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1. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803, British
Date:
1802
Medium:
Gray wash, pen and black ink, and graphite on thin, slightly textured, pink laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 7 13/16in. (23.2 x 19.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803, British
Date:
1802
Medium:
Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 x 7 13/16in. (24.4 x 19.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803, British
Date:
1802
Medium:
Gray wash, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 7 3/4in. (23.5 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Basel, Bridge Center, Quayside, with Figures and Shipping Right, with Cathedral Rising behind Buildings

Basel, Bridge Center, Quayside, with Figures and Shipping Right, with Cathedral Rising behind Buildings
Creator:
John Henderson, 1764–1843, British
Date:
ca. 1807
Medium:
Watercolor and pen and ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/8 × 8 inches (8.6 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection