, 1730–1794, British
Temple at Baalbec: Three Temples amongst other Ruins
undated
40
James Bruce, 1730–1794, British
Wolf
1764
41
Samuel Howitt, 1756–1822, British
Two Huskies
ca. 1817
42
Thomas Stothard, 1755–1834, British
Chinese Flower Seller
undated
43
Paul Sandby, 1731–1809, British
The Gypsy Fortune-Teller
ca. 1758
44
unknown artist, eighteenth century
Dr. Mum
undated
45
Sir James Guthrie, 1859–1930, British
Landscape with Trees
undated
46
William Hamilton, 1751–1801, British
A Dramatic Scene with Three Women in an Interior
1794
47
Aubrey Vincent Beardsley, 1872–1898, British
The Lady at the Dressing Table
ca. 1897
48
Thomas Grieve, 1799–1882, British
Design for Covent Garden Drop Curtain
1823
49
Samuel Howitt, 1756–1822, British
African Civet
ca. 1817
50
Samuel Howitt, 1756–1822, British
A Bulldog
after 1815
51
attributed to Thomas Barker, 1769–1847, British
Man in a Blue Cloak
undated
52
John Claude Nattes, 1765–1822, British
Untitled
1815
53
Robert Mabon, died 1798, British
Unfinished Sketch of an Elaborately Saddled Horse
undated
54
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Design for Paneling of a Pew
ca. 1790
55
George Edmund Street, 1824–1881, British
Design for Polychromatic Decoration of a Church
undated
56
Sir John Soane, 1753–1837, British
Hinton St. George, Somerset: View of the Saloon
1797
57
John Thomas Serres, 1759–1825, British
View of Castle Cornet, Guernsey, Channel Islands, with Shipping
ca. 1800
58
Mauritius Lowe, 1746–1793, British
An Allegory on the Plight of the Artist
between 1772 and 1790
59
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
60
James Malton, 1761–1803, British
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
61
James Malton, 1761–1803, British
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
62
Peter Monamy, 1681–1749, British
Landing of William of Orange at Tor Bay
1688
63
unknown artist
Norton Hall, Cheshire: Ground Plan with Designs for a Canal
between 1760 and 1776
64
Moses Griffith, 1747–1819, British
View of Erthig, Denbigshire, Wales
undated
65
James Bruce, 1730–1794, British
Figures in a Landscape
undated
66
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
67
Henry Tresham, 1751–1814, British
A Peasant of Mount Erix
between 1783 and 1789
68
pupil of John Malchair, 1730–1812, German, active in Britain (1754–1812)
Road Between Hills
undated
69
Nicholas Pocock, 1740–1821, British
Bristol
ca. 1780
70
Thomas Peploe Wood, 1817–1845, British
Roslyn Castle - a wooded river landscape
1839
71
Augustus Welby Northmore Pugin, 1812–1852, British
Designs for Town Hall Mons [sic]
1851
72
Aubrey Vincent Beardsley, 1872–1898, British
A Large Christmas Card
1895
73
John Gantz, 1772–1853
Air Man, July 10, 1828
1828
74
Studio of Sir Jeffry Wyatville, 1766–1840, British
Design for a Gothic Chapel
undated
75
Thomas Rowlandson, 1756–1827, British
The Connoisseurs
ca. 1790
76
Thomas Rowlandson, 1756–1827, British
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
77
George Chinnery, 1774–1852, British
An Indian Tomb
undated
78
Thomas Rowlandson, 1756–1827, British
Two Greyhounds Lying under a Tree
undated
79
attributed to Francis Towne, 1740–1816, British
Werrington Park, Devonshire
undated
80
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Perseus Flying to the Rescue of Andromeda
1847
81
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
82
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Another Saint Sebastian, Shot at by Cruel Archers
1847
83
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant
1847
84
Francis Dodd, 1874–1949, British
Eton
undated
85
Alfred Diston, active 1818–1829
Member of the Brotherhood El Gran Poder de Dios
1828
86
Alfred Diston, active 1818–1829
Native of Tacocronte, Tenerife
1825
87
Alfred Diston, active 1818–1829
Boatman and Medianero of Garachics, Tenerife
1828
88
Alfred Diston, active 1818–1829
Peasants of Ycod el alto, Tenerife
1825
89
Alfred Diston, active 1818–1829
Barandilles, a woman on a donkey
1828
90
Alfred Diston, active 1818–1829
Man standing on seashore - Hierro
after 1826
91
Alfred Diston, active 1818–1829
Female huckster of Port Orotava
1828
92
Alfred Diston, active 1818–1829
Tenerife-Man of Tacoronte
1828
93
Thomas Theodosius Forrest, 1728–1784, British
Old Somerset House
undated
94
Samuel Hieronymus Grimm, 1733–1794, Swiss
Haverfordwest, Pembrokeshire
1791
95
Augustus Edwin John, 1878–1961, British
Three Sketches of a Woman's Head
undated
96
John Eckstein, 1735–1818, German
Design for Funerary Monument
undated
97
John Fayram, op.1713–1743, British
Frontispiece design for John Fayram's "Eight Views after Nature"