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1. Views in the Levant: The Sacred Cave of Archidamus

Views in the Levant: The Sacred Cave of Archidamus
Creator:
Paul Sandby, 1731–1809, British
Date:
ca. 1785
Medium:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Studies, with Gardens, Possibly for a Talman Family House

Studies, with Gardens, Possibly for a Talman Family House
Creator:
Verso by John Talman, 1677–1726, British
Date:
undated
Medium:
Graphite, pen and black ink, and red chalk; verso: line engraving on thick, textured, cream wove paper
Dimensions:
Sheet: 22 3/4 x 17 1/2 inches (57.8 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Medium:
Etching and pen and ink wash on medium, smooth, beige wove paper
Dimensions:
Sheet: 4 15/16 × 4 5/16 inches (12.6 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Gainsborough

Gainsborough
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
undated
Medium:
Stipple engraving in black ink on moderately thick, moderatetly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 9 13/16 inches (31.8 x 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
Creator:
unknown artist, eighteenth century
Date:
printed 1740, drawn ca. 1760
Medium:
Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 7 11/16 inches (12.1 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Bread and Butter Manufactory, or the Humors of Bagnigge Wells

The Bread and Butter Manufactory, or the Humors of Bagnigge Wells
Creator:
Print made by John Raphael Smith, 1752–1812, British
Date:
1783
Medium:
Mezzotint and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Plate: 9 7/8 x 13 3/4in. (25.1 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. A View of the North Front of Chelsea Hospital

A View of the North Front of Chelsea Hospital
Creator:
Thomas Malton, 1726–1801, British
Date:
undated
Medium:
Watercolor, pen and black ink, graphite, etched outline, with perspective lines indicated; prepared for transfer, with black chalk, on verso on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/16 × 12 inches (20.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Banqueting House, Whitehall

Banqueting House, Whitehall
Creator:
Thomas Malton the Younger, 1748–1804, British
Date:
undated
Medium:
Watercolor over etched outline, and graphite; verso: pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 3/8 × 15 3/4 inches (31.4 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The "Victory" Coming Up Channel

The "Victory" Coming Up Channel
Creator:
Print made by Sir Frank Short, 1857–1945, British
Date:
1891
Medium:
Etching printed in brown ink, with graphite, pen and black ink, gouache, and brown wash (touched proof) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 12 3/4 inches (21.6 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell

13. Thomas Carlyle

Thomas Carlyle
Creator:
Print made by Alphonse Legros, 1837–1911, French, active in Britain (1863–11)
Date:
between 1852 and 1877
Medium:
Etching and india ink on thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 19 1/2 × 15 1/4 inches (49.5 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. St. Giles' Catholic Church: Elevation of the Steeple

St. Giles' Catholic Church: Elevation of the Steeple
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852, British
Date:
undated
Medium:
Pen and black ink, with line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 17 1/2 × 13 1/8 inches (44.5 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
Creator:
Paul Sandby, 1731–1809, British
Date:
ca. 1785
Medium:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 9/16 × 18 1/2 inches (29.4 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Drawing Study of a Man

Drawing Study of a Man
Creator:
Drawing by Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
Date:
1764
Medium:
Black ink and graphite on verso of etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Juvenis auscultans seni de divinis admonenti

Juvenis auscultans seni de divinis admonenti
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1764
Medium:
Etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 18 3/8 x 14 5/16 inches (46.6 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Gerolamo Tartarotti

Gerolamo Tartarotti
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1763
Medium:
Line engraving and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 11/16 × 7 1/4 inches (24.6 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Ticket: Anacreontic Society Meeting

Ticket: Anacreontic Society Meeting
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1779
Medium:
Stipple and line engraving and etching in black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 x 4 1/2 inches (14.6 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Eight Groups of Designs for Gothic holy Objects

Eight Groups of Designs for Gothic holy Objects
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852, British
Date:
undated
Medium:
Black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 7/8 × 16 1/8 inches (25.1 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Design for a Town Hall

Design for a Town Hall
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852, British
Date:
undated
Medium:
Etching and line engraving with graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 12 inches (16.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. St. Benedicte

St. Benedicte
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852, British
Date:
1842
Medium:
Black ink on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 8 1/4 inches (14.6 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Lord FitzGibbon

Lord FitzGibbon
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1790
Medium:
Stipple engraving and etching in black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 5/8 x 10 11/16 inches (37.2 x 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Celadon and Amelia

Celadon and Amelia
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1782
Medium:
Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection