Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
2
John Thomas Smith, 1766–1833, British
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
3
John Thomas Smith, 1766–1833, British
Hogarth Declaring His Love to Miss Thornhill
1817
4
John Thomas Smith, 1766–1833, British
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
5
John Thomas Smith, 1766–1833, British
The Smock Exposed
1817
6
John Thomas Smith, 1766–1833, British
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
7
John Thomas Smith, 1766–1833, British
The Reconcilation
1817
8
John Thomas Smith, 1766–1833, British
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
9
John Thomas Smith, 1766–1833, British
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
10
John Thomas Smith, 1766–1833, British
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
11
John Thomas Smith, 1766–1833, British
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
12
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Chimney Piece Intended for the Great Hall at Cobham
ca. 1790
13
James Bruce, 1730–1794, British
Section of Amphitheatre at El Djem showing arches stairs and tiers of seats
undated
14
John James Barralet, 1747–1815, British
Ledbury Church and Village, Herefordshire
undated
15
Harold Gilman, 1876–1919, British
Norwegian Landscape
undated
16
Samuel Lewis, ca. 1756–1822, British
The Seat of Stafford Briscoe
undated
17
John Thomas Smith, 1766–1833, British
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
18
John Thomas Smith, 1766–1833, British
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
19
John Thomas Smith, 1766–1833, British
The Eleventh Hour
1817
20
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene VI
ca. 1802
21
John Webber, 1752–1793, British
Hob Thursts Houses, Monsoldale, Derbyshire
1789
22
unknown artist, nineteenth century
Vale of Newlands, Cumberland
undated
23
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
24
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
25
unknown artist
Bishopton
undated
26
unknown artist
Brouckleugh; Mickle Sypeland
undated
27
unknown artist
Whinny Liggate; Balgredan
undated
28
unknown artist
Bishopton
undated
29
Attributed to James Miller, active 1773–1814
A Christening at the Vatican with Swiss Papal Guard, etc
undated
30
Alfred Parsons, 1847–1920, British
"She Stoops to Conquer" Act 3, Act 5
undated
31
Thomas Hearne, 1744–1817, British
Thaxted Church, Essex
ca. 1800
32
unknown artist
North Nunton; South Nunton
undated
33
unknown artist
Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs
undated
34
James Wyatt, 1746–1813, British
Cobham Hall, Kent: South Elevation of Stables
1789
35
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Elevation of the South Front of the Stables
1789
36
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Elevations of Stables
1789
37
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
38
John Thomas Smith, 1766–1833, British
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
39
John Thomas Smith, 1766–1833, British
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
40
John Thomas Smith, 1766–1833, British
Hogarth Drawing Sarah Malcolm
1817
41
John Thomas Smith, 1766–1833, British
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
42
John Thomas Smith, 1766–1833, British
Hogarth Sitting to Roubiliac for His Bust
1817
43
John Michael Rysbrack, 1694–1770, Flemish, active in Britain (from 1720)
Design for a Monument to Sir James Reade, Hatfield
undated
44
Attributed to Daniel Lysons, 1762–1834, British
Tomb of Catherine, Countess of Huntingdon, and Lady Jane Guildeford, Duchess of Northumberland of Chelsea Church
between 1796 and 1811
45
Attributed to Daniel Lysons, 1762–1834, British
Tomb of Sir Robert Stanley and his Children, Gerdinand and Henriette Maria from Chelsea Church
between 1796 and 1811
46
Attributed to Daniel Lysons, 1762–1834, British
Memorial to Sir Thomas Chaloner
between 1796 and 1811
47
Attributed to Daniel Lysons, 1762–1834, British
Memorial to George and Elizabeth MacKenzie from Kensngton Church
between 1796 and 1811
48
Studio of Sir Jeffry Wyatville, 1766–1840, British
A House of Assembly, Quebec: Plan
ca. 1812
49
John Ruskin, 1819–1900, British
The Rocky Bank of a River
ca. 1853
50
Sir Jeffry Wyatville, 1766–1840, British
Lilleshall, Shropshire: General Plan
1826
51
Sir Jeffry Wyatville, 1766–1840, British
Lilleshall, Shropshire: Basement Plan
1826
52
Sir Jeffry Wyatville, 1766–1840, British
Lilleshall, Shropshire: Ground Plan
1826
53
Sir Jeffry Wyatville, 1766–1840, British
Lilleshall, Shropshire: Attic Story
1826
54
Sir Jeffry Wyatville, 1766–1840, British
Lilleshall, Shropshire: Plan of Roof
1826
55
Sir Jeffry Wyatville, 1766–1840, British
Lilleshall, Shropshire: North Entrance Front
1826
56
Sir Jeffry Wyatville, 1766–1840, British
Lilleshall, Shropshire: East Front
1826
57
Sir Jeffry Wyatville, 1766–1840, British
Lilleshall, Shropshire: Section through the Staircases
1826
58
Sir Jeffry Wyatville, 1766–1840, British
Cottages at Chatsworth, Derbyshire: Elevation
after 1818
59
Studio of Sir Jeffry Wyatville, 1766–1840, British
A House of Assembly, Quebec: Elevation
ca. 1812
60
Sir Jeffry Wyatville, 1766–1840, British
Lilleshall, Shropshire: Chamber Plan
1826
61
Thomas Rowlandson, 1756–1827, British
Dr Graham's Bathing Establishment
undated
62
Studio of Sir Jeffry Wyatville, 1766–1840, British
Plan of a Conservatory Designed for Thoresby
undated
63
Studio of Sir Jeffry Wyatville, 1766–1840, British
Banner Cross Hall, Sheffield: Plan of the Principal Story
ca. 1819
64
Henry Edridge, 1769–1821, British
The Hon. George Pryse Cambell (1793-1858), as a Midshipman
1805
65
Dennis Flanders, 1915–1994, British
Horse Guards, Whitehall
1938
66
Richard Westall, 1765–1836, British
Alcibiades and Timon
ca. 1805
67
Sir David Low, 1891–1963, New Zealand
Uneasy Street
undated
68
Heneage Finch fourth Earl of Aylesford, 1751–1812, British
Longleat from Park Hill
undated
69
Harold Hitchcock, born 1914, American
Thundersley
1977
70
Francis Towne, 1740–1816, British
Oakhampton Castle
1772
71
George Garrard, 1760–1826, British
Colonel Thornton Driving Tandem on His Sporting Tour of Scotland
1786
72
Thomas Rowlandson, 1756–1827, British
A Horse Sale in Hopkins's Repository, Barbican
between 1798 and 1800
73
Thomas Rowlandson, 1756–1827, British
Four O'Clock in the Country
between 1788 and 1790
74
George Johann Scharf, 1788–1860, British
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
75
Charles James Richardson, 1806–1871, British
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
76
John Carter, 1748–1817, British
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
77
John Buckler FSA, 1770–1851, British
West view of the Ruins of Cowdray House, Sussex
1825
78
John Buckler FSA, 1770–1851, British
West View of the Ruins of Cowdray House, Sussex; from the Court
1825
79
Justinian Gantz, 1802–1862
The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845
1845
80
John Buckler FSA, 1770–1851, British
Interior View of the Hall at Rushton
1817
81
John Buckler FSA, 1770–1851, British
North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton
1812
82
John Buckler FSA, 1770–1851, British
The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham
1817
83
unknown artist, eighteenth century
Design after a Greek Vase
undated
84
Edward Allen Everitt, 1824–1882, British
Deck of a Paddle Steamer With a Girl Reading and a Horse Travelling in a Loose-Box
undated
85
Studio of Sir Jeffry Wyatville, 1766–1840, British
Designs for the Facade and Ground Plan of a Prison
undated
86
Sawrey Gilpin, 1733–1807, British
Castle below mountains with horses by a river
undated
87
John Robert Cozens, 1752–1797, British
Between Chamonix and Martigny
1776
88
Charles Robert Cockerell, 1788–1863, British
The Temple of Aphaia at Aegina: Ground Floor Plan
undated
89
Sir William Chambers, 1723–1796, British
Design for Ceiling
ca. 1765
90
Studio of Sir Jeffry Wyatville, 1766–1840, British
Banner Cross Hall, Sheffield: Elevation
ca. 1819
91
John Robert Cozens, 1752–1797, British
Tivoli
1778
92
Samuel Davis, 1760–1819, British
Continental Scene - Brigands in Ambush Awaiting a Coach
1777
93
Joseph Nash, 1808–1878, British
The Cartoon Gallery, Knole, Kent
1871
94
unknown artist, nineteenth century
Villa for Mr. Bolton, Bournemouth, Elevation Views
ca. 1875
95
J. Singleton, active ca. 1920, British
1 & 2 Queens Gate, Kensington
ca. 1920
96
unknown artist, nineteenth century
Two Designs for Ecclesiastical Niches
undated
97
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Plan
1827
98
Charles Robert Cockerell, 1788–1863, British
The Temple of Apollo Epikourios: Details of the Ionic Order